I received an Advance Review Copy from the publisher via Netgalley in exchange for an honest review.
I was excited about Issunboshi, being a fan of Japanese mythology, but unfortunately I found it to be a pretty underwhelming read. If you’re even slightly familiar with Japanese mythology, all the creatures featured will be familiar to you– but I couldn’t help wondering if it would be the best introduction for someone who wasn’t. The narrative moves so fast, we don’t really get to spend time with any of them, and they seem to be included just for the sake of it, which undermines their effectiveness.
It’s tricky to get readers invested in characters and a huge, world-ending threat in such a short space of time, and as far as I was concerned Lang didn’t achieve that goal here. The pacing felt extremely uneven and often rushed. The characters are ciphers- the women in the narrative suffer particularly from this, but it's a universal problem- with predictable, spouting overfamilliar dialogue, and mostly seemed to exist for exposition, which is copious. Issunboshi’s quips are just stock-phrases, and he himself feels pretty devoid of personality, which is always unfortunate when seeing a character from legend who has already been reimagined again- it’s difficult to put out of mind reinterpretations you’ve preferred when coming across a flavourless one.
Returning to the plot, Lang didn’t really sell me on this particular version of the story. Issunboshi being borne of the soul of a legendary spear is an extremely cool concept, but the magic in this story all feels very hand-wavey and the resolution was ultimately a bit of a Deus Ex Machina. Additionally, I know that Issunboshi usually ends his tale at a typical height, but it didn’t feel thematically appropriate in this instance. I wasn’t sure what it was supposed to represent, in the wake of the cliche of “even the smallest person can make a difference.” It’s a retelling, already straying pretty far from most versions of the folktale I’m familiar with, so I was pretty baffled by this choice. Apart from some bog-standard self-dobut, Issunboshi doesn’t really have an arc to be resolved, and the one he does have doesn’t parallel the plot: he’s pure of heart from the start, so the resolution isn’t really satisfying.
I’m not a huge fan of the art style either, unfortunately- it feels pretty generic and Disney-ish, unmemorable and inconsistent. Certain panels were impressive- for instance, many of the action panels, particularly those that got creative with perspective, but I couldn’t help but notice a few unintentionally goofy facial expressions that felt rushed in others. Whilst the Kappa was a stand-out, the rest of the character designs, including that of the main villain, were underwhelming. As other reviewers have observed, this graphic novel felt less like it was intended to be a graphic novel and more like a storyboard for an animated film, which follows, considering Lang’s background. I adore animation- it’s one of my favourite mediums- but this is an unhappy compromise. This story feels like it wants music, wants quick, funny cuts for comedic timing, wants dynamic movement that Lang just isn’t conveying in stills.
I come away from this read unsure who I’d recommend Issunboshi to– those interested in Japanese mythology retellings have countless stronger reimaginings to turn to, and there are countless stories that explore these very classic themes with more originality, eloquence, or entertainment.