Despite numbering at just 35, his works have prompted a New York Times best seller; a film starring Scarlett Johansson and Colin Firth; record visitor numbers at art institutions from Amsterdam to Washington, DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring, also known as the “Dutch Mona Lisa”. In his lifetime, however, the fame of Johannes Vermeer (1632–1675) barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, except by a few Dutch art collectors and dealers. Outside of Holland, his works were even misattributed to other artists. It was not until the mid-19th century that Vermeer came to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural detail, and majestic planes of light, spotted a genius, and never looked back. This 40th anniversary edition showcases the complete catalog of Vermeer’s work, presenting the calm yet compelling scenes so treasured in galleries across Europe and the United States into one monograph of utmost reproduction quality. Crisp details and essays tracing Vermeer’s career illuminate his remarkable ability not only to bear witness to the trends and trimmings of the Dutch Golden Age but also to encapsulate an entire story in just one transient gesture, expression, or look. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program―now more compact, friendly in price, and still realized with the same commitment to impeccable production.
"Vermeer of Delft, master of intimacy, innermost stillness of unspoken exchanges, reveals to us, be it in his portraits or in his interiors, a silence that is palpable. He does so without resorting to chiaroscuro employing only the most delicate touches, and mitigating the impressions of solitude through the atmosphere of a setting in which we may already feel at home." Emil Cioran
One of the greatest painters of the Dutch Golden Age, Johannes Vermeer is renowned for his masterly treatment and use of light in his work.
This is a stunning edition of Vermeer's work with art reproduction of the highest quality. I am mostly impressed with the content and format, well researched and presented.
The book presents the complete catalogue of the artist’s work in one printed monograph, with exquisitely reproduced pieces on full page spreads, also including enlarged versions for close-up studies.
I've been on a Vermeer kick lately, because I'm about to go and see all eight of the Vermeer paintings in New York City (5 at the Met, 3 at the Frick). I also watched the "Girl with the Pearl Earring" movie with Colin and ScarJo. This book was... much, much better than the "Girl with the Pearl Earring" movie.
Johannes Vermeer: The Complete Works' is a visual masterpiece in itself. This book not only showcases Vermeer's stunning art but also provides insightful commentary and historical context. A must-have for any art lover's collection!
Beautiful to look at. Boring to read. Classic art book. The paintings are why we get these books. The word’s themselves are too academic. Too much in the weeds for us non art historians. But, I am a big fanboy of Vermeer. He knows how to paint. A true master.
Buku paling indah dan mewah tentang Vermeer yang pernah aku pegang dan miliki. Buku yang ingin sekali aku baca sampai tuntas. Tapi entah kapan menyelesaikannya.
This small but mighty book brings together excellent reproductions and details of Vermeer's paintings, with very detailed background information and provenances of them all. Highly recommended!
Spitefully boring. The book, the printed copy, is wonderful - hefty with exquisite reproductions, an item de luxe. It feels so lavish to page through it, that not even the recalcitrantly tedious writing of mr Schütz and his endless enumerations of who bought what for how much when manages to yank the Persian rug of sumptuousness from under it. An then there is Vermeer. The author that smashed my idea of the visual genius as an infallible entity. Books, movies, albums by one artist or artists, they sure vary, you have gems in the catalogue, just as you have turds. Yet with visual arts, which I admire almost as much as I am bewildered by the craft behind their creation, I tended to view the oeuvres of Rothko, Magritte, or Caravaggio, as one glorious whole with mishaps registering merely as foibles, crumbs for the god of statistics. Vermeer smote me with the Milkmaid, the View of Delft is fine, the rest... ludicrous. Memeworthy monotony of lighting, figures injected with austere, still-life paralysis of expression, plain moronic faces. A one-hit wonder, for me at least.
Large prints of his work, which really helps to bring his paintings to life. Details are also shown large, in order to highlight and clarify things. Of course, his girl with a pearl earring is wonderful.