This is the sixth novel in the Jesse Stone Series.
It opens with a grisly scene in a park. A woman walking her dog comes upon a body hanging from a tree. When Jesse arrives on the scene he quickly makes some important observations. The man’s neck does not appear to be broken, his hands are not bound and there is nothing to jump from. This does not look like a suicide. When Jesse pushes aside the man’s coat, he finds the man’s sweater soaked in blood. The body looks like it has been dead for a while and it has started to smell. Whoever killed this man and strung him up must have been very strong. Jesse estimates the man weighed over two hundred pounds. And the killer obviously wanted the body to be found or he would not have displayed it so openly.
When the victim is finally identified, Jesse is wary. It is Walter Weeks, a nationally syndicated TV and radio talk show host and a well-known newspaper columnist. This means that once again, a media circus will descend on the town and Jesse will have to deal with their annoying and persistent questions about the investigation. Later when the body of a young woman shows up in a dumpster in the alley behind a restaurant, even the governor gets involved.
Jesse notes some interesting aspects in the case. Although Weeks had three wives, no one has come to retrieve the body. And when Jesse meets the circle of people involved in Weeks’ business and personal life—his manager Tom Nolan, his researcher Alan Hendricks, his lawyer Sam Gates and his three wives, he is surprised that no one says they are sorry he is gone or that they will miss him. Jesse is even more puzzled by the fact that Walter Weeks came to this small out of the way place called Paradise. What was he doing here? He keeps asking the question, but no one seems to know the answer.
Jesse knows little about this media celebrity except that he is a libertarian. But as he watches tapes of his old shows, he finds Weeks likeable and essentially non-partisan. So it was probably not politics that was the motivation for his murder. Jesse’s further research reveals that Weeks was a consummate womanizer, so perhaps there is a jealous husband involved.
Jesse’s personal life is still stuck in neutral. In the last book, he had given up alcohol for a year, but the novel concluded with Jesse reaching for the bottle once again. He feels he has a bit more control of his drinking now and knows a life without drinking means he has nothing to look forward to -- and that is a life he is not interested to lead.
He has met and is enjoying the company of a new woman. Sunny Randall is good looking, smart and sexy. She is a former cop, now a private detective. Like Jesse, she is divorced but still has a connection to her former spouse.
Jesse wants to commit to Sunny but he can’t because of Jenn, who has checked out on him once again. Jenn has continued her promiscuous ways, sleeping with men to advance her career, a method that seems to be working for her. She has moved on from Weather Girl to a job as an investigative reporter. Jesse knows with the recent murder in town she will try to use him to get an inside scoop on the investigation. Jesse wonders why Jenn keeps lying to him while at the same time he ignores the more important question of why he continues to believe in her promises.
In the middle of Jesse’s busy days with the two murders, the press visits from the governor’s aide and phone calls from Congressmen, Jenn calls to say she was raped four days ago and that the man who did it is now stalking her. She says she is scared and needs Jesse’s immediate and complete attention. Jesse runs quickly to her side, although he is not sure he completely believes her.
This is a sick relationship which I wish Parker would abandon. Jenn is a whining, needy, tiring and manipulative woman. Spike, a gay man who helps guard her following the alleged rape, understands her. He sees she is beautiful and knows she uses sex to get what she wants. Spike believes she desperately needs psychological help. But then, so does Jesse. He is the other half of this co-dependent relationship. The two constantly discuss their problems but never make any progress towards solving them. The fact they never move forward gets to be very tiring. They need to let one another go and get on with their lives. Actually, the relationship that is much more interesting and has some zing to it, is the one between Jesse and his dispatcher Molly Crane, the only female in the office. Yes, the one who is Catholic, married and the mother of four children!
Once more Parker lays out a crime committed in a small town by someone who assumes an investigation will be carried out by a small town cop who acts like a bumpkin and won’t have a clue what to do. He may contaminate the evidence, take blundering shortcuts or just not be smart enough to figure it all out, eventually allowing the perpetrator to get away with the crime.
Parker throws in some wry humour with Suitcase Simpson, who Jesse is trying to develop as a cop. Simpson dreams about one day becoming a detective, although the police force in Paradise is so small that they don’t have room for one. But Suit tries to take on that role, hoping to take the next step on the career ladder and eventually move on to the big time. Jesse’s mentoring role alternates between moments of humour and gentle guidance. As the series progresses, it is interesting to watch this young man gradually gaining more experience under Jesse’s tutelage.
This is not my favourite book in the series. Like his other novels, it is written in Parker’s usual minimalist style with staccato like sentences that move the story along at a fast clip. In these books the characters are as important as the crimes. But in this novel, the characters are thinly sketched and completely uninteresting. I did not develop any sympathy for them or come to care about them. They almost weighed down the narrative. It is the recurring characters (which are well fleshed out) that hold my interest.
If you have not read the series in order, you may not be able to give this book an even average rating. It needs the context of the continuing story to be appreciated.