3.5 stars
This review is based on an ARC ebook received for free from NetGalley. I am not being paid to review this book and what I write here is my own opinion. My rating scale is below.
The Scarlet Circus is part of Yolen’s fractured fairy tale series of short stories. I have read one other in this series and found her fresh adaptations of well-known stories interesting and particularly enjoyed her story notes about how she changed the stories and why. Shockingly, I think I actually want to own a copy of this collection for the poems in the story notes as much as for the stories.
Brandon Sanderson’s introduction talks about how Yolen’s Dragon’s Blood was one of the books that turned him into a reader, and about Yolen’s versatility as a writer, which is hardly surprising - with more than 400 publications to her name, she would have to be versatile to stay in the game. Yolen’s preface, “A Little Bit of Loving,” delves more deeply into the variety of genres she has published in, seemingly with an eye toward preparing the reader for a collection with an emphasis on love in its myriad forms.
“Falling in Love with the Other” - A poem that serves as an introduction. It talks about the many forms love and relationship can take nonjudgmentally and with hope.
“Sans Soleil” - A prince is prophesied to grow up to be so handsome he’ll outshine the sun and so he’s kept in the dark, away from the rays of the jealous star. In his bride’s determination to prove to him that he’s in no danger from the sun, to stop him fleeing to his cave at cock’s crow, one sees shades of Sleeping Beauty’s spindle and the tale of Eros and Psyche. It turns out, science is not always correct.
“Dusty Loves” - Opens with a tree on which is carved “Dusty loves ___” and there follow the names of the many beings the narrator’s brother Dusty has loved. This story is about the time Dusty fell in love with the ghost of a suicide whose tale is rather similar to that of Romeo and Juliet. He is not a particularly romantic paramour, even though he is one of the fey, and he falls out of love quickly, but agrees to help the lovers reunite - by convincing Roman to die. The narrator’s dry tone really does make the story seem like something a sister would tell. I particularly liked the line, “Humor is difficult enough between consenting adults.”
“Unicorn Tapestry” - I know I have read this story elsewhere (perhaps in Here Be Unicorns?), and I remember enjoying it the first time around, too. It’s about a middling, muddling princess named Marian who cannot marry because there are no more eligible princes and prefers not to be shut away in a convent. Her indifferent embroidery skills see her assigned to stitch unicorn hunt seat covers for her father’s unicorn hunt and on the final one she stitches a brown-eyed, uncollared unicorn that is both mundane and magical.
“A Ghost of an Affair” - Told in numbered sections, the first section has some excellent lines: “The heart need not be beating to entertain the idea of romance. To think otherwise is to misunderstand the nature of the universe. To think otherwise is to miscalculate the odds of love.” It tells the story of Andrea Crow, a rockhound and jeweler who sells her wares at renfaires and large stores and falls in love with a ghost, Simon Morrison, and then with his great-great-grandson, whom she marries eventually. Nobody dies who wasn’t already dead at the beginning of the story and it’s nice.
“Dark Seed, Dark Stone” - Bears some resemblance to Cinderella with a good, dead father and a less-than-heartbroken stepmother, but the stepmother is secondary. Bryony makes a future for herself and her people by defending her king and demanding a boon that sees them allied to another kingdom.
“Dragonfield” - This is the story of the end of the last dragon, Aredd, and of a maiden once called Tansy who, together with a man who is not a hero, pits her courage and her wits against fire and fury. The Italics bracketing the story, making it into a legend and not just a short story, could be shorter. Apparently it was made into a graphic novel with Rebecca Guay that I have read and really enjoyed, though I had to be reminded of this by the story notes.
“The Sword and the Stone” - This is probably the longest story and it is an Arthurian tale. Sort of. The king in question is a nominal Christian who still swears by Mithras. Merlinnus, a Christian Druid, is doing his best to prod him into actions that will lead to greatness, having failed with Uther and Morgana and dismissed Mordred as not worth the effort, but Arthur’s interest in a sword in the stone to declare him king over all Britain when he already holds that title is minimal. Eventually, a strange boy called Gawen (not Gawain, who is already one of the Three Fearless Men) appears. He has a mighty part to play in Arthur’s life, but not what one might expect.
“The Sea Man” - A lieutenant’s sea voyage is disrupted when a merman is brought aboard and most are mistrustful, and so it is soon thrown back to its wife and daughter, setting the lieutenant’s heart at ease. As thanks, the sea man later warns the crew of a storm ahead that they ride out in safety, allowing the lieutenant to return home to his own wife and daughter.
“Memoirs of a Bottle Djinn” - Another story about seamen, this one a Greek slave who has discovered a promising bottle. He sees no point in wishing for his own freedom, and the djinn does not want hers. Eventually, he wishes himself into her bottle as well.
“Peter in Wonderland” - An adult Alice Liddell visiting Wonderland meets an unprepared Peter Wallace and the eccentricities of Wonderland force them into a farcical marriage that will eventually become real in the world outside. One of the only truly new stories in the anthology.
“The Erotic in Faerie: The Footnotes” - The footnotes to a scholarly paper supposedly based on a presentation given by Jane Yolen at the Hundredth Anniversary of the International Society to Preserve the Fey. I do enjoy a good pseudo-scholarly presentation in my fiction. It reads almost like a poem.
Of course, one of the things that makes collections like this one so worthwhile are the story notes. For Yolen's fractured fairytale books, each story's note includes a poem about the story as well as the story’s provenance. Many of these poems were written during 2020 as part of her efforts to write a poem a day. My particular favorites were "Chaucer's Nightmare," a humorous poem about how horrified Chaucer would by by his scholarly legacy, and "The Girl Speaks to the Mage," which accompanied "The Sword and the Stone" and which I would love to see illustrated and on a wall.
Overall, I enjoyed this collection quite a lot, and I think that other readers will, too, whether for the fun of playing Spot the Storybones (or whatever you call it when you try to figure out what classic tale served as inspiration for the work you're currently reading), or for actually accessible poetry on fantastic themes (I do appreciate how accessible Yolen's poetry is, compared to many writers'), or simply for the craft that goes into them. Many are reprints, it's true, but they're strong enough to read again, I feel. At any rate, I like this book enough that I have added a print copy to my wedding registry.
rating scale
1 star - I was barely able to finish it. I didn't like it.
2 stars - It was okay. I didn't dislike it.
3 stars - It was interesting. I liked it.
4 stars - It was excellent. I really liked it.
5 stars - It was extraordinary. I really hope the author wrote more things.