Alexander Pierpont was unexpectedly elevated to be the Duke of Rennick's heir, a role he neither wanted nor was suited to, after his elder brother's untimely death. When he flees a ball to collect his nerves in the garden, he literally runs into Miss Evelyn Graves, his hostess's personal secretary, who had escaped the sounds of the party infiltrating her room to seek some quiet reading time outdoors. When Alex barrels into her, Evie wonders if it might have been a fateful meet-cute if she'd been an aristocrat like him. As it is, her father was disowned for marrying a common woman, and now Evie is a spinster with a job and a sister to provide for rather than a debutante with ballgowns and a duke on the horizon.
After that first impression, we meet our couple again after Alex has become the Duke. We learn that Alex's late father has backed him into a corner. He was desperate for his heir to see to his responsibilities, so he's threatened Ballymore Castle in Ireland, the place that Alex's mother would take her children to escape her husband. That safe haven will be inherited by an unsympathetic family member, Uncle George, instead of Alex if he remains unwed six months after his father's death. Alex would find himself landed with his father's debts but not a roof over his head. Quite reasonably, his siblings and aunt, who call the Castle home as much as he does, are in the mood to matchmake. His aunt's meddling has extended to inviting Evie's boss, Lady Waverly, to stay with them in Ireland and lend her famed charitable hostessing to a cause near and dear to Alex's heart. Hopefully, the widow will be so taken with him that she'll bring her giant fortune into the family fold, killing two birds with one stone.
Unfortunately for Alex's aunt, Lady Waverly is wise to these fortune-hunting machinations, so used to them is she. She decides to send Evie in her stead, with her regrets, on a "working holiday." Evie, who does most of the work that Lady Waverly is known for, anyway, will arrange the Equestrian Society charity event there, put off the Duke of Rennick, and come home a week later. The little excursion comes with a raise that will help Evie put her little sister, Sybil, through medical school, so she accepts despite her reservations.
The Duke and his family are shocked to see Evie descend from the carriage, Alex with the extra layer of surprise that comes from recognition. The matchmaking scheme has fallen apart, but the charity event must go on. Evie is determined to bring her trademark organization and eye for detail to her job, despite the general disappointment that accompanied her arrival. The Duke's sister, Belinda, is welcoming despite the confusion; it's his aunt who's most cantankerous about the replacement they've been landed with.
I found most of the characters to be kindly and lovable. It's the romance that didn't entice me. In a way, I appreciated how relaxing and tender-hearted it is with that feeling of a sweet crush first developing, but in another way, I missed the dramatic sweep that I look forward to in a romance novel. Sure, there are life-threatening moments, and people set against our couple, but why didn't I feel that tension then? I suspect we can thank that whiff of love-at-first-sight, which tends to bore me. Even the use of tropes I enjoy more didn't quite land. There's an "only one bed" scenario at an inn in the rain that's ruined for me because the characters act so recklessly. It's a local inn with plenty of onlookers when they arrive, and the Duke is a public figure of note. Since the two know they can't be together for Alex to get what his family needs, it has more the energy of a furtive one-night fling done poorly, rather than the typical use of the trope as a cleverly wielded bit of pressure to bring two people together when they're away from the limitations brought by prying eyes.
I liked the characters in this one. It was the romance that felt a bit lackluster with its combination of tropes and their execution. I know I typically love this author's lighthearted approach, so it's just a matter of this particular case, not a reflection of her style in general. I will continue to pick up her books in the future, but I'd recommend some of her other works over this one unless you love a whirlwind, easy love story. Thanks to Avon for my copy to read and review!