Charmed Life

Chrestomanci (Recommended Reading Order) #1

by Diana Wynne Jones

A bewitching comic fantasy by a master of the supernatural

Cat doesn't mind living in the shadow of his sister, Gwendolen, the most promising young witch ever seen on Coven Street. But trouble starts brewing the moment the two orphans are summoned to live in Chrestomanci Castle. Frustrated that the witches of the castle refuse to acknowledge her talents, Gwendolen conjures up a scheme that could throw whole worlds out of whack.

"Altogether a delightful book." Times Literary Supplement.

"The concept is ingenious." The Horn Book.

Genres: Fantasy, Young Adult, Fiction, Childrens, Middle Grade, Magic, Audiobook

218 pages, Mass Market Paperback

First published January 1, 1977

About the author

Diana Wynne Jones was a celebrated British writer best known for her inventive and influential works of fantasy for children and young adults. Her stories often combined magical worlds with science fiction elements, parallel universes, and a sharp sense of humor. Among her most beloved books are Howl's Moving Castle, the Chrestomanci series, The Dalemark Quartet, Dark Lord of Derkholm, and the satirical The Tough Guide to Fantasyland. Her work gained renewed attention and readership with the popularity of the Harry Potter series, to which her books have frequently been compared.

Admired by authors such as Neil Gaiman, Philip Pullman, and J.K. Rowling, Jones was a major influence on the landscape of modern fantasy. She received numerous accolades throughout her career, including the Guardian Children's Fiction Prize, two Mythopoeic Awards, the Karl Edward Wagner Award, and the World Fantasy Award for Life Achievement. In 2004, Howl's Moving Castle was adapted into an acclaimed animated film by Hayao Miyazaki, further expanding her global audience.

Jones studied at Oxford, where she attended lectures by both C.S. Lewis and J.R.R. Tolkien. She began writing professionally in the 1960s and remained active until her death in 2011. Her final novel, The Islands of Chaldea, was completed posthumously by her sister Ursula Jones.

Reviews

[Mark Lawrence · Rating 4 out of 5]

I've just finished reading this to my daughter Celyn (11, too disabled to read for herself).

It's a fun story of Cat and his witchy sister Gwendolin living in a world that's almost ours but where witches and wizards exist and are well-known.

Like an enormous wedge of literature it's one of those adventures that would be over really quite quickly and with very little fun if the man (or woman) at the top just sat down and told everyone what was going on. Dumbledore could probably have reduced the Harry Potter series from seven long books to three short ones if he just told Harry things he knew that Harry needed to know. But let's not dwell on that.

At first glance it's quite a light-hearted tale centred around the true motivation of the eponymous Chrestomanci, a very dapper master-wizard who takes the siblings into his castle and family. It's written with Diana Wynne Jones' customary skill, energy, and imagination, and very enjoyable.

As things develop elements of the story takes a surprisingly dark tone, but the best children's books always carry an edge, and this edge serves to add interest in the finale!

Those seeking a 'magic-system' will be disappointed. DWJ's magic is magic and she doesn't share the rulebook in any of the four novels we've read so far. But that's how I like it and I've no complaints.

I've ordered book 2 on the strength of this one, so that's my recommendation right there.



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[Joel · Rating 4 out of 5]

Sibling rivalry can feel like life or death when you are a kid. I mean, probably. I have an older brother* but I think the roughest thing that ever went down between us was maybe at ages 4 and 6 when he kept all the toys at one end of the bathtub. We've never had a physical fight. I don't see one in the offing, since we're both pushing/well past 30, agree on everything (well, not politics, but the important stuff like the Star Wars prequels suck and Mario games are the best, plus he lets me borrow his DVDs). And besides, we are still united against my dad. (Hi, dad, who reads my book reviews! Look at my joke.)

Google turns up some really crappy stock photography when you search "sibling rivalry." Look at these twerps; can't you just taste the hatred?

Kids, stop hugging and smiling and come eat!

Better:


My girlfriend on the other hand has two younger brothers, and from what she's told me, it's only mere chance that she has never appeared on one of those shows about child psychopaths (in her defense, they sound like little beasts).

Anyway, the point is that if you have a pair of children who fight a lot, it's probably best not to let the younger one get anywhere near this book, because it will only confirm his suspicions that, yes, his older sister really is a sociopathic witch trying to murder him as part of a grand scheme to be named queen of the world. No, literally.






* In the interest of full disclosure, I also have a much older half-sister, but I don't think she's trying to steal my magic.

[mark monday · Rating 4 out of 5]

this is a winning intro to what looks to be an enjoyable children's fantasy series. the young Chant siblings exist in a world with magic, one of many such worlds - or, rather, dimensions. after a tragic accident that leaves them orphans, older sister and talented witch Gwendolen takes to learning magic the old-fashioned way, through some sort of hedge wizard, while so-passive-it-hurts younger brother Cat blithely assumes he is magic-free. soon they are taken to the castle of Chrestomanci, an enchanter and super-cop in charge of minding magic used and magic-users in general, so that they do not run rampant and control all the poor wittle ordinary folk. and so the "adventure" begins.

i say "adventure" because this is barely an adventure novel. the tone is rather unique to me: it is all determinedly minor note. Gwendolen is definitely a mega-bitch but she doesn't exist on a grand scale (for the most part) - her bitchiness is that of a self-absorbed little princess. Chrestomanci is rather sinister, rather intriguing - but is far from a larger-than-life character. he is...quaint. the castle is rather more of a sprawling estate and the magic practiced there is not exactly mind-blowing. there is even a dragon - but a very small, baby dragon. and Cat, our hero, is a sweet kid and is also perfectly ordinary in his thought process - the only thing really unusual about his personality is his docility. i wonder how kids reading this feel about how ordinary everything is, how this tale is pretty much the opposite of epic. personally, i thought it was striking, in a good way.

the ordinariness is in some ways a cover. Chrestomanci's duties actually rather boggle the mind. Cat learns some surprisingly grown-up lessons about the various adults around him - at one point realizing the shallowness and greed at the heart of his former caretaker, a person who loves him and whom he loves in return...that was a very adult revelation. the betrayal at the center of the novel is genuinely awful, almost breathtaking when realizing its long gestation and the sheer evil behind it. and Cat's destiny is truly an awesome one - yet neither he nor the other characters treat it as such in the final revelation. everything in the novel, no matter how potentially grand-scale or deeply personal, is treated with the same surprising lack of affect. overall, an unusual and intriguing experience. and a very quick read too, much helped by Jones' clear and straightforward writing style.

[Spencer Orey · Rating 4 out of 5]

A solid classic. The beginning of every Diana Wynn Jones book I’ve read so far has always been so great, grounded in daily magical life, and this one shines most at the start. She makes getting to know the little routines of the characters in their towns into a riveting read.

I see the Harry Potter paralells but they’re very different stories and worlds. Overall I didn’t love this like I wanted to, but I’ll go back for the next book. This one set up an interesting world, and the characters are all really strong.

There were some unfortunate and dated things. Some casual 70s racism briefly flickers through midway in some careless dialogue and descriptions. And there’s a massive “here’s what all really happened” info dump near the end that didn’t really work for me.

But the magic was intriguing, and this British world of jealous magic users was fun to think about.

[Jessica · Rating 4 out of 5]

My kids got super into this, trying to figure out why Gwendolen was so horrible and why Cat put up with it. Reading it aloud made me realize how deceptively simple it is, which sometimes made it seem like there was a lot of padding for such a small book, but it all came into play later. Which was hard to remember since reading it aloud took us a while.

[Arie · Rating 4 out of 5]

It may seem odd that I can give 4 stars to a book that I the label under "favourites", but my reasoning is this: The book is not perfect, nor is it quite close. However, since the first time I read it over a decade ago, and in the many times since, it has never failed to pull me into its world and allow me a brief escape from the mundanity of everyday life. Books like this may not be technically the best I have ever read, but nonetheless remain among my all-time favourites

[Rachel (Kalanadi) · Rating 3 out of 5]

Gwendolen was just as horrid as I remembered, but oddly I somehwat disliked Cat this time around - though nothing's exactly his fault, he is so terribly attached to his sister... who is horrid to him! I agree completely with Janet that it's infuriating Chrestomanci and the Family said nothing about what was going on to Cat. But most of all, I want one of those dressing gowns!

[Sankara Jayanth S · Rating 5 out of 5]

I guess I'll read the complete series, this book was good.

While reading this, I realized that J. K. Rowling might have had some inspiration from this series for Harry Potter, not in terms of story or characters, but the fantasy and magical elements. The name 'You know who', the moving paintings, chess pieces that are animated and so on.

Cat Chant and Gwendolen Chant are orphan siblings. Gwendolen is a witch and she is a very ambitious one at that. Cat is quite a mellow and reserved kid and stays in his sister's shadow as he is too afraid of everyone else in the world.

While Gwendolen is taking classes from a necromancer, a mysterious person named Chrestomanci comes and sort of adopts these two kids. They know that he was an acquaintance of their late parents but don't know who he actually was. They go to Chrestomanci's castle and Gwendolen is hugely disappointed that she won't be taught magic until she starts behaving like a mature kid, because she was a very arrogant, petulant child.

What starts off as the usual struggle of orphan children to adjust in a new home, with new people, new kids of the same age, pulling pranks on everyone because you are petty and jealous slowly turns quite dark as parallel worlds and incredible magical powers come into play.

The dark side of the story hit me pretty hard, such a cruel and evil idea would never cross your mind until half way through when you start to doubt whether everything and everyone is truly who they seem to be.

While this is not as intricate a fantasy setting as Harry Potter and the Philosopher's Stone, it is still something a HP fan might enjoy as much.

[Laura · Rating 4 out of 5]

What a perfect book for my mood. Thank you, Fiona! And a terrific introduction to a new (for me) series. Diana Wynne Jones was a talented writer, and I so enjoyed wandering through the pages of this book. Don't let the YA throw you off. If you like Harry Potter, I think you would like this also. Not saying they're very similar, really, but the magical worlds created are so interesting and fun. I just love her writing and the audio performance was also well done. Will definitely be continuing with this series. This genre is my sweet spot right now. <3

[J. Wootton · Rating 4 out of 5]

On the evolution chart of middle-grade fantasy stories, Jones' Chrestomanci appears somewhere between E. Nesbitt and Harry Potter - closer to the latter than the former, both chronologically and artistically. In fact, one sees in Charmed Life many of the original ingredients Rowling snapped up for Potter, in much the same way that C.S. Lewis repurposed details from MacDonald's Phantastes for The Lion, the Witch, and the Wardrobe.

The Chrestomanci series is set in a "many worlds" multiverse, in which alternative outcomes to major historical events create diverging worlds in various "series" of realities. Quite a few of those worlds are magical, and the enchanter charged with stopping the misuse of magic across them all bears the eponymous Chrestomanci title.

Each of the books is really excellent, and all quite different from one another. They are interrelated but not sequential. Each story is told from the viewpoint of a new character, and in some the Chrestomanci is barely mentioned at all. Jones has a true gift for involving the reader in the very local, very personal stakes and problems facing her protagonists. Each book was a page turner in its own way, and would function well as a standalone novel. But once you've read one you'll want the rest!

Charmed Life relates how the talented Gwendolyn Chant and her younger brother Eric ("Cat") come to live and study at Chrestomanci Castle, where all and sundry soon realize that somebody has been seriously misusing magic - but it isn't clear who, and the minor dishonesties that children often resort to to protect themselves from "getting in trouble" with adults compounds itself into real problems with surprising speed.

Any more than that would be spoilers, so I'll just add that I really didn't think you could put sympathetic dark magic into a reasonably-innocent children's fantasy and make it work.

Apparently you can, if you're Diana Wynne Jones.

[Katie Lumsden · Rating 4 out of 5]

I really enjoyed this - a great fun read. I look forward to carrying on with the series.

[Sheila Beaumont · Rating 5 out of 5]

I love this book! I've already reread it several times, and it seems to get better every time I revisit it. The same goes for the rest of the Chrestomanci series, and indeed for all the books by the late, great Diana Wynne Jones I've read. This book, published in 1977, was the beginning of the craze for kids' books about witches and wizards and schools of magic, and the Chrestomanci series obviously was a major influence on J.K. Rowling, who DWJ said had likely read them when she was young and, of course, absorbed some of the ideas.

DWJ's books are superior to Rowling's, in writing, complexity, originality, and character portrayal. I say this as a big fan of the Harry Potter series. If you love Harry Potter, do give DWJ's books a try. There's a good chance you'll love them too.

Charmed Life was the first book by DWJ I ever read, and I chose it as the first in my planned reread of books by her that I have on my shelves (which is almost all of them). Next I'll reread Witch Week and all the rest of the Chrestomanci books, then go on to Fire and Hemlock (another favorite) and all the others. I'm grateful that DWJ left us so many books to enjoy! (Reviewed on April 7, 2011)


I've just enjoyed revisiting this old favorite, this time on audiobook, enhanced by the fine narration of Gerard Doyle.

[Brick Orrock · Rating 2 out of 5]

Well, I read book one of the Chrestomanci Chronicles: Charmed Life, written by Diana Wynne Jones. I was excited for this book as I’m excited to read the other books that she has on this list (Howl’s Moving Castle), and after reading this one I can say that I still am.
This book is written well and I found myself getting lost in the writing and the story. With that being said I didn’t really like it. I didn’t like the characters. They are whiny and cruel, mostly all of them. Except, the main character whom doesn’t stand up for himself or say anything out of turn.
Another thing that bothered me, and this is one of those plot devices that always bug me, is that a large majority of the plot, I’d say 95% of the plot and tension, is due to characters not telling each other things. This is rarely done well. I always feel as though there is no reason to keep the secrets that are being kept. In this book, for instance, Cat, the main character, is kept in the dark the whole book and he in turn keeps his handlers in the dark about what he is doing, and the whole time I’m thinking “why don’t they just tell each other?!” And my curiosity is never quite satiated until the end when everyone explains their motives. It was wrapped up nicely and I did get the answers I wanted, but it was too little too late. I just prefer a different type of tension in my narrative.
Also, other complaints have to do with the hokey magic system, but some people like fanciful magic with no rules or real consistency, just not me.
One other problem, and I know you want to read another problem, is the cover, the blurb on the cover, and the synopsis on the back of the book. They are all terrible. Number one, the cover is terrible. It makes me think it is a book about a cat, which it is not. The main characters name is Cat, but he is not a cat. If I had to pick a book based on its cover, I would never have chosen this book.
Now for the blurb…”Mad about Harry? Try Diana.” What does it mean? At first I wasn’t sure what it could mean because the original novel was written in 1977, but this is a reprint from 2001. So then that made me think that it was talking about Harry Potter, and maybe there hadn’t been a Harry Potter in a couple of years? Or were people upset with how the last Harry Potter book ended? It’s a fantasy having to do with wizards so it makes sense. I guess. But, why would the blurb reference a fictional character and then say to replace that fictional character with a very real author? So that makes me think that Harry is an author…but I know zero authors named Harry. No real footing there. Then I thought of Princess Diana and Prince Harry, because the author is British, but that doesn’t make since. What do they have to do with a fantasy novel? So, not the best blurb…it’s confusing and doesn’t really sell me the book.
So, just to cover what I’ve said, terrible cover art and confusing blurb. So far, I wouldn’t go anywhere near this book.
OK…maybe it is about Harry Potter http://www.usnews.com/usnews/culture/...
Now for the synopsis on the back of the book. It gives away the plot of the story, “schemes that could destroy all the worlds of Chrestomanci.” You don’t even know that there is a scheme for anything until about ¾ of the way through the book. And you don’t know about the alternate worlds until at least halfway through it. Also, Christopher is never mentioned in the first book. So, this is just another case of me waiting through the book for it to get started and when I look up the book is already done and it finally fulfilled what the synopsis read. I imagine a good synopsis covers the feel or theme of the book, but pretty much just tells the reader the hook of the story. But, maybe that’s just wishful thinking.
Well, it’s make or break time. I think that this was a good book. I enjoyed the writing and despite everything I disliked about it, the story went along smoothly. The author allows the reader to get comfortable within the narrative. But, when it comes down to it, I just didn’t like it much. I hate to say that, since this is a readable book and those don’t come around too often on this list, but I really didn’t not like it; though, perhaps there is a place for it on this list.
My blog: http://brickvsthelist.wordpress.com

[Anastasia · Rating 5 out of 5]

Stories of learning magic have become commonplace these days: I've even heard Diana Wynne Jones dismissed unfairly as a ripoff of JK Rowling when Diana Wynne Jones came first. There's nothing commonplace about Charmed Life: this is a fantastic story about a boy, Cat, who lives with a very ambitious witch sister after their parents drown. He goes to live with an impressively powerful man, Chrestomanci, and becomes involved in a strange political war between those who want to use magic without regard to the consequences for ordinary folks and those who want to keep magic somewhat under control. Cat is a charmingly unassuming narrator who is aware of his own inferiority--he can't even work the charm to turn buttons into gold--but caught up in something much bigger than he is. I think I've read this novel several times and still found myself laughing and commiserating with Cat every time.

This is one of the gold standards I judge children's fantasy by: it's a world of magic with true character and unique plays of ideas, particularly in the concept of a "nine lived enchanter" and a brilliant use of alternate universes that manages to feel comfortable and appropriate rather than forced and contrived.

[Serena.. Sery-ously? · Rating 5 out of 5]

Questo libro è una chicca!
Azzardo a dire che secondo me l'ha letto anche la Rowling.. Per me Charmed Life è un po' il nonno di Harry Potter, sotto alcuni aspetti :3

Punto di forza sono sicuramente i personaggi: non credo di aver mai incontrato tra le mie letture a target giovani un personaggio cattivo e meschino come Gwendolyn.. Ragazzi, che tipaccia! Crudele, amorale, egoista, subdola e presuntuosa..
Ah sì, ha circa 12/13 anni :D

Il modo in cui poi Cat viene dipinto è davvero particolare: è lui il vero protagonista della storia, ma l'autrice riesce a nasconderlo MOLTO bene :3

Passando alla storia vera e propria.. Io l'ho amata un sacco! L'ho trovata intricata e ben costruita, ad un certo punto la disperazione di Cat era anche la mia e continuavo a chiedermi come si sarebbe cavato dagli impicci.. Insomma, un romanzo per ragazzi che è intelligente, divertente, con bei personaggi e ben costruito! Cosa chiedere di più!

Ahhh, Chrestomanci ♥

[Julie · Rating 4 out of 5]

FIRST REVIEW / OCT 1, 2021

I’m doing a Chrestomanci full-series (re)read with my best friend, following Diana Wynne Jones’ recommended reading order, particularly since I missed a couple of these back in the day:

1. Charmed Life (1977)
2. The Lives of Christopher Chant (1988)
3. Conrad’s Fate (2005)
4. Witch Week (1982)
5. The Magicians of Caprona (1980)
6. The Magicians of Caprona (2006)

Revisiting Charmed Life in particular is a delight, as it sets the stage for this world where magic is fairly humdrum and everyday, with witches and warlocks setting up shop just down the street. We go along with our main character, Cat Chant, and his older sister Gwendolen, as they’re tragically orphaned and then eventually taken in by Chrestomanci, the enchanter who oversees all the magic-users in the realm.

Poor Cat is so out of the loop — he doesn’t even realise how important or powerful Chrestomanci is, even as others hint at it in discussions around him — that he’s just carried along on the coattails of his overbearing, abusive sister. Some of the best work here is in his characterisation, in how much he loves her but she tramples all over him, and you only realise more and more about it as time goes on. It breaks my heart, especially when other characters notice and try to push back on it, like sweet Roger and Julia trying to invite him to play with them and to do things on his own without Gwendolen, or this exchange: Janet looked at him consideringly. “I suppose you’re quite small still,” she said, “but you do worry me when you go all cowed. Has anyone done anything to you?”

The eventual arc of how he grows a backbone and finds his courage is so lovely to see.

I also love Chrestomanci himself so much; I remember having the biggest crush on this character, well-dressed and dapper and kind as he is. His vague distraction is also just really interesting as a trait, how it belies his true capabilities and power, and the way he’s so mellow and tongue-in-cheek even in the face of Gwendolen’s histrionics:

“Someone’s been opening my letters,” said Gwendolen. “And I don’t care who it is, but I’m not having it! Do you hear?”

Cat gasped at the way she spoke. Chrestomanci seemed perplexed. “How are you not having it?” he said.

“I won’t put up with it!” Gwendolen shouted at him. “In future, my letters are going to come to me closed!”

“You mean you want me to steam them open and stick them down afterward?” Chrestomanci asked doubtfully. “It’s more trouble, but I’ll do that if it makes you happier.”

[…]

“He was my teacher!” Gwendolen said furiously. “You’ve no right to!”

“It’s a pity,” said Chrestomanci, “that you were taught by a hedge wizard. You’ll have to unlearn such a lot. And it’s a pity too that I’ve no right to open your letters. I hope you don’t get many, or my conscience will give me no peace.”

“You intend to go on?” Gwendolen said. “Then watch out. I warn you!”

“That is very considerate of you,” said Chrestomanci. “I like to be warned.”

This setting, with its portal worlds and alternate universes, also fits in well with the rest of Jones’ oeuvre like Howl’s Moving Castle and Dark Lord of Derkholm. The atmosphere is just so quaint and fun and quirky that I love dipping into her worlds (Mrs Sharp’s sad enchanted gingerbread men!! so funny).

The only iffiness in this book — showing its age, having come out in 1977 — is that there’s some perpetual unnecessary fatphobia, particularly from one of our ‘good’ characters, Janet; and there’s one really startling scene of corporal punishment where Mr Saunders spanks Gwendolen heartily with his shoe, and Chrestomanci strikes Cat several times(!) in the head. Like, he’s so gentle and protective and paternal otherwise that it doesn’t even feel like it fits with his characterisation to literally beat a child; particularly one like Cat, who’s already cowed and abused and not responsible for… any decisions around him, really.

So, there’s a couple moments where this is very much a product of its times, but all the rest of the time it’s just charming magical timeless children’s lit — with some neat, clever twists which are fun to observe, in hindsight, how it’s all foreshadowed and hinted at. I recall this book being mindblowing when I read it as a kid, and it’s still satisfying now. Very excited to read the next few. 4.5 stars.

---------------------------------

SECOND REVIEW / SEP 4, 2025

Still utterly charming. I'd honestly reread these books anyday, anytime.

[Totoro · Rating 2 out of 5]

the story was about a boy named Cat and his wicked witch sister Gwendolen. well , they're orphans now and after going to a couple of other people they find their way to the castle of mr.Chrestomanci.
there , Gwendolen wants to show this warlock that she has magical talents but he keeps ignoring her which makes her all the more evil.

well, first about the characters, the sister is a monster, nothing special about her, i hated her. Cat , i don't know how to feel about him, but i didn't like his meek, sheepish personality either , so what if your sister's a witch and you're not??
i expected mr.Chrestomanci to be much cooler , but he only wore nice clothes :/

i really wanted to like the story but i didn't :/
the plot , well , let's just day there was no climax to the story line, why?? i waited and waited for something exciting to happen, but aaaall the story was just a few small secrets to be revealed at the end . plus , there were no cool villains , why?? :'(

the only thing towards the end of the book that made me give 2 stars was this cute little dragon . i loved him :)

[Niina · Rating 2 out of 5]

Vaikka Diana Wynne Jonesin teokset, kuten Derkinhovin musta ruhtinas, Merlin-salaliitto ja Liikkuva linna ovat hurmanneet minut nuorempana, ei tämä hänen keskeiseksi tuotannokseen nimetyn sarjan avausosa onnistunut saamaan minua puolelleen. Plussaa rinnakkaistodellisuuksista ja Janetin kommentista, kuinka "ompeleminen on naisten häpeällistä alistamista".

Syitä, miksi kirja ei kolahtanut:
- Inhosin Gwendolenia ja Kissa oli vaisu hahmo
- Sivuhahmotkin olivat aika mitäänsanomattomia
- Hidas alku, mutta lopussa mennään pikakelauksella (kliseinen lopputaistelu)
- Kirjailija, joka jääköön nimeämättä on ottanut tästä vaikutteita omaan tuotantoonsa (orpo maaginen poika, Crestomancin nimeä ei saa mainita tai hän tulee paikalle: "Henkilö Joka Asuu Tuolla Linnassa - hän ei ansaise että hänen nimensä mainitaan", Crestomanci jättää kertomatta Kissalle asioita aivan kuten Dumbledore Harrylle, hirnyrkkitematiikkaa mm. Viulu-kissan tapauksessa)
- Käännös oli hieman töksähteleva (ymmärrän vain osittain, miksei haluttu kääntää uudelleenjulkaisua varten, koska se maksaa)
- Sanan "letukka" käyttö lastenkirjassa, Crestomaci lyö Kissaa korville
- "Hän venytti -- silmien nurkat vinoiksi kuin kiinalaisella" (s. 118) Oikeasti? Olikohan tuo kauhean hyväksyttävää edes kirjan ilmestymisen aikaan
- Kissan ja Gwendolinen vanhemmat olivat keskenään serkkuja...

[Erin Smith · Rating 3 out of 5]

This is one of those books I read as a child that I actually remembered somewhat accurately. The plot, and basic feel, minus bits and pieces. I of course did not recognize at that time fat shamming, which it seems is in many of her books. The overweight people in this series, are not evil or bad even, but their fatness is used as a learning experience for the readers, basically saying overweight people are not disgusting or without talent. When the main character begins to understand that appearances are not important the audience is still left with an uncomfortably problematic book. In this one we see the children encounter those of their own age, and immediately are informed that they are on a restrictive diet because they are fat. Later on in the book Janet pretty constantly states how fattening all the food is, she herself is eluded to as being too skinny "gaunt" even. So there really is no perfect place to be. There is also mentions of lazy eyes as a feature in antagonists, every single time they appear in case you forget, they make Cat uncomfortable and are described as shifty and immoral, dirty and poor. Throughout this book, and the 4th which I am currently reading, we have example upon example of Diana Wynne Jones trying to teach children that being judgmental, selfish, and apathetic in ones own life is actually wasting a life (aka the 9 lives of the christomancy), and asking for help and being honest will enrich your experiences. Unfortunately, using fatness, or physical deformities just cannot be successfully exploited to do that, it doesn't matter if the overweight characters turn out to be wonderful and a skinny one is ambitious and evil. Why can't authors write about overweight people without continually convincing protagonists and readers that they are human first, we don't have to wait for a plot twist to reveal their actual positions in the story. It is the same as saying that these marginalized and oppressed groups have to work so hard to gain basic rights in reality, and that is wrong, so I am going to make all of my characters do that too. Just break the mold and make them the best to begin with!

Why can't we have a lazy eyed protagonist on the larger size of the spectrum! I know I am being picky, and this is a children's series, but you can't be on a high horse of morality and then give "the bad guys" lazy eyes! This is from the prospective of an extremely sheltered young boy, so we have to give the narration a bit of a break, his judgement aren't really at fault, it's the authors extremes. What I did like was how clearly abuse was written into the relationship between Gwendolyn and Cat. It was insidious, and a great example of how certain people can enthrall others despite manic episodes of attitude, from coddling to shamming. It is interesting that Gwendolyn never struck her brother, but her abuse continually put him in danger without him being conscious of it, all the while going along in admiration at her skill set that he believed he didn't possess. When we learn her talent is his own it puts a question to the reader about their own self esteem and how they are influenced by others that are misusing and exploiting power, a power they too possess and are not actively using it because they are disenfranchised or oppressed. This could easily be an example of the negative aspects of socialization in our culture (brainwashing ext), that oppresses individual empowerment and self worth to the advantage of others, you then get someone like Cat, who has disassociated from his own life and abilities, who isn't fighting back or even realizing that he should be. His obedience is pointed out by Janet and others, and he is resistance to change even if we can see it frees him to be his own person with his own power. All change has an impact, even if it is positive it causes anxiety. We do see him challenging himself towards the end of the book of course. I would like to mention that Cat does not change his perspective because of the boxing of his ears or seeing his sister beaten with a shoe. That is just child abuse, and perhaps was placed there to show that abusing your child just makes them mistrustful, rebellious, and more secretive, I would like to think that, but as both characters that initiated physical violence were unpunished and toted as good influences I am guessing that just came from modes of the time. If it was an example of the meaningless violence of reformation it wasn't bad, it had absolutely no positive effect as violence never does in reforming individuals, especially those who are already abused.

I think that about covers it, oh yes Janet's parents didn't notice the swap, which could be another dig at negligent parents, or it could also be a comment on feeling out of place with your own position in life, as all the other "Gwendolyns" ended up better off and more comfortable. It is a counterpoint to Cats position, the idea that a dispossessed person has no growth or sense of self, but can change under the right circumstances and become a person instead of a victim. Whereas the Gwendolyn theory basically states that all of these young women were in the wrong space for their personality types, that they were born fully formed in their identity. I could read a lot into many parts of this book, many are very interesting but the surface level lessons are less complex and for an older reader a bit problematic. Still good, writing is well done. 3 stars.

[Roslyn · Rating 5 out of 5]

A couple of things struck me on this re-reading. It hit me anew just how unflinching Jones is about Gwendolen - there is no redemption of her character and she is allowed to choose her own fate. We are supposed, I think, to assume she is just a 'bad apple' and Jones doesn't attempt to explore what may have caused this. . She is unflinching about a lot of things that I think might be avoided in children's books today. At the same time, there is some compassion extended to Gwendolen at the end, compassion she rejects. I was somewhat taken aback by what seemed to be Chrestomanci's harshness at times and certainly, physical punishment seems totally unacceptable to modern minds and the lack of communication, although that is explained by Chrestomanci at the end - but I didn't find the explanations entirely satisfactory this time. I found myself angrier than I expected at Cat's passive acceptance of what had been done to him. Jones' portrayal of his eventual refusal to go on accepting it is both subtle and powerful. I found the novel itself as powerful as ever and found it utterly compelling despite having read it so many times before.

[Suzannah Rowntree · Rating 4 out of 5]

I was really excited to pick this up at an op shop the other week! It starts off as a very bright, sunny, deceptively simple little children's book that then takes some shocking swerves at the end and turns into a story I definitely didn't see coming. I thought it was about Gwendolen, an outrageously selfish yet surprisingly powerful little girl locked into a battle of wills with her new enchanter guardian. And then SUDDENLY there was TERRIBLE BACKSTABBERY. I may even have gasped aloud.

[Leo · Rating 4 out of 5]

Charming children's story for sure. Listened to this and it was short and sweet. Excited to see where this adventure series goes.

[Ivana - Diary of Difference]

I found about this book whilst reading "We Were Liars", so adding it to my TBR.

[Ali · Rating 4 out of 5]

Eric and Gwendolen Chant have been left orphans by a steamboat accident. Cat, as Eric is known, seems an ordinary, very nice little boy, but his sister Gwendolen is a powerful young witch.

Cat and Gwendolen are taken to live at Chrestomanci Castle with Chrestomanci, a man who controls all magic use, and his family. There, Gwendolen's arrogance and selfish nature becomes evident, and makes life extremely uncomfortable for Cat, until one morning he awakes to find that she has disappeared, and in her place is a girl almost identical to her who is named Janet. Why and how Gwendolen has done this, and how it is resolved, is revealed in the story.

This book was published in 1977, and I remember reading it around a year later. It remains one of my favourite books by one of my favourite authors. As a teacher I passed it on to some Harry Potter-mad children, who also loved it, and subsequent Chrestomanci books. I would use it in the classroom as a class novel for Y4+, and as a guided reading text to look at how Wynne Jones subverts our expectations, to read beyond the literal, and how she creates vivid settings. Highly recommended.

[Caroline O'Donoghue · Rating 5 out of 5]

I have a loose theory that any children's fantasy book written before 1980 is basically an adult fantasy book for 2020. This has a little to do with the prose, which with Diana Wynne Jones is always charming, and more to do with the complex systems of magical admin at work, and the emotional stakes that are high to the point of complete devastation. Charmed Life is a perfect example of this. What starts off as a matter-of-fact magical story quickly overtakes you, and by the last chapter I was breathless with the betrayal and disappointments these children were being forced to carry. Gwendolen might be one of the most underrated villains of fantasy: more obsessive than Golum, more brutal than Mrs Coulter, more self-absorbed than Veruca Salt. I'm looking forward to falling into the entire series.

[~ Giulia ~ · Rating 4 out of 5]

Once again, Diana Wynne Jones did not disappoint.
Gwendolen has to be one of the most cruel, ruthless, self-serving, self-important villains I've ever encountered!
The world is magical, the writing is good and the main character, Scaredy Cat, endearing. Too bad that everything could have been solved, young girls would not have been uprooted from their lives and family, and lives could not have been lost from the very beginning, if only the characters had communicated with each other. sigh

[Floor tussendeboeken · Rating 2 out of 5]

Listened to the audioboek.

I heard some great things about this series, so I wanted to give it a shot.
So I listened to it whilst doing some household chores. I liked it, but it had less impact on me than I thought it would have. The story was okay, but I won't continue the series I think.

[Aronne · Rating 4 out of 5]

Influenzata dalle recensioni un po' ovunque, sono partita con aspettative basse verso questa lettura: "Solo un libro per ragazzi, con tutti i limiti del genere" questo l'eco che mi risuonava in testa. "Guarda se anche stavolta non sono fuori tempo."
Eppure, sicuri che sia davvero solo questo?
Certo, ha tutti gli elementi per esserlo e per divertire e intrattenere, forse più che i ragazzini di oggi, quelli di ieri.
Ma più ci penso, più credo che la Jones abbia voluto rappresentare anche altro.
Se si è abituati a svelare metafore, non si può non vedere, nell'eterna insoddisfazione di Guendalina verso la dimensione e la vita assegnatale, un qualcosa di più profondo, come si potrebbe anche leggere, nell'esistenza di varie versioni di noi, fra una dimensione e l'altra, e nell'avvento di Janet, una possibilità perenne che la versione migliore (o peggiore) di noi venga liberata durante la vita tramite un cambiamento.
E' difficile far filare il discorso senza spoilerare troppo, però ecco, io ci leggo tutto questo.

Ma ora passiamo a quello che vi interessa davvero, e sarebbe: "Davvero la Rowling ha copiato da questa serie?"
Posso solo rispondere per quanto riguarda il primo libro al momento, ma direi che copiare è un parolone, come d'altronde dire che non c'entra nulla sarebbe minimizzare.
L'ispirazione esiste, è tangibile sin dalle primissime pagine. Se vi dicessi, per esempio, che in Guendalina ho ravvisato tratti di Draco ed Hermione? E che in Micio li ho ravvisati, invece, di Harry e Ron? Anche la menzione di Tu sai chi, delle dispute tra maghi che la pensano in un modo anziché in un altro, suona familiare.
Ma si ferma qui e a poco altro, sempre a pura ispirazione. La storia è diversa, i personaggi anche, e sebbene alcune influenze possano suonare profonde, non si parla assolutamente di plagio. Tutte le storie sono, chi più chi meno, ispirate da altro. Harry Potter non fa eccezione, tutto qui.

[Ksenia (vaenn) · Rating 3 out of 5]

Майже одночасно прочитавши "Терабітію" та "Зачароване життя", я запідозрила, що 1977 рік був тим благословенним часом, коли дитячі книжки писали іменношо для дітей. У випадку з Кетрін Патерсон на користь цього свідчить увага до неплакатної психології неплакатної дитини і форсовано-оптимістичний фінальний катарсис, щоб ніхто не пішов недостатньо просвітленим, а у випадку з Діаною Вінн Джонс... Тут все трішки складніше і веселіше.

По-перше, "Зачароване життя" - це казка, але казка не дуже чемна. Тут є виразний світ зі своїми виразними правилами світооблаштування, але авторка не спішить ними ділитися і схильна витягати роялі з рукавів, бо "тому що". При цьому світ доволі... несуперечливий, і про ці правила хотілося б дізнатися більше. Власне, це чималенький цикл, шанс ще буде, але отак, як в цій книжці, вийшло трохи нечесно.

По-друге, "Зачароване життя" - це казка про дітей. Світ дорослих для них подеколи ворожий, але здебільшого просто незрозумілий, неправильний і дозовано цікавий, тож ключові батли точаться між дітьми (або всередині дитячих душ - трохи занадто пафосне визначення, але це теж авторські правила гри). І, з одного боку, дуже цікаво спостерігати за дітьми, які зростають в атмосфері "магія - це окнорм" (або здивовано з нею зіштовхуються). З іншого боку - хочеться добряче вишпетити тутешніх дорослих, бо... Бо вони поводяться не як дорослі дорослі, а як дорослі з дитячої казки і це трохи дратує. Плюс книжка ще й давненько написана, тому ці дорослі луплять чужих дітей, дозволяють їм експериментувати з потенційно небезпечною магією, а як вони виховують манюнє драконятко - то це взагалі позорисько!

Найцікавіше з цій книжці, мабуть, таки світ. Таке собі прекрасно абсурдне пізнє вікторіанство (окей, за рівнем технологій - не факт, що навіть едвардіанство, але це вже дрібниці) з церемоніальними чаюваннями, відьмами і чаклунами, з дивами і чудесами цілком собі керролівського штибу, а ще - з кількома вередливими дівчатками і одним напівзагубленим хлопчиком. І драконом. І ще котом, котрий раніше був скрипкою. Дитяча казка, тут всяке бува.

PS: але навіть в ті благословенні часи в дитячих книжках все ж таки було трохи дорослих жартиків.

"Визираючи з-за плеча сестри, Кет побачив, що книжка в жовтій палітурці написана французькою мовою. Цікаво, як людина може сміятися над чимось, написаним французькою. Напевне, містер Сондерс не лише сильний маг, але й надзвичайно розумний".

[Juho Pohjalainen · Rating 3 out of 5]

I don't usually notice Diana Wynne Jones's characters all that much - they serve the story and its needs, that's about it - but here I find them to be both Charmed Life's biggest merit, and its greatest flaw.

On the good side, I enjoyed the characterization of the main villain. There from the very beginning, at first she just came across as a fairly standard childlike brat - one I figured would grow out of it eventually and become the hero she was obviously to be. But no, instead she crossed some lines no hero should cross, not just in actions, but also in being absolutely unrepentant about it. And then at the end it turns out she was really rotten right from the start, and we just weren't shown the worst of it. It was subtle enough that I didn't see it coming until it practically hit me in the face, but once it did, it made perfect sense. And I grew to love to hate her. I just wish she'd gotten a bit more of a punishment over it.

On the bad side, the motives and actions of the heroes never made much of sense, especially towards the second half. It's tricky when a character is forced to keep a secret, or feels forced to, even though revealing it would actually be a good thing for everyone... but here the balance was skewed too much, and I never really came to believe there was any real reason for them to hold on to it. They could have spoken up right away and things would have turned up great - and they should have known this. It turned up pretty frustrating: it made me feel like the conflict was altogether fabricated, fake, at a couple places threatened to pull me out of the story entirely.

Honestly, the rest of it ended up fairly well overshadowed by these two points, so much so that there's not much else to say one way or the other. It's a fairly standard Diana Wynne Jones fare. But I'd say the bad overshadows the good, a little. Two and a half.