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The Unspeakable Acts of Zina Pavlou
**Selected for BBC 2 Between the Covers Book Club 2023**
THEY HAVE TOLD SO MANY LIES ABOUT ME.
London, 1954. Zina Pavlou, a Cypriot grandmother, waits quietly in the custody of the Metropolitan police. She can't speak their language, but she understands what their wary looks mean: she has been accused of the brutal murder of her daughter-in-law.
Eva Georgiou, Greek interpreter for the Met, knows how it feels to be voiceless as an immigrant woman. While she works as Zina’s translator, her obsession with the case deepens, and so too does her bond with the accused murderer.
Zina can’t speak for herself. She can’t clear her own name. All she can do is wait for the world to decide...
IS SHE A VICTIM? OR IS SHE A KILLER?
A compelling historical crime novel set in the Greek diaspora of 1950s London – that's inspired by a true story – The Unspeakable Acts of Zina Pavlou is perfect for fans of Erin Kelly, Sara Collins, and Jessie Burton.
THEY HAVE TOLD SO MANY LIES ABOUT ME.
London, 1954. Zina Pavlou, a Cypriot grandmother, waits quietly in the custody of the Metropolitan police. She can't speak their language, but she understands what their wary looks mean: she has been accused of the brutal murder of her daughter-in-law.
Eva Georgiou, Greek interpreter for the Met, knows how it feels to be voiceless as an immigrant woman. While she works as Zina’s translator, her obsession with the case deepens, and so too does her bond with the accused murderer.
Zina can’t speak for herself. She can’t clear her own name. All she can do is wait for the world to decide...
IS SHE A VICTIM? OR IS SHE A KILLER?
A compelling historical crime novel set in the Greek diaspora of 1950s London – that's inspired by a true story – The Unspeakable Acts of Zina Pavlou is perfect for fans of Erin Kelly, Sara Collins, and Jessie Burton.
409 pages, Kindle Edition
First published November 9, 2023
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Displaying 1 - 30 of 323 reviews
December 10, 2023
In a Nutshell: A historical crime-drama with some amazingly complicated characters. Covers quite a few intense themes. Has minor flaws, but the overall impact is so good that I am willing to overlook the shortcomings. Strongly recommended!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Story Synopsis:
Bookish Yays:
😍 The novel dives into the action from the first page itself. I loved how it started directly with the crucial scenes. No frivolous build-up.
😍 The characters, though typical in some cases, are fascinating. It is tough to know whom to trust. If you are the kind of reader who wants to have likeable characters you can root for, this book isn’t for you This is a set of humans who are very flawed, and their complexity makes them perfect for such a story.
😍 Other than the crime and its related elements, the book also has a minor track of Eva and her husband Jimmy, and the struggles in their marriage after Eva’s miscarriage. Jimmy seemed to have the patience of a saint. Their track highlights how tough it is for a marriage to sustain after a tense incident.
😍 Through Eva’s work with the Met, we get to see the tricky work of translation and interpretation, and the myriad complications. This is the first time I have read a book covering translation for criminals – very interesting.
😍 The book seems to capture the 1950s vibe well. I could have done without the repeated references to characters’ smoking, but that counts as authentic to the era, so I won’t dock off points for it.
😍 The timelines go back and forth multiple times, but due to the clear chapter indicators with a mention of the timestamp, there's no confusion at all.
😍 The plot covers some really hard-hitting themes such as racism, misogyny, patriarchy, infidelity, mental health, xenophobia, domestic abuse, miscarriage, and grief. Despite this plethora of heavy-duty topics, it never feels overloaded with issues as all are tackled at the right level of coverage.
😍 Imagine being arrested in a foreign country where you don’t know the language, you have been abandoned by your family, and your only hope is a woman compatriot who understands your language! Zina’s struggles to understand her new reality are written excellently. Especially during the court scenes, the book easily helps us visualise the complications in comprehension when we don't know the language.
😍 I can't say I was surprised at what happens in the climax, but despite my guess being correct, I still love the way it was written. The entire plot is executed well, with all events serving a purpose.
😍 There is excellent representation of the historical Greek diaspora and the antagonistic attitudes of the Londoners with respect to “outsiders.” Hedy’s arc also gives a minor glimpse of the same hostility towards Germans.
😍 The author’s note at the end took me by surprise. I had totally forgotten that the blurb mentions this as being inspired by a true story. The details of the original crime as written in the author’s note are harrowing. It added an even greater aura of sobriety to the proceedings.
Bookish Nays:
😒 I didn’t like the Bert track, though I later saw why that was somewhat needed in the story.
😒 The miscommunication trope comes up often in the Jimmy-Eva track, which is somewhat frustrating.
All in all, I simply couldn’t keep this book aside. Had I not been having a busy week, I am sure I would have read this in a single sitting. Though there are some predictable portrayals and events, the novel is gripping.
Heartily recommended to all lovers of true-crime-based fiction, historical fiction, and legal drama. Though they are elements of legal thriller and mystery, the essence of the plot is strictly dramatic, so pick it up when you want a mystery-based drama and not when you want a mystery thriller.
4.5 stars, happy to round up.
I received a complimentary copy of this book through The Pigeonhole. This review is voluntary and contains my honest opinion.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Connect with me through:
My Blog || The StoryGraph || Instagram || X/Twitter || Facebook ||
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Story Synopsis:
1954. London. Zina Pavlou, a Cypriot woman in her mid-fifties, has been accused of murdering her daughter-in-law brutally. Zina can’t understand much English, so while she is in the custody of the police, she can only take wild guesses at what’s unfolding around her.
Eva Georgiou works as a freelance Greek interpreter for the Metropolitan police. As an immigrant herself, she understands how lost Zina might be feeling. The common language makes their bond grow, and Eva is determined to save Zina, even though she has her suspicions about the truth.
The story comes to us in the limited third-person perspectives of Zina and Eva, in multiple timelines that include flashback glimpses of Zina’s life prior to her arrest.
Bookish Yays:
😍 The novel dives into the action from the first page itself. I loved how it started directly with the crucial scenes. No frivolous build-up.
😍 The characters, though typical in some cases, are fascinating. It is tough to know whom to trust. If you are the kind of reader who wants to have likeable characters you can root for, this book isn’t for you This is a set of humans who are very flawed, and their complexity makes them perfect for such a story.
😍 Other than the crime and its related elements, the book also has a minor track of Eva and her husband Jimmy, and the struggles in their marriage after Eva’s miscarriage. Jimmy seemed to have the patience of a saint. Their track highlights how tough it is for a marriage to sustain after a tense incident.
😍 Through Eva’s work with the Met, we get to see the tricky work of translation and interpretation, and the myriad complications. This is the first time I have read a book covering translation for criminals – very interesting.
😍 The book seems to capture the 1950s vibe well. I could have done without the repeated references to characters’ smoking, but that counts as authentic to the era, so I won’t dock off points for it.
😍 The timelines go back and forth multiple times, but due to the clear chapter indicators with a mention of the timestamp, there's no confusion at all.
😍 The plot covers some really hard-hitting themes such as racism, misogyny, patriarchy, infidelity, mental health, xenophobia, domestic abuse, miscarriage, and grief. Despite this plethora of heavy-duty topics, it never feels overloaded with issues as all are tackled at the right level of coverage.
😍 Imagine being arrested in a foreign country where you don’t know the language, you have been abandoned by your family, and your only hope is a woman compatriot who understands your language! Zina’s struggles to understand her new reality are written excellently. Especially during the court scenes, the book easily helps us visualise the complications in comprehension when we don't know the language.
😍 I can't say I was surprised at what happens in the climax, but despite my guess being correct, I still love the way it was written. The entire plot is executed well, with all events serving a purpose.
😍 There is excellent representation of the historical Greek diaspora and the antagonistic attitudes of the Londoners with respect to “outsiders.” Hedy’s arc also gives a minor glimpse of the same hostility towards Germans.
😍 The author’s note at the end took me by surprise. I had totally forgotten that the blurb mentions this as being inspired by a true story. The details of the original crime as written in the author’s note are harrowing. It added an even greater aura of sobriety to the proceedings.
Bookish Nays:
😒 I didn’t like the Bert track, though I later saw why that was somewhat needed in the story.
😒 The miscommunication trope comes up often in the Jimmy-Eva track, which is somewhat frustrating.
All in all, I simply couldn’t keep this book aside. Had I not been having a busy week, I am sure I would have read this in a single sitting. Though there are some predictable portrayals and events, the novel is gripping.
Heartily recommended to all lovers of true-crime-based fiction, historical fiction, and legal drama. Though they are elements of legal thriller and mystery, the essence of the plot is strictly dramatic, so pick it up when you want a mystery-based drama and not when you want a mystery thriller.
4.5 stars, happy to round up.
I received a complimentary copy of this book through The Pigeonhole. This review is voluntary and contains my honest opinion.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Connect with me through:
My Blog || The StoryGraph || Instagram || X/Twitter || Facebook ||
November 30, 2024
As soon as I opened this book to page 1, the prologue, I was immediately struck by the quality of writing. The words so perfectly strung together to form clear, concise and almost poetic sentences. Furthermore, I was smacked right in the face by the shocking realities that this book contained.
‘It’s a terrible thing to be accused of a crime so dreadful. To be told every day that you’re lying, when you are almost certain that you’re not.’
Zina can't speak for herself. She can't clear her own name. All she can do is wait for the world to decide... IS SHE A VICTIM? OR A KILLER?
🌟🌟🌟🌟🌟
This book is like a time-warp, you start reading and before you know it 50 pages has gone by in what seemed like seconds…it sucks you in, engages your whole being and barely lets you take a breather. It is so engaging and tense that it could easily be read in one sitting, time permitting.
And just when I thought it couldn’t get any better, I learned that it was the incredible re-telling of a REAL LIFE historical crime case!! This is easily one of the most powerful and mind-blowing books I have ever read, which is only exemplified by it being a true story.
Furthermore, the storytelling was remarkable. The plot was so strong the whole way along. And, the multiple timelines had you constantly on your toes. I also loved the addition of Eva’s, the translator, POV. This added a whole other dimension to the story as she had her own personal struggles to deal with, alongside Zina’s case. But moreover, it was fascinating to see how the case challenged her and her own morals and beliefs as a Greek woman living in London in the 50s.
This truly is an incredible story. So powerful it hits you right to your core. Imagine being accused of a horrific crime in a country that you can’t even understand what they are asking you and they can’t understand a word you are saying in your defence. That is what Zina was experiencing. Their stories and accusations spiralling above her head. Not knowing what has been said about her and what the outcome will be. This story occurred in an era when you could be hung for murder. Imagine…just imagine how scary that must have been for her. It shocks me to my core every time I think of it.
Despite her convictions, I couldn’t help but sympathise with Zina throughout the book. She was so helpless and had a real warmth about her character. I was totally rooting for her to be saved as I couldn’t see how she could commit such a dreadful act. Since moving to London, a year prior to the murder, she had made multiple attempts at helping her son and daughter in law. How could a loving, kind person also be a cold hearted killer? 🤫
Overall, this book is incredible for two main reasons. Firstly, it is incredibly well written and executed, and secondly, the story has such a powerful impact upon the reader. Both together can be rare to find but Eleni Kyriacou has absolutely nailed this one. Absolutely remarkable book that pushes the limits of true crime writing. One of the easiest 5 🌟 I have given all year!
🌟🌟🌟🌟🌟
‘It’s a terrible thing to be accused of a crime so dreadful. To be told every day that you’re lying, when you are almost certain that you’re not.’
Zina can't speak for herself. She can't clear her own name. All she can do is wait for the world to decide... IS SHE A VICTIM? OR A KILLER?
🌟🌟🌟🌟🌟
This book is like a time-warp, you start reading and before you know it 50 pages has gone by in what seemed like seconds…it sucks you in, engages your whole being and barely lets you take a breather. It is so engaging and tense that it could easily be read in one sitting, time permitting.
And just when I thought it couldn’t get any better, I learned that it was the incredible re-telling of a REAL LIFE historical crime case!! This is easily one of the most powerful and mind-blowing books I have ever read, which is only exemplified by it being a true story.
Furthermore, the storytelling was remarkable. The plot was so strong the whole way along. And, the multiple timelines had you constantly on your toes. I also loved the addition of Eva’s, the translator, POV. This added a whole other dimension to the story as she had her own personal struggles to deal with, alongside Zina’s case. But moreover, it was fascinating to see how the case challenged her and her own morals and beliefs as a Greek woman living in London in the 50s.
This truly is an incredible story. So powerful it hits you right to your core. Imagine being accused of a horrific crime in a country that you can’t even understand what they are asking you and they can’t understand a word you are saying in your defence. That is what Zina was experiencing. Their stories and accusations spiralling above her head. Not knowing what has been said about her and what the outcome will be. This story occurred in an era when you could be hung for murder. Imagine…just imagine how scary that must have been for her. It shocks me to my core every time I think of it.
Despite her convictions, I couldn’t help but sympathise with Zina throughout the book. She was so helpless and had a real warmth about her character. I was totally rooting for her to be saved as I couldn’t see how she could commit such a dreadful act. Since moving to London, a year prior to the murder, she had made multiple attempts at helping her son and daughter in law. How could a loving, kind person also be a cold hearted killer? 🤫
Overall, this book is incredible for two main reasons. Firstly, it is incredibly well written and executed, and secondly, the story has such a powerful impact upon the reader. Both together can be rare to find but Eleni Kyriacou has absolutely nailed this one. Absolutely remarkable book that pushes the limits of true crime writing. One of the easiest 5 🌟 I have given all year!
🌟🌟🌟🌟🌟
April 28, 2024
It’s the early 1950’s and Zina, a Greek Cypriot arrives in London to see/live with her son Michalis who is married to Hedy. Zina is accused of murdering Hedy and as she speaks little or no English, Eva becomes her interpreter.
It’s a clash of cultures and more between mother and daughter in law but did Zina do it???
This is a really good story which is well written and one which keeps me immersed. It’s based on a real life case which is worth reading up on as it’s pretty shocking. I like the way the author tells this, you ‘get to know’ Zina and Eva and the latter is very likeable. Eva works at the Café de Paris which is quite the place in the ‘50’s and those scenes allow some colour to filter in.
A Kindle Unlimited read.
It’s a clash of cultures and more between mother and daughter in law but did Zina do it???
This is a really good story which is well written and one which keeps me immersed. It’s based on a real life case which is worth reading up on as it’s pretty shocking. I like the way the author tells this, you ‘get to know’ Zina and Eva and the latter is very likeable. Eva works at the Café de Paris which is quite the place in the ‘50’s and those scenes allow some colour to filter in.
A Kindle Unlimited read.
May 7, 2023
The Unspeakable Acts of Zina Pavlou is an incredible novel. It’s a masterclass on writing character - Zina and Eva will stay with me a long, long time. The novel is beautifully written and structured, capturing with picture perfect clarity 1950’s London and the entrenched prejudices against immigrants, class and women. It is also a story which brings out the nuances of crime and justice. How behind the headlines of every brutal crime there may be a complex story such that the accused is as much victim as perpetrator. This was a difficult story to tell, but the author does so with grace, humanity and skill. I found the book impossible to put down.
November 21, 2023
4.5 ★s
The Unspeakable Acts of Zina Pavlou is the second novel by award-winning British editor, journalist and author, Eleni Kyriacou. Eva Georgiou has lived in London for almost two decades, and been acting as an interpreter for the Metropolitan Police for five years by the time she is called in to interpret for a Greek Cypriot woman accused of murdering her daughter-in-law.
In late July 1954, fifty-three-year-old Zina Pavlou has been in England for a year, living, mostly, with her son Michalis, his wife, Hedy and their two children, eight-year-old Anna and baby Georgie. She is illiterate in her own tongue and has but a few words in English, but the friction between her and German-born Hedy is quickly apparent.
Zina is critical of practically every aspect of their lives: how they keep house, how they raise their children, their lack of devotion. Zina is angry at Hedy’s intolerance of her Greek customs, and numerous vocal altercations come to a head when Hedy insists that Zina returns to Cyprus. Not much later, while Michalis is at his evening job, Hedy is knocked unconscious with an ashpan, strangled with a scarf, then set alight. Some fairly strong evidence, and witness accounts, point to Zina’s guilt.
But guilty or not, Eva believes that Zina has the right to know what is happening to her, to be treated as a human being. It is her job to be impartial, although Zina is slow to trust this girl: “you’re just a woman, it’s the men who say what happens here”, and observes that “Everything they ask me is kneaded into Greek through an interpreter and whatever I reply she twists back into English….. Words are weapons here and she has so few.”
Warned not to get attached, Eva nonetheless is shocked at the prevailing attitude of the police, the prison wardens, the court officers, the press and the general public: all assume Zina’s guilt. Will she get a fair trial? “A coarse peasant woman who can’t even read and write her own language – let alone English – accused of killing her pretty, young daughter-in-law? No prizes for guessing which way the jury will go.”
Her son refuses to visit, Zina worries about her beloved granddaughter, and her Cypriot family have abandoned her. Eva finds herself befriending Zina, even though she is unlikely to be released. What especially disturbs her is Zina’s vague mention of a previous court appearance in Cyprus. With the relationship between Eva and her husband somewhat fraught, she finds herself confiding in the wrong person, to her later regret.
Kyriacou easily evokes her era and setting: the xenophobic, sexist mindset is well depicted: “She’d never met an English person yet who spoke Greek, but here it was again – the idea that all foreigners who said they didn’t speak English were lying. As if the thought itself was ridiculous.” Eva also notes: “if you can’t speak English here, you just don’t matter. And when you do learn it, and try to fit in, well. Then you can’t help but feel you’re giving away a small part of yourself.”
Ultimately, Eva is conflicted: “After all these months, she was no closer to knowing if the woman who lay in that cold, condemned cell was a ruthless killer or a victim herself.” Was Zina mad or just bad? Of the alternating twin narratives, Eva’s is believable, while Zina’s eventually comes across as likely unreliable.
The idea that, in such a widely-reported murder trial with a Greek Cypriot accused, no one in the public gallery understands Greek definitely requires the reader to don their disbelief suspenders, but the ending is credible and realistic. With the plot and many of the major details are based on a true case, this is compelling historical fiction.
This unbiased review is from an uncorrected proof copy provided by NetGalley and Aria & Aries.
The Unspeakable Acts of Zina Pavlou is the second novel by award-winning British editor, journalist and author, Eleni Kyriacou. Eva Georgiou has lived in London for almost two decades, and been acting as an interpreter for the Metropolitan Police for five years by the time she is called in to interpret for a Greek Cypriot woman accused of murdering her daughter-in-law.
In late July 1954, fifty-three-year-old Zina Pavlou has been in England for a year, living, mostly, with her son Michalis, his wife, Hedy and their two children, eight-year-old Anna and baby Georgie. She is illiterate in her own tongue and has but a few words in English, but the friction between her and German-born Hedy is quickly apparent.
Zina is critical of practically every aspect of their lives: how they keep house, how they raise their children, their lack of devotion. Zina is angry at Hedy’s intolerance of her Greek customs, and numerous vocal altercations come to a head when Hedy insists that Zina returns to Cyprus. Not much later, while Michalis is at his evening job, Hedy is knocked unconscious with an ashpan, strangled with a scarf, then set alight. Some fairly strong evidence, and witness accounts, point to Zina’s guilt.
But guilty or not, Eva believes that Zina has the right to know what is happening to her, to be treated as a human being. It is her job to be impartial, although Zina is slow to trust this girl: “you’re just a woman, it’s the men who say what happens here”, and observes that “Everything they ask me is kneaded into Greek through an interpreter and whatever I reply she twists back into English….. Words are weapons here and she has so few.”
Warned not to get attached, Eva nonetheless is shocked at the prevailing attitude of the police, the prison wardens, the court officers, the press and the general public: all assume Zina’s guilt. Will she get a fair trial? “A coarse peasant woman who can’t even read and write her own language – let alone English – accused of killing her pretty, young daughter-in-law? No prizes for guessing which way the jury will go.”
Her son refuses to visit, Zina worries about her beloved granddaughter, and her Cypriot family have abandoned her. Eva finds herself befriending Zina, even though she is unlikely to be released. What especially disturbs her is Zina’s vague mention of a previous court appearance in Cyprus. With the relationship between Eva and her husband somewhat fraught, she finds herself confiding in the wrong person, to her later regret.
Kyriacou easily evokes her era and setting: the xenophobic, sexist mindset is well depicted: “She’d never met an English person yet who spoke Greek, but here it was again – the idea that all foreigners who said they didn’t speak English were lying. As if the thought itself was ridiculous.” Eva also notes: “if you can’t speak English here, you just don’t matter. And when you do learn it, and try to fit in, well. Then you can’t help but feel you’re giving away a small part of yourself.”
Ultimately, Eva is conflicted: “After all these months, she was no closer to knowing if the woman who lay in that cold, condemned cell was a ruthless killer or a victim herself.” Was Zina mad or just bad? Of the alternating twin narratives, Eva’s is believable, while Zina’s eventually comes across as likely unreliable.
The idea that, in such a widely-reported murder trial with a Greek Cypriot accused, no one in the public gallery understands Greek definitely requires the reader to don their disbelief suspenders, but the ending is credible and realistic. With the plot and many of the major details are based on a true case, this is compelling historical fiction.
This unbiased review is from an uncorrected proof copy provided by NetGalley and Aria & Aries.
November 13, 2023
The savage killing of Hedy Pavlou is an unspeakable act. The woman charged with her murder, her mother-in-law Zina Pavlou, protests her innocence but since she speaks almost no English she cannot be understood and is effectively silenced. She feels powerless but that’s a situation she’s experienced before in her life.
For Eva, the translator assigned to Zina’s case, initially the job is just some useful extra income. But increasingly she finds herself moved by Zina’s plight, abandoned by her son and her family back in Cyprus. Because Eva knows what it is to feel alone. Soon, merely translating the questions Zina is asked and Zina’s responses to them doesn’t seem enough, particularly as it becomes clear that Zina doesn’t really understand the consequences of being found guilty of the crime. Zina believes she is innocent and all the evidence to the contrary isn’t going to change her mind. So much so, that when offered a possible way out, she rejects it. Her sole wish is to be reunited with her granddaughter, Anna, the only person who has shown her any affection since she came to England.
Given Eva’s role is to speak on behalf of another, it’s ironic that her relationship with her husband, Jimmy, has descended into one in which thoughts and feelings are no longer expressed. Their long walks talking over plans for the future have fallen by the wayside and given way to meals eaten in virtual silence. Because of their different working patterns, they’ve become like ships that pass in the night with no opportunity to talk – to really talk – about the significant thing that has happened in their life. This is increasingly so as Eva becomes progressively more involved in Zina’s case. I found I became just as much invested in Eva’s and Jimmy’s story as I did in Zina’s.
The way the story unfolds means I found myself constantly revisiting the question posed in the book: is Zina a victim or a killer? Could it be possible for both to be true? When we eventually discover what happened on the night of the murder, I think I found my own answer to that question. Even when events earlier in Zina’s life are revealed, I believe you would have to possess a heart of stone not to be moved by the final chapters of the book.
Such is the gripping nature of the story, The Unspeakable Acts of Zina Pavlou is a book I could have easily devoured in a day if it weren’t for annoying things like having to eat and sleep. The fact that it’s inspired by a true story made it even more compelling, and ultimately tragic.
For Eva, the translator assigned to Zina’s case, initially the job is just some useful extra income. But increasingly she finds herself moved by Zina’s plight, abandoned by her son and her family back in Cyprus. Because Eva knows what it is to feel alone. Soon, merely translating the questions Zina is asked and Zina’s responses to them doesn’t seem enough, particularly as it becomes clear that Zina doesn’t really understand the consequences of being found guilty of the crime. Zina believes she is innocent and all the evidence to the contrary isn’t going to change her mind. So much so, that when offered a possible way out, she rejects it. Her sole wish is to be reunited with her granddaughter, Anna, the only person who has shown her any affection since she came to England.
Given Eva’s role is to speak on behalf of another, it’s ironic that her relationship with her husband, Jimmy, has descended into one in which thoughts and feelings are no longer expressed. Their long walks talking over plans for the future have fallen by the wayside and given way to meals eaten in virtual silence. Because of their different working patterns, they’ve become like ships that pass in the night with no opportunity to talk – to really talk – about the significant thing that has happened in their life. This is increasingly so as Eva becomes progressively more involved in Zina’s case. I found I became just as much invested in Eva’s and Jimmy’s story as I did in Zina’s.
The way the story unfolds means I found myself constantly revisiting the question posed in the book: is Zina a victim or a killer? Could it be possible for both to be true? When we eventually discover what happened on the night of the murder, I think I found my own answer to that question. Even when events earlier in Zina’s life are revealed, I believe you would have to possess a heart of stone not to be moved by the final chapters of the book.
Such is the gripping nature of the story, The Unspeakable Acts of Zina Pavlou is a book I could have easily devoured in a day if it weren’t for annoying things like having to eat and sleep. The fact that it’s inspired by a true story made it even more compelling, and ultimately tragic.
November 17, 2023
Review originally on
JamReads
The Unspeakable Acts of Zina Pavlou is a historical crime fiction novel, written by Eleni Kyriacou, inspired by the story of the penultimate woman hanged in the United Kingdom. A novel that is a perfect example of how to write characters that will stay with you a long time after you have finished, in a setting that describes perfectly 1950s London and the prejudices experienced by immigrants and women.
Hedy Pavlou has been assassinated, and her mother-in-law, Zina, is charged with her murder; she protests her innocence, but with her rudimentary English, she's effectively silenced, feeling powerless in a situation than is outside of her control. Eva Georgiou is assigned as her translator, a job that for her is just an extra income; but the more she works with Zina, the more she's drawn close to her, seeing how she's abandoned by her family (the one in London or in Cyprus).
Parallel with the case development, we are told Zina's story and how her moving to living in London with her son Michaelis was far from what she expected, soon clashing with Hedy's manners and traditions; a relationship told from the POV of Zina, and which takes you to the level of asking yourself what really happened with Hedy.
Kyriacou weaves a gripping story, told from Eva's POV on one side, a story of loneliness which can be set in parallel to what Zina's lived when she came to London; Eva is extremely worried as Zina doesn't seem to be mentally okay, and might not understand the consequence of being found guilty.
We will be constantly revisiting the question about what if Zina is a murderer, or is just a victim of the prejudices suffered by many others in her situation? But the answer is not as simple as black or white, and the many shades of grey are what make of her a character that will stay with you for a long time; Kyriacou has written a story that makes all the way to your heart.
If you are in the mood for historical inspired crime, The Unspeakable Acts of Zina Pavlou is an excellent novel that you should totally give a try. A really enjoyable read which will provoke you to think a lot about the characters even after finishing.
The Unspeakable Acts of Zina Pavlou is a historical crime fiction novel, written by Eleni Kyriacou, inspired by the story of the penultimate woman hanged in the United Kingdom. A novel that is a perfect example of how to write characters that will stay with you a long time after you have finished, in a setting that describes perfectly 1950s London and the prejudices experienced by immigrants and women.
Hedy Pavlou has been assassinated, and her mother-in-law, Zina, is charged with her murder; she protests her innocence, but with her rudimentary English, she's effectively silenced, feeling powerless in a situation than is outside of her control. Eva Georgiou is assigned as her translator, a job that for her is just an extra income; but the more she works with Zina, the more she's drawn close to her, seeing how she's abandoned by her family (the one in London or in Cyprus).
Parallel with the case development, we are told Zina's story and how her moving to living in London with her son Michaelis was far from what she expected, soon clashing with Hedy's manners and traditions; a relationship told from the POV of Zina, and which takes you to the level of asking yourself what really happened with Hedy.
Kyriacou weaves a gripping story, told from Eva's POV on one side, a story of loneliness which can be set in parallel to what Zina's lived when she came to London; Eva is extremely worried as Zina doesn't seem to be mentally okay, and might not understand the consequence of being found guilty.
We will be constantly revisiting the question about what if Zina is a murderer, or is just a victim of the prejudices suffered by many others in her situation? But the answer is not as simple as black or white, and the many shades of grey are what make of her a character that will stay with you for a long time; Kyriacou has written a story that makes all the way to your heart.
If you are in the mood for historical inspired crime, The Unspeakable Acts of Zina Pavlou is an excellent novel that you should totally give a try. A really enjoyable read which will provoke you to think a lot about the characters even after finishing.
May 10, 2024
5 Massive ⭐
A historical crime novel based on true events.
Unputdownable, well written with fascinating characters.
Covers some heavy topics.
The authors note at the end was a great way to end the novel.
Would highly recommend 💕
A historical crime novel based on true events.
Unputdownable, well written with fascinating characters.
Covers some heavy topics.
The authors note at the end was a great way to end the novel.
Would highly recommend 💕
February 15, 2024
I don't read much historical fiction, not because I have any concerns about historical accuracy but because I often find it dull, familiar and info-dumpy. Eleni Kyriacou's second novel, The Unspeakable Acts of Zina Pavlou, nimbly avoids these concerns. Set in London in the mid-1950s, it centres on the trial of an older Greek Cypriot immigrant, Zina, who has been accused of the brutal murder of her daughter-in-law. Zina speaks very little English, so Eva, a younger Greek woman, is employed to translate for her, and swiftly becomes emotionally involved in the case. This novel is based on the real-life case of Styllou Christofi, and Kyriacou's attention to historical detail is meticulous but never overbearing. However, what really impressed me about this novel was how she wrote about Zina. Novels based on real-life cases about murderous women usually exonerate them, then think about how patriarchal beliefs led to their miserable fates (I'm thinking Hannah Kent's Burial Rites, Emma Flint's Little Deaths, and even, to an extent, Margaret Atwood's much smarter Alias Grace). But instead, Kyriacou chooses to accept Zina's guilt and dig into it, which makes for a much more interesting story. Although Zina is guilty, the prejudice she faces as an older, non-English-speaking, illiterate immigrant profoundly shapes her fate; she is seen as a stupid peasant woman who showed no remorse for her crime, because her emotional reactions aren't legible to a British tabloid audience. Kyriacou also beautifully develops her relationships with her son and daughter-in-law in a thread set during the weeks leading up to the murder, so we see how tensions rise through cultural misunderstandings and judgements without anyone being painted simply as the villain. Eva, too, is not just Zina's vessel but has a quietly compelling story of her own. Both satisfyingly pacy and very thought-provoking.
Disclaimer: Eleni Kyriacou is a friend of mine – we met while taking the Curtis Brown Creative novel-writing course in 2015/16. However, this review reflects my genuine opinion of this novel.
Disclaimer: Eleni Kyriacou is a friend of mine – we met while taking the Curtis Brown Creative novel-writing course in 2015/16. However, this review reflects my genuine opinion of this novel.
November 10, 2023
I’ve just read the final stave of The Unspeakable Acts of Zina Pavlou by Eleni Kyriacou with The Pigeonhole. I was transported back to the decade and place of my birth, to London in 1954, not long after the war, when murderers were still hanged. It is a dark book, sad and awful in turn. The two main characters, both Cypriots, different in age and character, are brought together by the horrific murder of Zina Pavlou’s daughter-in-law. Zina, a grandmother, who is not long in London and speaks very little English, has been accused of the murder, and Eva Georgiou is her interpreter and translator. All the way through the book we are unsure if she is guilty; we come to know Zina better through Eva, who becomes more involved with the older woman than she should, and the reader too is immersed in the women’s lives. The book is based on a true story but so well fictionalised and well written, so vivid and emotional, that I was immersed in the story and shocked when it came to an end.
March 17, 2024
I didn't realise that the novel was based on a true story until I read the author's note at the end.I think I was expecting it to be a Detective thriller/murder mystery but it was more about how the media and criminal justice system treat women and non English speakers.
I enjoyed the way in which my sympathies, particularly my opinion of Zina fluctuated throughout the course of the novel.
I enjoyed the way in which my sympathies, particularly my opinion of Zina fluctuated throughout the course of the novel.
May 29, 2024
What a sad book. Really well written, I would recommend to crime and history lovers.
January 30, 2024
I really enjoyed this book, consumed as an audiobook, with a very good narrator who managed to deal with convincing Greek / Cypriot accents.
I loved the dual timeline (even though the timelines were only a few months apart) that kept you guessing like any observer as to what had actually happened on 'the night in question'.
I don't always read or listen to the author's notes, but hadn't yet downloaded another book to listen to, and had a few minutes walk left. I am SO glad that I did, as the fact that this was very much based on a true story had escaped me somewhow, and it makes it feel like an even more intriguing story.
I loved the dual timeline (even though the timelines were only a few months apart) that kept you guessing like any observer as to what had actually happened on 'the night in question'.
I don't always read or listen to the author's notes, but hadn't yet downloaded another book to listen to, and had a few minutes walk left. I am SO glad that I did, as the fact that this was very much based on a true story had escaped me somewhow, and it makes it feel like an even more intriguing story.
May 15, 2024
Summary: Zina came to London from Cyprus to live with her son, his wife, and their two young children. Now the 53 year-old grandmother is accused of brutally murdering her daughter-in-law and sits in prison awaiting her trial. Everyone seems to have already decided that she is guilty and they treat her accordingly. Zina understands very little English and doesn't speak the language, so she is assigned an interpreter to help her understand what is happening. Eva begins working with Zina, and although Zina is difficult and prickly, Eva feels a deep empathy for her. Eva becomes increasingly immersed in Zina's case and life - her only friend when everyone else deserts her. But is Zina a victim of circumstances, a calculating murderer, or just violently insane?
Thoughts: While this novel is a work of fiction, it is closely based on the true story of Styllou Christofi who murdered her German-born daughter-in-law in 1954. I was somewhat surprised to find that this was an emotional read for me. Zina's character was formed in an insular and impoverished Greek village where they settled their own matters without police intervention. Zina is illiterate and was never provided any education, married off as a child at 14 and has five children by the time she is twenty. The author does a masterful job of presenting Zina as a complete and complex character. She is loving, gentle and hardworking, but she is also volatile, judgmental and ruthless.
Kyriacou exposes the ugliness of racism, discrimination and misogyny in this gripping novel. Zina is a homely grandmother with no education and a difficult personality. Did public opinion and the justice system fail to exercise any compassion for her because she was an outsider and an object of contempt and derision? Even if the accused is actually guilty, are we capable of still feeling some compassion and understanding for them? Eva is also a fascinating character, who fulfils her duties with empathy and insight. She becomes overly-involved with Zina's case and suffers as it reaches the inevitable conclusion.
This is a meaningful and thoughtful read. Sending a sincere thanks to the lovely Sam Baker @theothersambaker and Head of Zeus/Bloomsbury Publishing for the copy which I have gratefully added to my collection.
Thoughts: While this novel is a work of fiction, it is closely based on the true story of Styllou Christofi who murdered her German-born daughter-in-law in 1954. I was somewhat surprised to find that this was an emotional read for me. Zina's character was formed in an insular and impoverished Greek village where they settled their own matters without police intervention. Zina is illiterate and was never provided any education, married off as a child at 14 and has five children by the time she is twenty. The author does a masterful job of presenting Zina as a complete and complex character. She is loving, gentle and hardworking, but she is also volatile, judgmental and ruthless.
Kyriacou exposes the ugliness of racism, discrimination and misogyny in this gripping novel. Zina is a homely grandmother with no education and a difficult personality. Did public opinion and the justice system fail to exercise any compassion for her because she was an outsider and an object of contempt and derision? Even if the accused is actually guilty, are we capable of still feeling some compassion and understanding for them? Eva is also a fascinating character, who fulfils her duties with empathy and insight. She becomes overly-involved with Zina's case and suffers as it reaches the inevitable conclusion.
This is a meaningful and thoughtful read. Sending a sincere thanks to the lovely Sam Baker @theothersambaker and Head of Zeus/Bloomsbury Publishing for the copy which I have gratefully added to my collection.
January 1, 2024
Based on a true 1950s case, the essence of this book rests on the evidence of a Greek Cypriot women and what she conveys to the translator. She is accused of murdering her daughter in law.
My fascination lay, aside from the period detail, in a counter-intuitive look at immigration and discrimination. On top of this is layered illiteracy, misogyny, racism all enhanced by indirect communication and assumption.
The relationship between prisoner and translator is page turningly intense and completely sucked me into the story. Truths are hinted and given perspective from differing voices. Despite having read about the real case, I was left guessing right to the end, so I guess the book worked its magic on me
My fascination lay, aside from the period detail, in a counter-intuitive look at immigration and discrimination. On top of this is layered illiteracy, misogyny, racism all enhanced by indirect communication and assumption.
The relationship between prisoner and translator is page turningly intense and completely sucked me into the story. Truths are hinted and given perspective from differing voices. Despite having read about the real case, I was left guessing right to the end, so I guess the book worked its magic on me
January 29, 2024
4.5 stars for me. Historical crime drama based on a true story. Highly recommended.
February 11, 2024
I was totally engrossed by this fictional retelling of a true story. I had difficulty knowing if I felt empathy with a character. Maybe this was because they felt so real.
October 20, 2025
A heartbreaking but unsurprising read! It’s a strong recommendation from me.
November 9, 2023
I feel like I have been waiting for this book all year, you always want to find at least one book a year that will leave a lasting impression on you, that you will instantly recommend to anyone, it will stay with you long after you have finished it. That will bring out the feelings and emotions as if you are one of the characters in the book. For me this is that book, I really cannot see anything else beating this one this year. Obviously I have read some very good books but this one has just gone to the top. Maybe it’s because it is part truth and part fiction although I believe from reading the authors end notes there is more truth than fiction. But don’t read them until you have read the book.
A murder takes place, but who is dead? And who is the killer? Is it pre meditated or a crime of passion, or insanity, you decide for yourself.
It’s 1954, Zina Pavlou and Eva Georgiou, both born Greek but one is charged with murder the other is the interpreter. These two characters are the main part of the story their relationship. As Eva desperately translates everything for Zina. She isn’t sure if Zina did what she has been accused of, we as the readers don’t know if she is innocent or not until the very end. These two lives couldn’t have been more different.
Zina had been married off to an older man by 14, by 21 she had 5 children, she couldn’t read or write, her main job was to keep her children fed, the house clean, scrubbing floors, darning clothes. Promises had been made but they had never happened. Years later her son Michalis invites her to England to help him and his wife out with the children and with keeping house. Although when she arrived in London she said to her son about working and earning a wage. He said she would be busy helping out at their home whilst they were at work.
Eva is married to a good man Jimmy, she had lost her mum, and had also lost a baby, she blamed herself for that. When she was asked to translate for Zina she had thought it was just an initial interview, but she ended up being the translator throughout the short investigation and the trial. She becomes obsessed with Zina, visiting her in Holloway every day writing letters to her family for her, having to do two copies one in English and one in Greek. Zina feels like everyone has abandoned her. Is she right?
The chapters are interspersed with the two women’s lives, along with the time leading up to the murder, followed by the trial.
This so beautifully written, you will be drawn in wondering whether Zina murdered her daughter in law or not. The trial was almost a joke it seemed both the prosecution and the defence had decided she was guilty before the trial even started. She was laughed at and called stupid because she couldn’t read or write. But they had no idea what her life choices had been.
Eva desperately wants to help Zina, she talks to the dr who visits and watches Zina, he tells Eva not to worry as when sentencing is done his report will be taken into account and they will see she is insane and so she will be put in a hospital. This gives Eva some comfort. After all the British don’t like to hang women the last one had been 30 years earlier. So Zina should be fine.
I became so engrossed in these two main characters, I didn’t want the end of the book to come, but I had to know what happened. This is beautifully written despite the topics involved.
I will recommend this book to all readers, it is tragic, the racial and social inequality, mental health. Have things changed now? How would a trial like this be handled in modern day London. I looked up the real case as soon as I had finished this. But again because she was Greek, regarded as stupid, not a young attractive woman, it didn’t get the coverage that a later case did.
An absolute guaranteed ⭐️⭐️⭐️⭐️⭐️ read, I would give it more if I could.
A murder takes place, but who is dead? And who is the killer? Is it pre meditated or a crime of passion, or insanity, you decide for yourself.
It’s 1954, Zina Pavlou and Eva Georgiou, both born Greek but one is charged with murder the other is the interpreter. These two characters are the main part of the story their relationship. As Eva desperately translates everything for Zina. She isn’t sure if Zina did what she has been accused of, we as the readers don’t know if she is innocent or not until the very end. These two lives couldn’t have been more different.
Zina had been married off to an older man by 14, by 21 she had 5 children, she couldn’t read or write, her main job was to keep her children fed, the house clean, scrubbing floors, darning clothes. Promises had been made but they had never happened. Years later her son Michalis invites her to England to help him and his wife out with the children and with keeping house. Although when she arrived in London she said to her son about working and earning a wage. He said she would be busy helping out at their home whilst they were at work.
Eva is married to a good man Jimmy, she had lost her mum, and had also lost a baby, she blamed herself for that. When she was asked to translate for Zina she had thought it was just an initial interview, but she ended up being the translator throughout the short investigation and the trial. She becomes obsessed with Zina, visiting her in Holloway every day writing letters to her family for her, having to do two copies one in English and one in Greek. Zina feels like everyone has abandoned her. Is she right?
The chapters are interspersed with the two women’s lives, along with the time leading up to the murder, followed by the trial.
This so beautifully written, you will be drawn in wondering whether Zina murdered her daughter in law or not. The trial was almost a joke it seemed both the prosecution and the defence had decided she was guilty before the trial even started. She was laughed at and called stupid because she couldn’t read or write. But they had no idea what her life choices had been.
Eva desperately wants to help Zina, she talks to the dr who visits and watches Zina, he tells Eva not to worry as when sentencing is done his report will be taken into account and they will see she is insane and so she will be put in a hospital. This gives Eva some comfort. After all the British don’t like to hang women the last one had been 30 years earlier. So Zina should be fine.
I became so engrossed in these two main characters, I didn’t want the end of the book to come, but I had to know what happened. This is beautifully written despite the topics involved.
I will recommend this book to all readers, it is tragic, the racial and social inequality, mental health. Have things changed now? How would a trial like this be handled in modern day London. I looked up the real case as soon as I had finished this. But again because she was Greek, regarded as stupid, not a young attractive woman, it didn’t get the coverage that a later case did.
An absolute guaranteed ⭐️⭐️⭐️⭐️⭐️ read, I would give it more if I could.
June 2, 2024
Original, emotional, a superb book and a must read! I felt I managed to connect with and deeply understand all the characters in this book. There isn't much that anyone can criticise the book here; perhaps just one thing- the author does make an effort to somehow make this into a murder mystery type book. But, this story was never meant to be that. There's no mystery and no twists at the end. Just an incredible story, with incredible characters and a lot of emotional pain.
May 12, 2025
I'll rate it 4 stars because it is well written, well paced, and pretty nuanced for a crime novel. It would be more impressive if this was an original piece of fiction, but large parts were taken from historical documents.
I would rate it 3 stars just in terms of enjoyment, as I found it kinda boring actually.
I would rate it 3 stars just in terms of enjoyment, as I found it kinda boring actually.
August 11, 2023
This was a really interesting novel, particularly given that it was based on real events which the author refers to at the end of the novel.
In this story, we meet Eva - a waitress who also works as a part time Greek translator for the Police/Courts. Late one night, she is brought into the Police station to interpret for Zina Pavlou who has been arrested for the horrific murder of her daughter-in-law.
Through multiple timelines, we are taken to a year prior to the murder as well as dipping into Zina's life in Cyprus as well as, of course, the present day as Zina awaits her trial for murder. Despite multiple warnings, Eva becomes personally attached to Zina, who has, understandably, been shunned by her son and has no-one to look out for her.
Chapter by chapter we are drip fed the back story as to what actually happened on that fateful night and the outcome of Zina's trial.
A thoroughly enthralling read which I would definitely recommend
In this story, we meet Eva - a waitress who also works as a part time Greek translator for the Police/Courts. Late one night, she is brought into the Police station to interpret for Zina Pavlou who has been arrested for the horrific murder of her daughter-in-law.
Through multiple timelines, we are taken to a year prior to the murder as well as dipping into Zina's life in Cyprus as well as, of course, the present day as Zina awaits her trial for murder. Despite multiple warnings, Eva becomes personally attached to Zina, who has, understandably, been shunned by her son and has no-one to look out for her.
Chapter by chapter we are drip fed the back story as to what actually happened on that fateful night and the outcome of Zina's trial.
A thoroughly enthralling read which I would definitely recommend
February 1, 2024
A tale without a happy ending. No notable twists and turns. Zina’s story is based on the true event of a Greek woman’s journey to her hanging. I was transfixed to the underwhelming end. I think that’s what I liked about it. No sensationalised ending. No hero’s. No bells and whistles. In fact, waiting for a last minute reprieve was the hook. And finding that there was no fairytale ending is the brilliance here. No happily ever after. Just an unexpected and disappointing end. Both to the book and to Zina. A true reflection of the cruel reality of life for some.
This entire review has been hidden because of spoilers.
November 7, 2023
This is a book that everyone should read, this is my top read of the year. I was glued to the pages, not knowing how this story was going to end. I had read it was based on a true story with some fiction added to it. But it is heartbreaking, I cried at parts and reading afterwards which parts were true and which was fiction didn’t make things much easier.
It’s 1953 Zina Pavlou has been invited to London by her son Michalis and his German wife Hedy, they want her to help with the housework and looking after the children. Zina is excited to meet her grandchildren especially the older one Annie the other is still a baby. But when she arrives things don’t go as well as planned. Zina cannot read or write Greek, and she speaks no English. Which means she can only communicate fully through her son. But she does try to learn words in English.
When one night Hedy is murdered, the only person that is looked at is Zina. But she claims she is innocent, she has no idea what has happened. Is she telling the truth?
Eva Georgiou is a translator the police ask her if she will translate the questioning they need to do with Zina. She agrees, but it’s not just the one time she translates Eva begins to care about Zina, she gets too close, she has no idea if she is guilty of what she is charged or not. But she is determined to be by her side and translate.
Despite both being Greek Zina and Eva’s lives have been so different. Zina had been married at 14, she had 5 children by 21 and a husband who cheated on her. As Eva gets to know her better she learns something from the past, but only a snippet not the full story and she keeps it to herself.
This story is heartbreaking in many ways, I felt such sympathy for Zina I had no idea if it was misplaced or not until the end. But even then life had been tough.
If you think of all the modern technology we have now DNA, crime Scene Analysis, psychiatrists, this case may have been solved quicker and the sentence would have been different.
Because someone cannot read or write doesn’t make them stupid, because they are not the most beautiful woman doesn’t make you stupid. Zina is only 53 but from the work she has done since 14 she may as well have been 73.
This is my top read of this year, I have read a number of books but none so far this year have stayed with me like this one. A book that makes you think, that brings out emotions in you. I was holding my breath as the court case came to an end. Gripped to know what was going to happen. The injustices of some of the trial.
The story is told gradually and jumps back and forth in time to when Zina was young, to when she arrived in London. Going back before the murder and before the murder gradually leading to the trial.
I found the whole story compelling reading and found myself looking up the real case after reading what the author had said which parts were fiction and which were fact.
I would like to thank #netgalley and #HeadofZeus for an ARC of this book in exchange for an honest review. All thoughts and opinions are my own and have not been influenced in any way.
It’s 1953 Zina Pavlou has been invited to London by her son Michalis and his German wife Hedy, they want her to help with the housework and looking after the children. Zina is excited to meet her grandchildren especially the older one Annie the other is still a baby. But when she arrives things don’t go as well as planned. Zina cannot read or write Greek, and she speaks no English. Which means she can only communicate fully through her son. But she does try to learn words in English.
When one night Hedy is murdered, the only person that is looked at is Zina. But she claims she is innocent, she has no idea what has happened. Is she telling the truth?
Eva Georgiou is a translator the police ask her if she will translate the questioning they need to do with Zina. She agrees, but it’s not just the one time she translates Eva begins to care about Zina, she gets too close, she has no idea if she is guilty of what she is charged or not. But she is determined to be by her side and translate.
Despite both being Greek Zina and Eva’s lives have been so different. Zina had been married at 14, she had 5 children by 21 and a husband who cheated on her. As Eva gets to know her better she learns something from the past, but only a snippet not the full story and she keeps it to herself.
This story is heartbreaking in many ways, I felt such sympathy for Zina I had no idea if it was misplaced or not until the end. But even then life had been tough.
If you think of all the modern technology we have now DNA, crime Scene Analysis, psychiatrists, this case may have been solved quicker and the sentence would have been different.
Because someone cannot read or write doesn’t make them stupid, because they are not the most beautiful woman doesn’t make you stupid. Zina is only 53 but from the work she has done since 14 she may as well have been 73.
This is my top read of this year, I have read a number of books but none so far this year have stayed with me like this one. A book that makes you think, that brings out emotions in you. I was holding my breath as the court case came to an end. Gripped to know what was going to happen. The injustices of some of the trial.
The story is told gradually and jumps back and forth in time to when Zina was young, to when she arrived in London. Going back before the murder and before the murder gradually leading to the trial.
I found the whole story compelling reading and found myself looking up the real case after reading what the author had said which parts were fiction and which were fact.
I would like to thank #netgalley and #HeadofZeus for an ARC of this book in exchange for an honest review. All thoughts and opinions are my own and have not been influenced in any way.
November 9, 2023
Thank you to the author, publisher Head of Zeus, and online book club The Pigeonhole for the chance to read this in the run up to publication day. Particular thanks to the author for writing such a compelling story that I also bought a copy of the ebook as soon as it published since the final part wasn’t released on Pigeonhole until the nect day and I couldn’t wait. This is an honest and voluntary review.
Eva works occasionally as an interpreter for the police. Called upon to help in the interview of a Cypriot grandmother accused of murdering her daughter-in-law, Eva is quickly pulled in to the role of Zina’s supporter and champion even after she uncovers hints about Zina’s past.
Based on the true story of the second last woman to be hanged in England this is a powerful book. Even without knowing that it is based on a real case it would be impossible not to be struck by the themes of the story.
The author has done an incredible job of writing well-rounded characters which are both flawed and well-intentioned (in Eva’s case) and walking a fine line between sympathetic, arrogant and traumatised (in Zina’s).
The inherent bias in the system and the people within it against a woman who cannot speak English and is unable to read and write in her own language is heartbreaking. The author again does a brilliant job in showing this, in both the subtle ways and the direct ways it appears, without appearing preachy. Sadly, but not unsurprisingly, the author’s note shows how these elements are amongst the most closely based on the reality of records of the time.
And, even while telling a dramatised version of a true story, and dealing with complex themes of what makes a good or a bad marriage or a healthy family tie, and the impacts poverty, racism and misogyny have on justice (or injustice) this book fundamentally remains a really well-written story, and that’s not at all easy to do.
Eva works occasionally as an interpreter for the police. Called upon to help in the interview of a Cypriot grandmother accused of murdering her daughter-in-law, Eva is quickly pulled in to the role of Zina’s supporter and champion even after she uncovers hints about Zina’s past.
Based on the true story of the second last woman to be hanged in England this is a powerful book. Even without knowing that it is based on a real case it would be impossible not to be struck by the themes of the story.
The author has done an incredible job of writing well-rounded characters which are both flawed and well-intentioned (in Eva’s case) and walking a fine line between sympathetic, arrogant and traumatised (in Zina’s).
The inherent bias in the system and the people within it against a woman who cannot speak English and is unable to read and write in her own language is heartbreaking. The author again does a brilliant job in showing this, in both the subtle ways and the direct ways it appears, without appearing preachy. Sadly, but not unsurprisingly, the author’s note shows how these elements are amongst the most closely based on the reality of records of the time.
And, even while telling a dramatised version of a true story, and dealing with complex themes of what makes a good or a bad marriage or a healthy family tie, and the impacts poverty, racism and misogyny have on justice (or injustice) this book fundamentally remains a really well-written story, and that’s not at all easy to do.
November 11, 2023
Based on a true story, I found this novel both fascinating and disturbing. The characters aren't exactly endearing but they have been created to shock and propel the reader further into the story. I read along with fellow book addicts over a period of 10 days with the Pigeonhole serialisation. I found myself disappointed when a stave ended because I naturally wanted to read on.
This book is all about familial relationships and what happens when trust is broken or there is a language/cultural barrier making interpersonal relations tense and challenging.
At times I felt great sympathy for Zina, the Greek Cypriot mother, staying with her son, daughter-in-law and granddaughter, because she just wants to stay and belong. But Zina is a complex character, hard, strange, outspoken and possibly dangerous. We don't know because of the secrets she is keeping. One moment you appreciate how frustrated Hedy (the daughter-in-law) is and the next you just want Hedy and son Mikalis to be kind to Zina.
And then there is the interpreter who has a lot of pain herself to contend with. Eva Georgiou is preoccupied with loss and her relationship with Jimmy that has become too distanced, and in this vulnerable state it is easy to see why she becomes so pulled into supporting Zina, charged with murder and awaiting trial in HMP Holloway.
Towards the end it is quite hard to read and imagine the thoughts and feelings of a condemned prisoner. I've always had a huge sickening feeling when I think of hanging, the electric chair etc and so I really felt in tune with the nerve wracking wait. Would there be a reprieve or not? The notes at the end of the book, supplying details of the real crime and punishment, bring an interesting layer to everything read as fiction and rounded the book off really well in my opinion.
Definitely a book I would recommend to others.
This book is all about familial relationships and what happens when trust is broken or there is a language/cultural barrier making interpersonal relations tense and challenging.
At times I felt great sympathy for Zina, the Greek Cypriot mother, staying with her son, daughter-in-law and granddaughter, because she just wants to stay and belong. But Zina is a complex character, hard, strange, outspoken and possibly dangerous. We don't know because of the secrets she is keeping. One moment you appreciate how frustrated Hedy (the daughter-in-law) is and the next you just want Hedy and son Mikalis to be kind to Zina.
And then there is the interpreter who has a lot of pain herself to contend with. Eva Georgiou is preoccupied with loss and her relationship with Jimmy that has become too distanced, and in this vulnerable state it is easy to see why she becomes so pulled into supporting Zina, charged with murder and awaiting trial in HMP Holloway.
Towards the end it is quite hard to read and imagine the thoughts and feelings of a condemned prisoner. I've always had a huge sickening feeling when I think of hanging, the electric chair etc and so I really felt in tune with the nerve wracking wait. Would there be a reprieve or not? The notes at the end of the book, supplying details of the real crime and punishment, bring an interesting layer to everything read as fiction and rounded the book off really well in my opinion.
Definitely a book I would recommend to others.
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April 28, 2024Inspired by the true story of Styllou Christofi, a Greek Cypriot woman who was accused and found guilty of the murder in cold blood of her daughter-in-law, Hella Dorothea Christofi. Resulting in her being the penultimate woman to be hanged in 1950's Britain.
Eleni has skillfully weaved a morally complex, evocative, tense, moving, compelling, tragic, and thought-provoking story. Highlighting the rampant misogyny, racism, prejudice, culture differences, stereotyping, language barriers, sexism, conflict, expectation, and misrepresentation and misunderstanding surrounding mental illness within society and the very questionable and inadequate justice system of the time.
Her characters are well researched, plotted, written, and developed. With a particular depth and dynamic to the characters of Zina and Eva. Drawing out a strong sense of sympathy, empathy, and solidarity from her readers.
The flow and pace were both perfect. With Eleni easily and brilliantly orchestrating and capturing the essence of such a tragic, emotional, and complex story.
I'm really looking forward to reading more of her work.
Eleni has skillfully weaved a morally complex, evocative, tense, moving, compelling, tragic, and thought-provoking story. Highlighting the rampant misogyny, racism, prejudice, culture differences, stereotyping, language barriers, sexism, conflict, expectation, and misrepresentation and misunderstanding surrounding mental illness within society and the very questionable and inadequate justice system of the time.
Her characters are well researched, plotted, written, and developed. With a particular depth and dynamic to the characters of Zina and Eva. Drawing out a strong sense of sympathy, empathy, and solidarity from her readers.
The flow and pace were both perfect. With Eleni easily and brilliantly orchestrating and capturing the essence of such a tragic, emotional, and complex story.
I'm really looking forward to reading more of her work.
December 14, 2023
If you are looking for an intense and thought provoking read based on a horrifying true story, look no further - this one is chilling and so compelling!
Based on the true story of Styllou Christofi, the penultimate woman to be hanged in the UK, this looks at how the justice system worked for someone who spoke very little English and who wasn’t glamorous enough to warrant lots of media support and attention. It’s a tense psychological suspense novel which had me on the edge of my seat despite having an idea what was coming, and I thought our two female main characters were brilliant and so fascinating together. There’s Zina, the accused grandmother, and Eva, the Greek interpreter working on her case who feels a connection with the older woman, and we get to experience both of their stories across different timelines.
The flashbacks to Zina’s move to the UK and treatment by her son and daughter-in-law were infuriating and heartbreaking, and even more devastating as we uncover her history back in Cyprus - there was nothing black and white about this novel, and I appreciated getting the nuanced points of view whilst being left to decide for myself if things went down the right way.
It can be a tough read, but it’s also eye-opening and so gripping, and made me thankful that we’ve at least moved on in some ways in this country. Definitely recommend for crime fans!
Based on the true story of Styllou Christofi, the penultimate woman to be hanged in the UK, this looks at how the justice system worked for someone who spoke very little English and who wasn’t glamorous enough to warrant lots of media support and attention. It’s a tense psychological suspense novel which had me on the edge of my seat despite having an idea what was coming, and I thought our two female main characters were brilliant and so fascinating together. There’s Zina, the accused grandmother, and Eva, the Greek interpreter working on her case who feels a connection with the older woman, and we get to experience both of their stories across different timelines.
The flashbacks to Zina’s move to the UK and treatment by her son and daughter-in-law were infuriating and heartbreaking, and even more devastating as we uncover her history back in Cyprus - there was nothing black and white about this novel, and I appreciated getting the nuanced points of view whilst being left to decide for myself if things went down the right way.
It can be a tough read, but it’s also eye-opening and so gripping, and made me thankful that we’ve at least moved on in some ways in this country. Definitely recommend for crime fans!
November 10, 2023
This was a great read, definitely on my "books of the year" list. Superb storytelling. Yes, it used a true story as inspiration, but the blend of fact & fiction created a truly absorbing read, it felt so real, like you were with the characters/inside their heads.
I really didn't know which way things would go: was Zina really guilty or was she taking the fall for her son? Was Zina mentally ill?
The character of Jimmy, Eva's husband, is now one of my Favourite fictional male characters. He was so lovely, kind and understanding with Eva but still with a backbone who tried to make Eva see the whole picture, didn't let Eva get away with upsetting him, etc. So not the sugary sweet drippy men or completely horrible that are often how husband's are portrayed in fiction.
Looking forward to seeing what the "Between the Covers" panel think of it in December.
Highly recommended.
With thanks to the Pigeonhole for facilitating and the author for joining in the chat.
I really didn't know which way things would go: was Zina really guilty or was she taking the fall for her son? Was Zina mentally ill?
The character of Jimmy, Eva's husband, is now one of my Favourite fictional male characters. He was so lovely, kind and understanding with Eva but still with a backbone who tried to make Eva see the whole picture, didn't let Eva get away with upsetting him, etc. So not the sugary sweet drippy men or completely horrible that are often how husband's are portrayed in fiction.
Looking forward to seeing what the "Between the Covers" panel think of it in December.
Highly recommended.
With thanks to the Pigeonhole for facilitating and the author for joining in the chat.
November 13, 2023
Without doubt one of the best books of 2023. Based on the true story of Stillou Christoffi, who murdered her daughter in law in July 1954, I absolutely loved this book…such powerful, evocative writing with well-crafted characters, particularly Zina and Jimmy. Clever characterisation meant that you either loved or hated Zina; you either felt sympathy or anger with her depending on your interpretation of the characters. The insight into life in the 1950s in rural Greece for Zina before she came to England was reflected in how she was seen as an illiterate peasant who contributed nothing to society and was therefore assumed to be guilty even before the trial. For me, the final few chapters of the book after the trial and sentence being passed were so beautifully written and full of emotion, they will stay with me for a long time. Thank you to Pigeonhole and the author, Eleni Kyriacou, for the opportunity to read this book. Looking forward to the discussion on BBC 2’s Between the Covers in December.
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