I've wanted to read Liar for six months. Unfortunately, my library didn't have a copy and I didn't have enough motivation to purchase it. Now that I'm in college, I have full range to my university's YA selection. It's very expansive. I've had Liar on my desk for two weeks. I picked it up today and finished it in less than four hours.
Like Fight Club, or Psycho, or The Sixth Sense, I went into Liar knowing the big secret. That didn't make it less exciting. On the contrary, I wanted to read it despite my knowledge of the big reveal. I believe that this is called dramatic irony. You, the audience, are aware that Tom in the (500) Days of Summer is going to get dumped by Summer before you set foot in the theater. Yet, you want to watch the movie to see how they break up. Odd.
Anyway, on her website, Justine Larbalestier pleads with readers not to reveal the big secret. It's no surprise why she does this. The premise of this book is one big marketing tool. A huge secret that no one should reveal? Why wouldn't you want to read the book to be in on the secret? It's like a club.
So, I read Liar, knowing the secret. And, honestly, I'm not that impressed. Larbalestier is a talented writer, but the secret isn't that amazing. Neither are Micah's lies. Even with Fight Club, which I didn't really like, I was impressed with Palahnuik's big reveal.
Larbalestier does the exact opposite of what M. Night does with his scripts. While he's a terrible writer, you read on because you're intrigued. Larbalestier is a pretty good writer, but once the secret is revealed, there isn't anything left. She told it 50% through the book. That's it.
And while we know that Micah is a liar who's trying to tell the truth, you never find out what's the truth and what's a lie. That was my biggest problem with this novel. There's no resolution. Maybe Micah lied, maybe she didn't. And since I don't know, I don't care.
As for the character work? Well, it wasn't bad, but it certainly wasn't good. I never got a decent grasp on any of the characters outside of Micah. And since she's terribly unreliable, you never know if she's lying about them. Towards the end, with the introduction of Pete, I started to skim. I didn't want to read a murder mystery. I wanted to read an examination of a compulsive liar. And since most of her lies are stupid at best, well, what's the point? This book could've been so much more, and there are hints that point to a deeper, darker novel. But it never goes there.
Since this is usually tagged as contemporary, I have suspicions that Micah was indeed lying. But the audience is never told that. We're left with trivial half truths that don't really add much to the plot, such as the three-way make-out session. While that was interesting to read, I didn't care. Finding out about the cage, Jordan, the farm -- that was interesting. But this feels like the prologue to another novel. It feels like the Before of Looking for Alaska. And I'm still waiting for the After.
Title: Liar
Author: Justine Larbalestier
Genre: Contemporary/Fantasy
Premise: Micah, a compulsive liar, promises to tell the truth after revealing that her boyfriend has been murdered
Word Count: 75,894
[ ] What the hell did I just read?
[ ] wasn’t for me
[x] worth the read
[ ] impressive
[ ] genius
What I learned: Strong writing, impressive setting, and an intriguing premise will get someone to read your book. But, ultimately, the ending is what will get them to refer you to their friends. This ending worked for some, but it didn't for others. Leave your reader with a sense of satisfaction; don't cheat them because you want to be seen as that mysterious, ambiguous writer. The best books and the best movies have solid endings. Christopher Nolan leaves quite a few, "what ifs?" in his movies. But the end of Inception and The Prestige still have solid, satisfying resolutions. You could say that mystery of whether Micah is or isn't lying is a complex storytelling device, intended to leave a series of discussion behind. I call it lazy. To a certain extent, the audience has to use their imagination, but they shouldn't have to imagine an ending for you. You're the writer, they're the reader. Do your job.