Un manga signé Taiyou Matsumoto, le plus digne représentant du manga underground japonais Selon les gardiens de la prison, Kikuchi aurait succombé de la tuberculose dans sa cellule. Pourtant, il a été aperçu à Edo. Daïzaburo Mikoshi charge Genji de retrouver Kikuchi. Même s'il est un homme important, Mikoshi est un idiot, les villageois disent de lui qu'il est possédé par son sabre. Comble de tout, il a une requête à faire auprès de Kikuchi, une requête un peu folle, à son image.
Although Taiyo Matsumoto desired a career as a professional soccerplayer at first, he eventually chose an artistic profession. He gained his first success through the Comic Open contest, held by the magazine Comic Morning, which allowed him to make his professional debut. He started out with 'Straight', a comic about basketball players. Sports remain his main influence in his next comic, 'Zéro', a story about a boxer.
In 1993 Matsumoto started the 'Tekkonkinkurito' trilogy in Big Spirits magazine, which was even adapted to a theatre play. He continued his comics exploits with several short stories for the Comic Aré magazine, which are collected in the book 'Nihon no Kyodai'. Again for Big Spirits, Taiyo Matsumoto started the series 'Ping Pong' in 1996. 'Number Five' followed in 2001, published by Shogakukan.
After Seno loses another friend to Kikuchi, he takes back his sword and swears to defeat the villain. Most of the volume is very quiet, showing the peaceful day to day lives of Seno and his associates, showing us the cost of the violence to come. The foreboding is there but foremost is the celebration of life, the joy found in the small things a lot of us don’t stop to appreciate. The art is breathtaking. After a poorly printed book 5, Kana bounces back with the most solidly built book of the series, hopefully the last two are the same.
a great and tragic five-set chapter brings an arc to conclusion: the loyal dog barks at the setting sun, red eyes, a crab under the moonlit night, the audible footsteps of a thousand horsemen’s horses, and before the break of dawn. as a note, i love how the writer skips forward into the future to provide conclusions for characters who won’t return, similar to how he skips back into the past to provide backgrounds for characters who are introduced on short notice.