Hans Urs von Balthasar prepared this overview of the theology and spirituality of Henri de Lubac, whom he calls friend and master, on the occasion of the latters's eightieth birthday. Beginning with personal reflections drawn from the then unpublished pages of "memoirs" which de Lubac placed in his hands, von Balthasar offers a review of all the major works of de Lubac. Von Balthasar illustrates here the wonderful synthetic power for which he is justly bringing the range as well as the organic unity of de Lubac's work clearly into view. The main themes of that work remain as important now as when de Lubac first took them up--perhaps even more important. And there is no one better able to discuss these themes than von Balthasar, a master of theology in his own right and de Lubac's great friend for over fifty years. Co-published with Communio Books.
Hans Urs von Balthasar was a Swiss theologian and priest who was nominated to be a cardinal of the Catholic Church. He is considered one of the most important theologians of the 20th century.
Born in Lucerne, Switzerland on 12 August 1905, he attended Stella Matutina (Jesuit school) in Feldkirch, Austria. He studied in Vienna, Berlin and Zurich, gaining a doctorate in German literature. He joined the Jesuits in 1929, and was ordained in 1936. He worked in Basel as a student chaplain. In 1950 he left the Jesuit order, feeling that God had called him to found a Secular Institute, a lay form of consecrated life that sought to work for the sanctification of the world especially from within. He joined the diocese of Chur. From the low point of being banned from teaching, his reputation eventually rose to the extent that John Paul II asked him to be a cardinal in 1988. However he died in his home in Basel on 26 June 1988, two days before the ceremony. Balthasar was interred in the Hofkirche cemetery in Lucern.
Along with Karl Rahner and Bernard Lonergan, Balthasar sought to offer an intellectual, faithful response to Western modernism. While Rahner offered a progressive, accommodating position on modernity and Lonergan worked out a philosophy of history that sought to critically appropriate modernity, Balthasar resisted the reductionism and human focus of modernity, wanting Christianity to challenge modern sensibilities.
Balthasar is very eclectic in his approach, sources, and interests and remains difficult to categorize. An example of his eclecticism was his long study and conversation with the influential Reformed Swiss theologian, Karl Barth, of whose work he wrote the first Catholic analysis and response. Although Balthasar's major points of analysis on Karl Barth's work have been disputed, his The Theology of Karl Barth: Exposition and Interpretation (1951) remains a classic work for its sensitivity and insight; Karl Barth himself agreed with its analysis of his own theological enterprise, calling it the best book on his own theology.
Balthasar's Theological Dramatic Theory has influenced the work of Raymund Schwager.
A short, dry and tedious book that does little more than repeat Lubac's bibliography with the most obvious exposition. Did you know, for example, that The Drama of Atheist Humanism is about atheism? Balthasar goes on to say the work principally deals with Feuerbach, Kierkegaard, Nietzsche, Comte and Dostoevsky, which is self-evident to anyone as the table of contents is organized around their names.
A fairly decent translation - Urs v Balthasar has a difficult style which defies easy translation. Here he presents in German de Lubac's complicated French, all of which is transposed into English. And yet the texts cover the entire 20th century. A great read - dare I say, the book is fun?
Excellent and inspiring overview of the theology of one of my new favourite theologians, by another one of my new favourite theologians - what more can I ask for! These 20th Century Catholic theologians man…