Are you kidding me?
The novel started strong for me. I liked that we were back in Miranda's point of view (although maybe bouncing between Miranda and Alex would have been more believable and helped make Alex's return to the East Coast more plausible). But then the novel slowly spiraled out of control and made me want to poke my eyes out. I better just list the things that annoyed me.
1. Um, Miranda almost died in book 1. She had this transcendent moment, where she realized that her death would help Jon survive and the only gift she had left to give her family was the sacrifice of herself in order to preserve their survival. WOW. I loved that Miranda had so much growth over the course of the novel. So why, WHY, was she the same, bratty, obnoxious teen we saw in the middle of book 1? Did that epiphany just not stick or what?
2. Seriously. The boys leave to get food and come back with a wife? After all the family has been through with food shortages, this seemed okay to Matt? And the mom just dealt with it? I just didn't buy this for a minute.
3. Syl was totally unexplored as a character and she was promising. She seemed like she'd have some interesting/horrifying/moving stories to tell from her time on the road, but no. Apparently, it worked better to have her as a minor obstacle in the novel and allude to her and Matt having sex than to actually develop her into a full character. Blegh.
4. Magically Dad and Lisa (WITH A BABY) make it back to PA? Alright, I'll even buy that. But Charlie, Alex and Julie are all in tow? And Dad thought it was okay, knowing about the food shortages, to bring all of these people back to his ex-wife's house? Speaking of which, Dad and Mom just get along wonderfully and are willing to bend over backwards to help each other survive? Yeah, okay. Dad is a little more plausible--he still has three children he theoretically loves and wants to care for--but why is Mom a-ok with Lisa being in the picture?
5. Charlie is unexplored as a character. Why even write him in if he wasn't going to bring anything to the novel? I think Pfeffer included him to make the inclusion of ALex and Julie more plausible, in a "See? Dad didn't just pick up some stray children along the way so Miranda and Alex could meet! Dad picked up stray men, also. SO MUCH MORE BELIEVABLE!"
6. Everyone finds a mate of their own age? Okay. Please, in a post-apocalyptic world, people would be pairing up with others way older/younger than them, out of necessity.
7. Alex and Miranda "fall in love" after about 26 minutes of knowing each other. Okay, it was slightly longer than that, but really? COME ON. I know teenagers. Yes, maybe they would have hooked up. Maybe they would have had sex. But I didn't buy the whole undying love angle, nor did I buy Miranda's constant, "I KNEW Alex, even better than Julie." I wanted to say, "Bitch, you knew him for three days. You know that he's hot. That's about it. Slow down, crazy." She didn't even know he had a dead sister, for God's sake. I just couldn't believe Alex, who was so pragmatic, would fall like that. The relationship with Dan was much more realistic, so I wish this could have followed that same pattern.
8. Everyone's willing to just sacrifice precious food and gas to take the kids on a road trip? Sorry, but Alex would have been on his own with that shit, if it were me. We KNEW it would be a false hope (and the element of the nun living by herself with the dead body was pretty good) and the journey wasn't really explored or described, so why include it?
9. I hate Carlos. Hate him. He should have been killed, honestly. Here Carlos has been eating regularly, living in relative safety, and yet he doesn't care that his remaining two siblings trekked all the way out to Texas to find him? He just left them in New York and went on with his life? And even if he did care, once they came down to him, he just let them go on their merry way? Can't Alex catch a break? Jeez. I just couldn't believe that Carlos was all, "Well, go hide on the Church's dime because I'm busy eating and surviving down here." Of course, I have no idea how hard this decision was on Carlos, because we never see him and we barely get information from Alex about him.
10. At some point, Pfeffer got tired of everyone, because a tornado comes out of nowhere with the sole intention of killing useless people and making people move on (without, of course, exploring how they'd do that or what would become of them). Charlie's dead, which made sense. Julie's death was pretty good, since I was wondering how long it would be until someone had a major accident that would require serious medical care (Miranda's bike accident foreshadowed this). But Julie's death also left Alex conveniently unencumbered, so he could move at his will with Miranda. Of course, what's left unexplored is what kind of emotional toll the deaths of two sisters, two people Alex saw as completely dependent upon him, would have upon his delicate mental state. But who cares when we can just end the novel in a deliberately, frustratingly vague way?
Ugh. The end.