This book was a perfect continuation to Song of the Silent Harp--and it was perfect in almost every other way, too.
Setting: New York City and Ireland (both Dublin and Belfast are specific settings); the time period ranges from August 1847 to May 1848 (with a prologue set in Ballina, western Ireland, in 1705). The awful situation in Ireland wasn't a focal point of the book, although it was recorded in writing by a minor character, so it wasn't ignored in any way. The unrest in New York City--and in the hearts of the main characters--took more precedence in this one. I liked it just as much, if not more, to see the circumstances of runaway slaves, Irish immigrants, the more wealthy residents, and the relationship between them. Also, it was interesting to realize the point in time (i.e., before Dred Scott) where blacks were free in the northern U.S. states. It was also intriguing to see the general view of blacks in Ireland. In addition to the blacks' situation, the Young Ireland freedom movement was excellently described.
Characters:Had I all the space in the world ... I wouldn't be able to use much of any of it. These characters were so good, but I can scarcely describe them. Somehow one book contained three amazing men, each utterly distinctive, and all equally powerful characters. First, there was Morgan Fitzgerald, the read-headed giant poet. Fierce in everything he did, he nevertheless had a soft heart under it all--in the manliest way possible (and the softness was so subtle, Hoff didn't even mention it, yet she expertly wrote his character so that it shone). And when that particular (spoiler-y) event occurred, Morgan's character was developed even more deeply, and I felt for him to an even greater extent. His character arc was basically flawless.
Next was Evan Whittaker. Almost an opposite personality from Morgan, Evan nevertheless captured my heart as well. Humble, caring and compassionate, and stutteringly unsure of himself are just a few ways to describe him, and yet with all that softness, Evan was nothing less than a man in the truest sense. His love was downright adorable, and his relationship with God was just ... so good.
Of all the characters who made my heart hurt in the best way possible, Michael Burke might have taken the cake. Particularly, I think, that was due to the flaws that the other characters saw in him. In some scenes, he was the "bad guy," but the character development that resulted from those scenes made me love him all the more. As an Irish policeman, Michael had an exceptionally distinct and fitting perspective and personality. His pride, fierce protection, and perspective of his Irish heritage were all directly related to his experience as a copper, making his character complete and understandable. Though the other characters sometimes criticized Michael for his flaws, he wasn't often praised for his integrity and fairness. In fact, if I recall correctly, the person who most contemplated Michael's rock-solidness was an antagonist, who lamented that Michael couldn't be "bought off." I absolutely loved how Hoff wrote Michael, how she didn't bring obvious attention to his honorable deeds, but that she showed his unhesitating inclination to do the right thing, time and time again, even in the most difficult situations. And his role in the three-way childhood friendship between himself, Nora, and Morgan was absolutely precious.
There were plenty of other amazing major--and minor--characters that I'd feel terrible about not mentioning. Nora was just an important character as the three aforementioned men, and I loved her as well. Her love for all of the major characters was written so well, and I loved how she didn't want to hurt Michael (because Michael deserves to never be hurt). Then we had Daniel, who was as nice as ever; Tierney, who was terribly annoying but completely realistic; Sara Farmington, who was understandably frustrated, but please, Sara, give some grace to poor Michael; her father Lewis, who actually provided a little comic relief from time to time; Jess Dalton, who was such a kind man (and the way he worked with Michael was precious); Arthur Jackson, whose character I was delighted to see developed a bit more; Sandemon, whom I couldn't help but love, since he was a gentle big black man (those characters never fail to be amazing); and finally, Annie Delaney, a spunky girl who wouldn't have had much of a personality had it not been for Morgan calling her "a demented child."
Plot: As far as life-and-death situations, this book didn't have as many as the first one. That was nice (we don't really need the characters to be in mortal danger during every book's climax, now, do we?), but there was no less turmoil. This turmoil happened in within the characters, particularly Morgan and Michael. Since this was just the second book in the series, all of the conflict wasn't resolved, but Morgan's plotline was sufficiently resolved. I am quite content with that state of Morgan's heart, and Nora's and Evan's lives are also pretty much resolved. I am pretty content with Michael, as well (the dear man), and Daniel didn't have much of a storyline in this book. The as-yet unsolved plotlines were that of Tierney's, Lewis and Sara Farmington's, and Arthur Jackson's (I'm hoping to hear more of Arthur in the future, anyway ... that might not actually happen).
Romance: It's hard. Oh, so good, but hard. In the beginning, I was unsure of who might end up with whom, but it became very clear very soon. Near the end there were additional hints as to where other romances might pop up, which seemed a little excessive (I laughed about it, anyway), but as I think every lovely person in this book deserves happy things to happen to them, I won't complain.
Faith content: Written so well, so heartfelt, so intimate. Especially Evan's strong faith, but that which related to Morgan was absolutely amazing, as well. Nothing was stilted or forced, nothing was rushed, and everything was genuine. Jess Dalton's character was a picture of how a true Christian should act, and his discussion with Michael about the church's role was spot-on amazing.
I would recommend this book to fans of historical fiction, romance, and anyone else who likes strong, vivid, and distinctive characters.