This novel is not an awful read, but it is strangely disappointing despite being last installment of a promising saga. I understand that Duane wanted it to go beyond the formulaic and trite stories that constitute the majority of Trek novels. So instead of presenting the usual single battle engagement, this book offers an interweaving of political intrigue and long-term war plan that immediately raises the stake. However, the effort falls flat because there are so many elements that I think just would not work in the larger universe. In fact, the premise of the novel is so ludicrous that I struggled to suspend my disbelief.
Duane fails to convince me that these characters can be at the center of the momentous historical changes in the Rihannsu Empire. Despite his reputation and prestige, Kirk is ill-suited as the Admiral of the Free Rihannsu Fleet because he is not only an outsider, but also widely regarded by the Rihannsu as an enemy of the state. While he may have proven his loyalty to Ael, the Rihannsu insurgents have no reasons to trust him except for the word of whom many of them still consider a traitor. I’m surprised that no one suspects that Kirk was an agent sent by the Federation to manipulate the war in their favor (which he is). Given the Rihannsu’s long held xenophobia and Kirk’s notoriety as a cunning warrior, the question of Kirk’s allegiance should have been the foremost concern for the Rihannsu rebels, and his offer to join their cause should have been further scrutinized and invoked strong and long lasting suspicion. Instead, there are only a few throwaway lines about the Rihannsu’s distrust of Kirk, and then the issue is never visited again. Nothing comes out of it, nothing to further address a serious and legitimate issue.
In addition, I doubt that Kirk is the only person qualified for leading the Fleet. Kirk may be good, but it is highly unlikely that he could have possessed adequate tactical knowledge to swiftly devise an effective strategy. The Rihannsu should have had misgivings about sharing their military intelligence with a member of a hostile state, who could then deliver it into the hands of his master. Even if Kirk relies on the information provided Starfleet, it cannot be completely accurate given the Federation’s limited contact with the Rihannsu. Kirk already has so little time to prepare for the incursion; there must have been Rihannsu commanders who are at least as capable as, or more well informed about their territories than an starship captain bound to a government that recently declared war against them. At most, Kirk can serve as a military advisor, but it is inconceivable that the Rihannsu would permit him to be more involved in their conflict any more than he should, which leads up to my next point: Kirk should have assumed no central role in the revolution at all.
The focus of the story should have been the Rihannsu dissidents who stood up against a corrupt system and fought for their freedom. As an outsider, unfamiliar with Rihannsu culture and disconnected from the reality of the oppressed, Kirk should have had no place in the conflict. His presence in the novel only diminishes the agency of the Rihannsu rebels who have the right to lead and organize their own revolution. The assertion that Kirk is somehow indispensable to their cause is asinine, and it deprives us of the opportunity to explore the Rihannsu culture from more interesting points of view.
Furthermore, while Kirk is proficient at engaging in close combat, the show gives no indication that he is adept at long term strategy. He has a knack for improvising and working on the fly, which makes him an excellent combat tactician but not necessarily an accomplished strategist. Kirk’s tendency to neglect the big picture is also inconsistent with the long term thinking that is characteristic of a skilled military strategist.
Unlike Kirk, who is shoehorned into places that he has no right to be, Ael should have received the spotlight because this is her and her people’s fight. However, despite all that chatter about how indispensable she is to the cause, how she becomes a central figure of the Rihannsu’s movement for liberation, I never got the sense that she is as important as the book claims to be. Duane offers very little insight into Ael’s thoughts and feelings during the incursion, and most of the character’s concern has to do with personal matters rather than the big picture - such as the precarious fate of the Rihannsu people.
Ironic enough, the Rihannsu perspective available in a book ostensibly centered on a Rihannsu uprising by the destitute and marginalized is dominated by the Three, the most wealthy and powerful. Most of their scenes could have been removed, and it would not have had significant impact on the story. I would say the same thing about Aarhae and her role in the revolution. While Aarhae’s viewpoint is necessary to shed light on Rihannsu society in the previous novel, her participation here is contrived and superfluous. We spend too much time mulling over her anxiety and fear about being discovered, but the novel could have made it that any intelligence about the Imperial Fleet comes from an anonymous source. Furthermore, I’m surprised that Ael permits Aarhae to remain in Rihannsu after the insurgence is over. Aarhae has risked her life to help them, but she’s also a Federation spy. While Ael may recognize Aaehae as a useful asset, she has no reason to trust her, and enabling a foreign agent to assume a powerful position in the government is always a liability, if not an outright threat to its stability and security.
Despite the sheer ambition of the novel about depicting an epic resistance to tyranny, the story is shallow and trite. It overstates Kirk and the Enterprise’s role and overestimates foreign influence on the internal transformation of a nation. (How typical to think you can get a positive outcome by meddling in the internal affairs of other countries). Instead of diving into the complex political fallout of the Rihannsu government and its enormous implication on the oppressed population, the book limits itself to the safer realm of cheap lip service about revolutionary cause and the soporific and overly complicated technicalities of war. At most, it is an entertaining story, but like most Star Trek literary works, it is familiar, predictable, and hardly subversive.