Today is my stop on the blog tour for 𝗧𝗛𝗘 𝗕𝗘𝗔𝗨𝗧𝗬 𝗢𝗙 𝗜𝗠𝗣𝗢𝗦𝗦𝗜𝗕𝗟𝗘 𝗧𝗛𝗜𝗡𝗚𝗦 by Rachel Donohue. Thank you to TLC Book Tours and Corvus books for having me along, and for sending me a copy of this beautiful and atmospheric book.
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𝗜 𝘁𝘂𝗿𝗻𝗲𝗱 𝗳𝗶𝗳𝘁𝗲𝗲𝗻 𝘁𝗵𝗮𝘁 𝘀𝘂𝗺𝗺𝗲𝗿 𝘄𝗵𝗶𝗰𝗵 𝗜 𝗻𝗲𝘃𝗲𝗿 𝗯𝗲𝗹𝗶𝗲𝘃𝗲𝗱 𝘁𝗼 𝗯𝗲 𝘀𝗶𝗴𝗻𝗶𝗳𝗶𝗰𝗮𝗻𝘁, 𝘁𝗵𝗼𝘂𝗴𝗵 𝗮𝗳𝘁𝗲𝗿𝘄𝗮𝗿𝗱𝘀 𝗽𝗲𝗼𝗽𝗹𝗲 𝗰𝗹𝗮𝗶𝗺𝗲𝗱 𝗾𝘂𝗶𝘁𝗲 𝘃𝗲𝗵𝗲𝗺𝗲𝗻𝘁𝗹𝘆 𝘁𝗵𝗮𝘁 𝗶𝘁 𝘄𝗮𝘀. 𝗜 𝘄𝗮𝘀 𝗱𝗲𝘀𝗰𝗿𝗶𝗯𝗲𝗱 𝗮𝘀 𝘂𝗻𝗳𝗶𝗻𝗶𝘀𝗵𝗲𝗱 - 𝗮 𝗱𝗮𝗿𝗸 𝗶𝗻𝗴é𝗻𝘂𝗲. 𝗜𝘁 𝗶𝘀 𝘁𝗵𝗲 𝗸𝗶𝗻𝗱 𝗼𝗳 𝘁𝗵𝗶𝗻𝗴 𝗽𝗲𝗼𝗽𝗹𝗲 𝗹𝗶𝗸𝗲 𝘁𝗼 𝘄𝗿𝗶𝘁𝗲 𝗮𝗯𝗼𝘂𝘁 𝘆𝗼𝘂𝗻𝗴 𝘄𝗼𝗺𝗲𝗻, 𝗮𝘀 𝗶𝗳 𝘄𝗲 𝘄𝗲𝗿𝗲 𝗵𝗮𝗹𝗳 𝘄𝗶𝘁𝗰𝗵.
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The Beauty of Impossible Things is one of the most beautiful and cinematic novels I've read. Donohue is a fantastic writer.
The story itself is part Sci-Fi, part literary fiction, and part coming-of-age, and it follows Natasha who is reliving a summer of her youth and relaying the story to her therapist.
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𝗧𝗵𝗲𝗿𝗲 𝘄𝗮𝘀 𝗮 𝗵𝗲𝗮𝘁𝘄𝗮𝘃𝗲 𝘁𝗵𝗮𝘁 𝗝𝘂𝗹𝘆, 𝘁𝗵𝗮𝘁 𝗶𝘀 𝗺𝗼𝘀𝘁 𝗱𝗲𝗳𝗶𝗻𝗶𝘁𝗲𝗹𝘆 𝗳𝗮𝗰𝘁. 𝗜𝘁 𝗿𝗲𝗺𝗮𝗶𝗻𝘀 𝘁𝗵𝗲 𝗲𝘅𝗰𝗲𝗽𝘁𝗶𝗼𝗻𝗮𝗹 𝗺𝗼𝗻𝘁𝗵 𝘁𝗼 𝘄𝗵𝗶𝗰𝗵 𝗮𝗹𝗹 𝘁𝗵𝗲 𝗼𝘁𝗵𝗲𝗿𝘀 𝗮𝗿𝗲 𝗰𝗼𝗺𝗽𝗮𝗿𝗲𝗱 - 𝘄𝗲 𝗮𝗿𝗲 𝗼𝗻𝗹𝘆 𝗲𝘃𝗲𝗿 𝘄𝗮𝗿𝗺𝗲𝗿 𝗼𝗿 𝗰𝗼𝗹𝗱𝗲𝗿 𝘁𝗵𝗮𝗻 𝘁𝗵𝗮𝘁 𝘀𝘂𝗺𝗺𝗲𝗿.
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During that fateful summer of her youth, Natasha sees strange, floating blue lights above the Ridge near the sea.
Natasha believes she has a special gift, 'precognition'; that she knows what will happen to people, and what has happened to people before she met them. So when she believes she knows what these lights mean - death, and the end of things - some people listen and believe her, while others scoff at and deride her.
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'𝗚𝗵𝗼𝘀𝘁 𝗹𝗶𝗴𝗵𝘁𝘀 𝗮𝗿𝗲 𝘀𝘂𝗽𝗽𝗼𝘀𝗲𝗱 𝘁𝗼 𝘁𝗿𝘆 𝗮𝗻𝗱 𝗹𝗲𝗮𝗱 𝗽𝗲𝗼𝗽𝗹𝗲 𝗮𝘄𝗮𝘆. 𝗜𝘁 𝘄𝗮𝘀 𝗶𝗻 𝗼𝗻𝗲 𝗼𝗳 𝘁𝗵𝗼𝘀𝗲 𝗯𝗼𝗼𝗸𝘀 𝗶𝗻 𝘁𝗵𝗲 𝗹𝗶𝗯𝗿𝗮𝗿𝘆,' 𝗜 𝘀𝗮𝗶𝗱.
'𝗬𝗼𝘂 𝗱𝗶𝗱𝗻'𝘁 𝗶𝗺𝗮𝗴𝗶𝗻𝗲 𝗶𝘁 𝘁𝗵𝗲𝗻,' 𝗵𝗲 𝘀𝗮𝗶𝗱 𝗾𝘂𝗶𝗲𝘁𝗹𝘆.
𝗛𝗶𝘀 𝗵𝗮𝗶𝗿 𝗰𝗼𝘃𝗲𝗿𝗲𝗱 𝗵𝗶𝘀 𝗲𝘆𝗲𝘀 𝗮𝗻𝗱 𝗶𝘁 𝗺𝗮𝗱𝗲 𝗺𝗲 𝘄𝗮𝗻𝘁 𝘁𝗼 𝗯𝗿𝘂𝘀𝗵 𝗶𝘁 𝗮𝘄𝗮𝘆 𝗮𝗻𝗱 𝗿𝗲𝗹𝗲𝗮𝘀𝗲 𝗵𝗶𝘀 𝗴𝗮𝘇𝗲 𝗳𝘂𝗹𝗹𝘆. 𝗛𝗲 𝘄𝗼𝘂𝗹𝗱 𝘀𝗮𝘆 𝘁𝗵𝗶𝗻𝗴𝘀 𝗮𝗻𝗱 𝘁𝗵𝗲𝗻 𝗿𝗲𝘁𝗿𝗲𝗮𝘁 𝗮𝗻𝗱 𝗜 𝗳𝗼𝘂𝗻𝗱 𝗶𝘁 𝗮𝗻𝗻𝗼𝘆𝗶𝗻𝗴.
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Family and belonging are important themes woven through Donohue's story, with Natasha and her two childhood friends (Marcus and Lewis) having lost their fathers, and feeling somewhat unseen by their mothers.
As they live in a seaside town, they are visited by holiday makers and other teens, as is the case every summer, but this year feels markedly different for Natasha.
Having grown up with Marcus it is clear that Natasha feels some sort of ownership over him, but he is not hers to claim. I felt she loved the idea of him more than the boy himself, and with new, fleeting friends for the summer they all get to try out new personas of who they want to be.
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𝗜𝘁 𝘄𝗮𝘀 𝗻𝗲𝗮𝗿 𝗲𝗻𝗼𝘂𝗴𝗵 𝘁𝗼 𝘁𝗵𝗲 𝗰𝗶𝘁𝘆 𝘁𝗼 𝗯𝗲 𝗮𝘄𝗮𝗿𝗲 𝗼𝗳 𝗮𝗹𝗹 𝘁𝗵𝗮𝘁 𝗶𝘁 𝘄𝗮𝘀 𝗺𝗶𝘀𝘀𝗶𝗻𝗴, 𝗮𝗻𝗱 𝗻𝗼𝘁 𝗳𝗮𝗿 𝗲𝗻𝗼𝘂𝗴𝗵 𝗮𝘄𝗮𝘆 𝘁𝗼 𝗯𝗲 𝗰𝗼𝗻𝘀𝗶𝗱𝗲𝗿𝗲𝗱 𝗽𝗮𝗿𝘁𝗶𝗰𝘂𝗹𝗮𝗿𝗹𝘆 𝗶𝗻𝘁𝗲𝗿𝗲𝘀𝘁𝗶𝗻𝗴. 𝗜 𝘁𝗵𝗶𝗻𝗸 𝗻𝗼𝘄 𝘁𝗵𝗮𝘁 𝗮𝗹𝗹 𝗼𝗳 𝘂𝘀 𝘄𝗵𝗼 𝗹𝗶𝘃𝗲𝗱 𝘁𝗵𝗲𝗿𝗲 𝗵𝗮𝗱 𝗮 𝗻𝗮𝘁𝗶𝘃𝗲 𝗶𝗻𝗳𝗲𝗿𝗶𝗼𝗿𝗶𝘁𝘆 𝗰𝗼𝗺𝗽𝗹𝗲𝘅, 𝗮 𝘀𝗲𝗻𝘀𝗲 𝘁𝗵𝗮𝘁 𝘄𝗲 𝘄𝗲𝗿𝗲 𝗻𝗼𝘁 𝗾𝘂𝗶𝘁𝗲 𝗴𝗼𝗼𝗱 𝗲𝗻𝗼𝘂𝗴𝗵. 𝗪𝗲 𝗯𝗲𝗹𝗼𝗻𝗴𝗲𝗱 𝘁𝗼 𝗮 𝗽𝗹𝗮𝗰𝗲 𝗼𝗳 𝗹𝗲𝗶𝘀𝘂𝗿𝗲 𝗮𝗻𝗱 𝗳𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴, 𝗺𝗲𝗿𝗲 𝘀𝗻𝗮𝗽𝘀𝗵𝗼𝘁𝘀 𝗼𝗳 𝗽𝗲𝗼𝗽𝗹𝗲.
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Natasha's stability also feels threatened that summer by the introduction of Mr Bowen into her familial home. Although her mother, Elizabeth, regularly lets out rooms for the season in their grand though aging and sun-bleached house, this time feels different. There is energy pulsating through the earth, and a charged current in the air, that seems to permeate everything.
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𝗠𝗮𝗿𝗰𝘂𝘀 𝘀𝗮𝗶𝗱 𝘁𝗼 𝗺𝗲 𝗼𝗻𝗰𝗲 𝘁𝗵𝗮𝘁 𝗶𝘁 𝘄𝗮𝘀 𝗲𝗮𝘀𝗶𝗲𝗿 𝗵𝗮𝘃𝗶𝗻𝗴 𝗮 𝗳𝗮𝘁𝗵𝗲𝗿 𝘄𝗵𝗼 𝘄𝗮𝘀 𝗱𝗲𝗮𝗱, 𝘁𝗵𝗮𝗻 𝗼𝗻𝗲 𝘄𝗵𝗼 𝘄𝗮𝘀 𝗺𝗶𝘀𝘀𝗶𝗻𝗴. 𝗛𝗲 𝘄𝗮𝘀 𝘁𝗿𝘆𝗶𝗻𝗴 𝘁𝗼 𝗯𝗲 𝗻𝗶𝗰𝗲, 𝗯𝘂𝘁 𝗜 𝘄𝗮𝘀𝗻'𝘁 𝘀𝘂𝗿𝗲 𝗵𝗲 𝘄𝗮𝘀 𝗰𝗼𝗿𝗿𝗲𝗰𝘁, 𝗮𝗻𝗱 𝗶𝘁 𝘄𝗮𝘀𝗻'𝘁 𝗮 𝗰𝗼𝗺𝗽𝗲𝘁𝗶𝘁𝗶𝗼𝗻. 𝗧𝗵𝗲𝗿𝗲 𝘄𝗲𝗿𝗲 𝗮 𝗺𝘆𝗿𝗶𝗮𝗱 𝘄𝗮𝘆𝘀 𝗼𝗳 𝗯𝗲𝗶𝗻𝗴 𝗮𝗯𝗮𝗻𝗱𝗼𝗻𝗲𝗱 𝗮𝗻𝗱 𝗲𝗮𝗰𝗵 𝗵𝗮𝗱 𝗶𝘁𝘀 𝗼𝘄𝗻 𝗽𝗮𝗿𝘁𝗶𝗰𝘂𝗹𝗮𝗿 𝘄𝗮𝘆 𝗼𝗳 𝗯𝗿𝗮𝗻𝗱𝗶𝗻𝗴 𝘆𝗼𝘂𝗿 𝘀𝗸𝗶𝗻. 𝗟𝗲𝘄𝗶𝘀, 𝗠𝗮𝗿𝗰𝘂𝘀 𝗮𝗻𝗱 𝗜 𝗮𝗹𝗹 𝗰𝗮𝗿𝗿𝗶𝗲𝗱 𝘀𝗰𝗮𝗿𝘀 - 𝗶𝘁 𝘄𝗮𝘀 𝘄𝗵𝗮𝘁 𝗯𝗿𝗼𝘂𝗴𝗵𝘁 𝘂𝘀 𝘁𝗼𝗴𝗲𝘁𝗵𝗲𝗿. 𝗜 𝗮𝗺 𝘀𝘂𝗿𝗲 𝗼𝗳 𝘁𝗵𝗮𝘁 𝗻𝗼𝘄.
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Natasha grew up in the shadow of her mother's beauty, and never felt fully 'seen', or at least not truly acknowledged, by her mother.
It is clear at times that she wants to inflict some emotional pain on her mother, in response to the pain she herself feels, and in this way the story felt very realistic in its portrayal of teen angst.
The waters are somewhat muddied for the reader in trying to understand whether Natasha does have any real 'powers' or special abilities, or whether it is all a coincidence, at a time in a young girl's life when she desires to stand out from the crowd.
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𝗜 𝘄𝗼𝘂𝗹𝗱 𝗹𝗲𝗮𝗿𝗻 𝗵𝗲 𝘄𝗮𝘀 𝗮 𝘀𝗲𝗿𝗶𝗼𝘂𝘀 𝗽𝗲𝗿𝘀𝗼𝗻, 𝘁𝗼𝗼𝗸 𝘁𝗵𝗶𝗻𝗴𝘀 𝘀𝗲𝗿𝗶𝗼𝘂𝘀𝗹𝘆 𝗮𝗻𝗱 𝘁𝗵𝗼𝘂𝗴𝗵𝘁 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲𝗺 𝗶𝗻 𝗮 𝘄𝗮𝘆 𝘄𝗲 𝗱𝗶𝗱 𝗻𝗼𝘁. 𝗪𝗲 𝘄𝗲𝗿𝗲 𝗰𝗮𝗿𝗲𝗹𝗲𝘀𝘀 𝗶𝗻 𝗰𝗼𝗺𝗽𝗮𝗿𝗶𝘀𝗼𝗻. 𝗛𝗲 𝗯𝗲𝗹𝗶𝗲𝘃𝗲𝗱 𝗶𝗻 𝗸𝗻𝗼𝘄𝗹𝗲𝗱𝗴𝗲, 𝗿𝗲𝗮𝘀𝗼𝗻, 𝗮𝗻𝗱 𝘀𝗵𝗼𝘂𝗹𝗱 𝗿𝗲𝗮𝗹𝗹𝘆 𝗵𝗮𝘃𝗲 𝗳𝗼𝘂𝗻𝗱 𝘂𝘀 𝗳𝗿𝗶𝘃𝗼𝗹𝗼𝘂𝘀, 𝗯𝘂𝘁 𝗵𝗲 𝗱𝗶𝗱𝗻'𝘁. 𝗛𝗲 𝘀𝗮𝘄 𝘁𝗵𝗲 𝘁𝗿𝗮𝗴𝗲𝗱𝘆.
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Compounding the sense of strangeness and unrealiability is the visiting character of Dr Black.
The town is divided into those who have witnessed the lights, and those who haven't; into those who believe in Natasha, and those who don't.
Dr Black's influence does encourage Natasha, and Elizabeth, to buy into her 'gift', but at such an impressionable age where she wants to feel special and unique, and trusts in authority figures without too much question, can Dr Black really be viewed as a genuine authority at all?
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'𝗖𝗵𝗮𝗻𝗴𝗲 𝗶𝘀 𝘂𝗻𝘀𝗲𝘁𝘁𝗹𝗶𝗻𝗴 𝗮𝗻𝗱 𝗰𝗮𝗻 𝘁𝗿𝗶𝗴𝗴𝗲𝗿 𝘁𝗵𝗶𝗻𝗴𝘀...' 𝗵𝗲 𝗿𝗲𝗽𝗹𝗶𝗲𝗱 ... 𝗛𝗶𝘀 𝘄𝗼𝗿𝗱𝘀 𝘄𝗲𝗿𝗲 𝗽𝗲𝗿𝗺𝗮𝗻𝗲𝗻𝘁, 𝗵𝗲𝗮𝘃𝘆, 𝗹𝗶𝗸𝗲 𝗮𝗻 𝗼𝗯𝘀𝘁𝗮𝗰𝗹𝗲 𝘁𝗵𝗮𝘁 𝗹𝗮𝗻𝗱𝗲𝗱 𝗶𝗻 𝘁𝗵𝗲 𝗽𝗮𝘁𝗵 𝗮𝗵𝗲𝗮𝗱 𝗼𝗳 𝘆𝗼𝘂, 𝗯𝗹𝗼𝗰𝗸𝗶𝗻𝗴 𝘆𝗼𝘂𝗿 𝗲𝗮𝘀𝘆 𝗿𝗼𝘂𝘁𝗲.
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Elizabeth is an interesting character, and the mother-daughter relationship between her and Natasha is expertly and beautifully portrayed by Donohue.
As with all young girls, and really all adult children, Natasha equally judges and criticises her mother, yet wants to be loved and accepted by her.
As an older woman recounting this tale of her youth, Natasha is a somewhat unreliable narrator - after all, it's unlikely that at 15 she had many witty respostes about her life with her mother, and as Natasha tells us, her therapist believes she should try to see people as they are, rather than as who she wanted them to be.
Natasha perhaps needs to take her own advice when she reflects on truth and ignorance, and whether it is easier to stay rooted to a place that exists only in memory.
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𝗜 𝗵𝗮𝘃𝗲 𝗹𝗲𝗮𝗿𝗻𝗲𝗱 𝘁𝗵𝗮𝘁 𝗽𝗲𝗼𝗽𝗹𝗲 𝗱𝗼𝗻'𝘁 𝗿𝗲𝗮𝗹𝗹𝘆 𝘄𝗮𝗻𝘁 𝘁𝗼 𝗸𝗻𝗼𝘄 𝘁𝗵𝗲 𝘁𝗿𝘂𝘁𝗵. 𝗧𝗵𝗲𝘆 𝘁𝗵𝗶𝗻𝗸 𝘁𝗵𝗲𝘆 𝗱𝗼, 𝗯𝘂𝘁 𝘁𝗵𝗲𝘆 𝗱𝗼𝗻'𝘁 𝗿𝗲𝗮𝗹𝗹𝘆, 𝗮𝗻𝗱 𝗺𝗮𝘆𝗯𝗲 𝘁𝗵𝗲𝘆 𝗮𝗿𝗲 𝗿𝗶𝗴𝗵𝘁 𝗶𝗻 𝘁𝗵𝗲 𝗲𝗻𝗱. 𝗜𝘁 𝗶𝘀 𝗲𝗮𝘀𝗶𝗲𝗿 𝘁𝗼 𝗹𝗮𝘂𝗴𝗵, 𝗼𝗿 𝗳𝗲𝗮𝗿, 𝘁𝗵𝗮𝗻 𝗶𝘁 𝗶𝘀 𝘁𝗼 𝘂𝗻𝗱𝗲𝗿𝘀𝘁𝗮𝗻𝗱, 𝗮𝗻𝗱 𝗶𝗴𝗻𝗼𝗿𝗮𝗻𝗰𝗲 𝗰𝗮𝗻 𝗯𝗲 𝗮 𝘀𝗼𝗿𝘁 𝗼𝗳 𝗰𝗼𝗺𝗳𝗼𝗿𝘁.
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(Cont'd in comments)