Across the Islamic world, illuminating Korans from Morocco to Malaysia, and adorning mosques, mausoleums and palaces, are hidden some of the most exquisite geometrical devices ever conceived by man. In this excellent little book, geometer Daud Sutton unravels the mystery of Islamic patterns, explaining where they come from, how to draw them, and hinting at the Divine messages they encode. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.
I picked this up on a trip to the Getty museum in Los Angeles. It’s a solid introduction, more of a brief survey across the entire discipline rather than an in-depth review of a portion of such design.
Islamic design is spectacular; the explanation for how to construct the designs based on geometry is too detailed for this book. In other words, if you are a novice looking for how to incorporate such design into your own artwork, this will not be sufficient. However, if you’re looking for a book to skim over while drinking a coffee at an art museum café, it works splendidly.
Picked this up at the Met. It's a short introduction on the geometric foundations of abstract art and patterns commonly lumped together as "Islamic". One can argue whether artwork spanning several continents for nearly two millennia is necessarily religiously-oriented, but it is a legitimate position with plenty of evidence showing how Islamic religious and cultural values influenced its developments. I just wish that was actually articulated in the book! It was also in black and white, which further takes away from appreciating how the beautiful artwork appears in real life.
Not a bad introduction, but there are probably more satisfying introductions.
Islamic design is fascinating for me. The attention to details, the symmetry, the textures and colors, all of it!
I thought this book was going to explain the meaning of the shapes and patterns, and I was going to be able to recognise them in real life. However, it ended up being more about the geometrically shapes and not so much about their reasons to be there.
I still enjoyed it because the illustrations are good, but I would've preferred more historical and spiritual context for them.
A very interesting book, I've learnt so much from it. I assume it was originally in colour as this is hinted at in the text and is a great loss with the examples being of so striking.
Splendido libricino con spiegazioni chiare e profonde che mettono in collegamento la visione filosofica e religiosa islamica con la produzione artistica e decorativa strettamente legata alla modulazione di elementi geometrici che rendono perfettamente la relazione fra Uno e Multiplo, fra essenza divina ed infinita emanazione concreta. Anche l'infinito gioco del design applicato alla decorazione e all'alfabeto è reso magistralmente. L'oggetto libro è esso stesso estremamente piacevole da tenere fra le con la sua carta a grana grossa e il suo formato contenuto e delicato.
A cool little book. I was hoping for more explanation between Islamic theology and geometry. There was a bit of that, but a great deal more of statements such as "Two ninths of a full turn, 80º, plus three elevenths of a full turn, approximately 98.2º, is very close to 180º. This allows the rhombic arrangement of two enneagons and two endecagons …" Since it has been over 40 years since my last geometry class, the whole book was rather slow going for me.
Easy to read, a bit hard to follow on the ordered diagrams. But overall I could spend a long time looking at the patterns and relating them to what I read. Do read with some internet pictures of islamic sites and designs =)
A rather small book, rather nicely edited and done. Can not say that there is much here in the way of details and is simply a very small introduction to design and very basic geometry.