When Owen Quentillian returns to visit Canon Morchard in the idyllic village where he spent his childhood before the First World War, he finds the Canon a self-declared optimist, clinging to the Victorian beliefs about religion, family life and moral values which the war has shattered. Is the Canon a domestic tyrant? Are his children struggling to break free? Or does this family have anything to teach Quentillian about life and how to live it?
E.M. Delafield was a Charlotte Yonge fan, and in this book she takes the typical Yonge paterfamilias, turning everything from talking after bedtime to absolute atheism into an emotional opera which threatens to crush his children under the weight of their fear of disappointing him, and puts him into a post-war world. The Canon himself remains solidly convinced of the rightness of his values to the end, but one by one we see his children’s attempts to find a life of their own. But this is not a simple tale of parental tyranny and thwarted desires. As the book progresses, we see that his children have to make their own choices in life, and part of that is learning that they have free will to make their own choices - no-one is entirely a victim. It’s an easy read but not a light novel. In the end Delafield rejects the tendency of her own day to view human experience as being all about psychology, or The Woman Question, or the need for freedom: people are complex and need love, security, and other things just as much. Will they be happy? Maybe moments of happiness are enough.