Peter is a TV scriptwriter who just can't come up with a reasonable idea for the next episode of Heartland. As his wife is pregnant with their first kids, losing his job would be catastrophic. The TV show has major problems outside of just him as well - the lead actor is a deadbeat, ratings are falling, and the producer doesn't really believe in the show.
All of the sudden, JayJay, a disoriented but promising new lead actor candidate shows up. Will he be able to help save the show? Does he even want to?
Bunn sets up the novel with the above premise in what looks to be a promising beginning about the challenges of Hollywood-adjacent life intermixed with a bit of humor and a touch of mystery.
Unfortunately, things go downhill from here. The focus on relatable Peter is replaced primarily by writing that follows JayJay's point of view. He works well as a side character, but not as a main character, and his excessive use of western idioms and his melancholic internal monologuing quickly grow wearying. The initial, fun, comedic touch around him is gone, replaced with just a bit too much seriousness. One of the other main protaganists, Kelly, gives readers almost identical issues and feels just a bit too similar to JayJay.
The plot feels like it fails to progress much throughout most of the book, except when breath-of-fresh-air chapters focusing on the producer, Martin, come up. The ending picks things up a bit though, slightly redeeming some of the struggles through the middle of the book, though not fully.
2.5 stars, but rounding up because there are some good elements here and the book feels fairly unique which the author deserves credit for.