An inner journey across space and time linking the "author" to other poets, this lyrical essay-poem continues Helene Cixous's rewriting of notions of boundary, self, other, and author. Cixous here interrogates the status of the author, connecting distant instances of herself with other writers who traverse genders, generations, and national boundaries. First Days of the Year is a celebration of beginnings and future possibilities, based on necessity and hope, constantly mediating writing and living, life and death. Like all of Cixous's profoundly original works, it seductively leads the reader into a new way of thinking by disrupting fixed ideas of psychic identity, subjectivity, and language.
Hélène Cixous is a Jewish-French, Algerian-born feminist well-known as one of the founders of poststructuralist feminist theory along with Luce Irigaray and Julia Kristeva. She is now a professor of English Literature at University of Paris VIII and chairs the Centre de Recherches en Etudes Féminines which she founded in 1974.
She has published numerous essays, playwrights, novels, poems, and literary criticism. Her academic works concern subjects of feminism, the human body, history, death, and theatre.
With a gift for writing so wonderfully, why not write a novel? It's disgraceful, to masturbate in this way. Just like when director's make films about making films.
A swift current that finds the body stretching the bonds of language to their fullest extent. Begins before you start reading, continues on after the final page. Cixous in top form.
I don't know yet how far the author will have to go in order to obey this book. Where are we going? (132)
I detest nostalgia, and I love its name so much. (157)
"Death," what a story! And to think we invented her, invented her so well we don't even know anymore that we are ourselves the authors of her stories. (172)
This is a ravenous book, out of breath, then fully oxygenated, a map with strange coordinates flowing like a river with rapids, and all trails are blazed. I can't say much about it because it is not "over," still happening, still on the verge of being impossible, still avoiding being demystified.