Holy Irish stereotypes, Batman! Kitty is a new girl at St Clare's when Janet, Isabel et al are in the third form, and naturally she causes havoc in her very Oirish way. She has a goat and everything. Really, to be sure.
I was somewhat taken aback at Pamela Cox's/Egmont's writing and editing of a book like this in the twenty-first century. Kitty sures and begorrahs her way throughout the book, is totes 'madcap', calls mistresses 'Mam' and uses a form of Irish English that no-one in Ireland has used for at least a century - unless there is a hidden tribe somewhere in the hills of Donegal that has never heard of TV, E numbers or Daniel O'Donnell:
On hearing Pat and Isabel's surname is O'Sullivan: 'Would you be after having a bit of the Irish in you?'
On being asked if she'd listened to the mistress in class: 'I have and all, Mam...Sure me eyes might be out there in the garden, but me ears are in here all right.' (Just typing that gave me hives.)
On an upper former the third form dislikes: 'Sure and that one needs taken down a peg or two.' (Which is even worse, because 'taken down a peg or two' is a phrase that childish Irish me, growing up apparent decades away from Kitty's mythical and ancient Oirish community, never used and never heard of apart from in English novels.)
And yet! As Kitty's actions become more central to the plot, she suddenly drops the Irish way of phrase and her speech becomes more standard. So even the stereotype is inconsistent. *hives*
I realise the books are set in a vague time period probably best categorised as 'after the war', but really. Would a Chinese girl arriving at St Clare's in a book published in 2012 be written in the same stereotypical way? I'd love to see the headlines and the court case if so, so I would to be sure to be sure.
No doubt people who use terms like 'the professionally offended', 'political correctness gorn mad' or 'Jeremy Clarkson? He's all right, him', will point out that Kitty is a likeable and popular character, and so surely her portrayal is totes fine. (Like when an ad campaign is massively misogynistic and people say it's obviously OK because it was a woman wot done it. Pamela Cox will probably turn out to be half Irish or something.) But it still doesn't change the fact this book is mind boggingly stereotypical - and did I mention it was published in 2012? Even Enid wasn't as bad as this with the French.
It's also pretty poor plotwise: once again Pamela Cox does the 'evil upper former making nefarious plans to scupper the lower forms' story; even though, personality orders and immediate psychiatric intervention aside, this would never happen to this extreme in any school, anywhere, even in Blyton. But I'd be interested to know who edited this one, as it lacks the appalling and unnatural dialogue that plagues the Pamela Cox Malory Towers books: it's really hard to believe that with all the Blyton fans/good writers out there, Egmont really can't find anyone to write or edit the Malory Towers books a bit better.
(I've just realised it's pretty clear Egmont must be using the 'Pamela Cox' name as a brand and the books in both series are written by different authors, much like the Billy Bunter and Magnet stories were written first by Frank Richards/Charles Hamilton and then by ghostwriters under the Frank/Hilda Richard names. Dialogue can't be generally OK as in this book [hidjus Irish stereotypes notwithstanding] and utterly second form creative writing as it is in the Malory Towers books. I am prepared to be proved wrong, like Orwell in his essay about British school stories. But I think we should be told.)
Also. No doubt people who use terms like 'the professionally offended', 'political correctness gorn mad' or 'Jeremy Clarkson? He's all right, him', will point out this is a children's book. And that there are shocking things going on in Syria. And that I have too much time on my hands if I'm actually writing this review. They'd be right on all three counts. And I'm not mortally offended by the portrayal of Kitty here.
But I find it odd. Or, as Kitty would say, Well to be sure and it's strange and all I did find it now, writing like that in this day and age begorrah.
Really, Egmont? To be sure, really?