Dragon's Justice 6

Dragon's Justice #6

by Bruce Sentar

Zach is prepping for his wedding, but our favorite dragon king can’t sit still during wedding preparations and when Maeva asks for his help to delve into the Fae Wilds to save her mother, he’s more than happy to get out of wedding planning.

The fae wilds are a twisting world of lost and ancient creatures. Some far older than Zach could imagine. Zach is in for a surprise when they discover a village of dragons that just might hold a key to his past.

But he’ll have to navigate the wilds and avoid creatures so large that even the dragon king looks like a tasty snack. Good thing he and his mates are up for the challenge.

Genres: Harem, Fantasy, Smut, Urban Fantasy, Dragons, Magic, Audiobook

375 pages, Kindle Edition

First published December 9, 2022

About the author

Born and raised in the agricultural midwest, I moved every year after school even as far as Shanghai before settling down with my wife in Chicago.

I have always enjoyed Wuxia stories and became thrilled when I discovered harem stories spreading to western books. I've written down my day dreams for years as an idle hobby. Inspired by the harem genre I'm finally fleshing them out into full blown novels.

I'm excited to share my stories with you as I turn them into novels and series.

Connect with me on Facebook for updates on my latest books.
https://www.facebook.com/Bruce-Sentar...

Reviews

[Michael Weisbeck]

Too many added to the harem.

The harem is too big and the author is unable to properly juggle the women. A mile wide and an inch deep is an accurate description of character development is this story. However, if you are a person who enjoys the collection of every women without proper development, then this book is for you.

[Dave Stone]

DNF I may get back to it one day
Book 5 ended with a Scooby-Doo reveal that explained everything. The truly surprising thing was that the explainer exposition was way smarter than the entire book had seemed up to that point. It seemed like a dumb book all the way through, but then Bruce Sentar pops up and says "No, look! It was clever all along".
Now book 6 here seems even dumber than book 5. Should I read something I'm not enjoying anymore so I can get to the end and have Bruce Sentar tell me after the fact why I should have enjoyed it?
How much effort should I make when the author seems likes he's putting in less and less with each book?
My two big complaints are:
#1. Mechanically adding more and more women to the harem. The new characters being added are not developed at all. There is less than no chemistry, there is no recollection of her name. With all the new pointless additions the previous 'Love interests' are sidelined or completely forgotten. I don't think the MC speaks aloud the name of any of his first five "Mates". Why should I care about any these new chicks if the MC isn't going to care in a few books from now. Better yet, why should I care if I can't remember her name or picture who's being talked about if her name is mentioned?
#2. Everyone is taking stupid pills! The entirety of the plot is being driven by bad choices, imbecility, or high school level emotional drama. I don't think it was this bad at the start of the series, but maybe it was, and back then I could remember who all these characters were without a scorecard and so I cared about what happened to them. Having a newly introduced character stomp off alone into the deadly jungle to prove she doesn't need any help, and (sigh) suddenly need to be rescued so Bruce Sentar can fill pages on a rescue that wouldn't have happened if this character wasn't acting 1.Stupid and 2.childish. That's the kind of low effort, low intelligence writing that just irritates me to no end.
Truth be told I kind of miss the original cast of characters who all got sidelined for fresh meat. But not interested enough to read this cut rate melodrama.
The worst most sinking feeling I have is that the series was always this bad all along. Now I'm afraid to go back and reread any of it for fear of the shame I would feel if that's the case.

[Ayce]

Not good.

Bruce you have been absolutely rushing this series since book 4. This series should’ve stopped at three because those are the only three enjoyable entries in this entire series. Seriously Bruce I think you need to take a break from this series or just straight up drop it. Beyond disappointed in this book as well as the previous two entries. The review warrior bots are not doing this series any good either.

[Richard]

Worst book in this series so far. Some interesting parts, although I was quickly getting annoyed with the Fae Wilds sections of this books. They were hardly interesting to me. Yes, nice to find a villiage of dragons but they were kind of bland without any depth.

The end was a bit better, although not enough to make up for the earlier parts in this book. I wonder what will happen in the next book, but if it's similar to this one I might quit the series soon after.

One good thing is that there is less growling of "Mine" in this book, an annoyance of mine in the previous book.

[Steve]

Nothing particularly wrong with this installment, just that it didn't really grab me. The harem is now way beyond anything reasonable, and even the author agrees.

There are some big end-game things moving in this book, so this isn't the end, but even the two more books planned for this may be one too many. I feel that the author has written himself into a bit of a corner here, and from the tone of the book's afterword I suspect he thinks so too.

[Dan]

Another one that started out good but is starting to take a turn for the stupid.....

[Kiba Snowpaw]

Final Rating: 2.62/5.00

Starting score: 2.50
+0.24 for the Wilds' atmosphere and travel rules
+0.19 for dangers beyond Zach's strength
+0.18 for teamwork and Polydora's tactical skill
+0.20 for Maeve's conflict between duty and attachment
+0.15 for practical magic and cooperative craftsmanship
+0.18 for meaningful progress on Zach's origins
+0.12 for vulnerability and tenderness
+0.09 for lasting political consequences
-0.31 for coercive romantic reasoning and inadequate reconciliation
-0.23 for repetitive captivity and stalled momentum
-0.26 for cast expansion crowding established relationships
-0.18 for repetitive sexual escalation
-0.12 for overexplained dialogue and verbal repetition
-0.13 for the uneven wedding payoff
Calculated final score: 2.62/5.00

Essential Context

Winter's condition, vampire diplomacy and continued human scrutiny carry the previous disaster into what should be a time of celebration. Victories have consequences here, and the setting retains some life beyond Zach's immediate interests. The relationships and magical bargains also matter before the journey begins; starting here would strip too many conversations of their history. Leaving Philadelphia changes the listening experience: familiar social structures give way to a landscape where knowing somebody powerful doesn't make the next step safe. Sexual material remains a major attraction. Detailed encounters occur early, recur during the expedition and return later, alongside implied intimacy, fantasies and almost constant sexual commentary. This isn't a mostly nonsexual adventure with an occasional flirtation. The violence can be graphic, while captivity and sexual intimidation drive significant conflicts. I found the shifts between these elements jarring, especially when a frightening loss of control is turned into another joke or treated as the start of a romance.

Hook and Thesis

The Wilds are more interesting to me than the ever-growing queue outside Zach's bedroom. They give me ancient danger, strange terrain and the welcome possibility that the Dragon King might have to think instead of expecting his status to settle everything. My ears lift when the world refuses to accommodate him. They flatten again when another substantial question about trust, freedom or responsibility gets redirected into a discussion of who should sleep with him next. That pattern increasingly governs the emotional development. I wanted this journey to deepen the people already gathered around him, and the opportunities are there: shared danger, conflicting duties, different cultural expectations and questions about the family he never knew. Too often, the answer is simply to enlarge the household. “I wanted more of these people, not just more people.” That is the frustration beneath my score. The adventure opens the world outward while the relationships keep being pulled toward the same narrow destination.

Basic Plot Summary

Wedding preparations bring Zach and his companions into Summer's hospitality, but Maeve has a problem that cannot be solved by rearranging the guest list. Her mother has not returned from the Fae Wilds, and the possibility of succession threatens both Maeve's personal future and the balance between the seasonal courts. Zach's earlier dealings with Winter have left him with a connection that can help locate her where ordinary navigation fails. He takes a smaller travelling group into a realm of misleading paths, powerful creatures and inhabitants whose understanding of a reasonable bargain can be horrifying. The discovery of another dragon community also raises questions about the history he has been taught and his own beginnings. Those interests compete rather than forming one tidy assignment. I like that the rescue matters for more than a reward: helping Maeve could preserve a future she actually wants, while failing her would force decisions neither of them is ready to make.

Praise and Critique

The best world-building makes travel itself unreliable. An arch formed by branches can send the group somewhere else, and turning around may not restore the route they just used. That changes how they move, watch one another and judge whether a shortcut is worth taking. The compass has a purpose because direction and distance are problems, not background decoration. I enjoy having to listen for what the environment permits rather than wait for another grand place to be named. The shifting terrain won't hold still beneath my paws. Richer magical food helps explain why a beast feared outside Faerie can become prey within it. Growing stronger doesn't erase the threat of larger creatures. His title may impress people at home; some of the things out here would simply eat him. I also love seeing black dragons act as healers instead of being treated as inherently evil. Dark scales aren't a moral verdict.

The fights are most engaging when the group has to solve a physical problem together. Against the fog-form wolves, formation, visibility and combined abilities matter. Polydora understands that protecting several people requires more than throwing herself at the nearest enemy. Her instructions give the confrontation a shape, and the others have identifiable jobs within it. The hydra's elemental resistance and limited mass likewise affect what Zach should try. I can follow why one approach fails and another might work. Polydora's experience extends beyond the fight through her knowledge of older dragon culture. The reference to Themyscira carries a recognisable echo of Wonder Woman's Amazon homeland, while this story gives its warrior women a distinctly draconic history. That connection adds some playful familiarity without needing an extended explanation. I value her most when that history becomes judgment, technique and practical care, rather than another reason to announce how devoted she is to her king.

Maeve supplies the most convincing emotional reason for the expedition. Becoming queen would mean more than gaining power: it would mean accepting a loss, inheriting dangerous obligations and surrendering much of the freedom that makes another kind of life imaginable. Her guardedness has something specific behind it. I like the early conversation where she explains the danger of helping her instead of exploiting Zach's immediate willingness. In a culture where repeated words can become binding, refusing to take an easy promise matters. She wants his help, not merely a technical advantage over him. Later, her loyalty is tested against what she wants for her family, so the relationship has a conflict larger than whether he finds her attractive. Their closeness has a history and a cost. That draws me in more than a dozen claims of possession. The tension comes from two people wanting a future that their responsibilities make difficult, not from withholding an obvious answer until the next intimate scene.

Some of the quieter magic has more character than the grand displays. Frank working with Sabrina on a way to summon Maddie's misplaced keys is a small act of attention with a practical problem behind it. Discussing an emergency supply adds another application, and the size of the device imposes a limit they will have to test. I like this version of progress: learn something, make something and use it to improve somebody's daily life. The later craftsmanship gives expertise its due. Handling a dangerous magical material requires the right tools, shared effort and patience, while an old feud becomes something to work past rather than an excuse for violence. These moments retain the appeal of an extraordinary community hidden inside ordinary work. They also preserve Sabrina's intellectual usefulness after the previous adventure made it so important. I want more scenes in which affection is expressed through knowing what another person needs. A useful gift can tell me more about a relationship than another claim that somebody is perfect.

Criticism

Helena's treatment remains the most aggravating relationship problem. Early on, she plainly asks for the unwanted mark to be undone. Zach insists that the mark makes her his mate, taunts her with the word and answers her question about divorce with a claim about eating the offending spouse. The conversation then becomes evidence that she is troubled, secretly interested or behaving like a difficult wife. Her history of manipulated affection makes this especially ugly. Knowing why somebody distrusts attachment should create a reason to respect what she says, not a shortcut to deciding that her refusal conceals desire. The others keep pushing the same answer: provoke her, fight with her, turn the hostility into sex. I find that emotionally lazy. Their attraction never supplies the missing discussion about what commitment she chooses or what freedom the mark leaves her. “Stop telling her what she feels and listen to what she says.” My claws tighten over this because the story can articulate the problem clearly, then keeps finding ways around her objection.

The captivity stretch also wears out its strongest idea. Being treated as a reproductive asset rather than a person ought to confront Zach with the limits of possessive protection. Instead, the sequence repeatedly circles who may keep him, who can move him and which woman gets to claim him. Its history explains how the settlement developed its fears, but the repeated humiliations stall the rescue more effectively than they deepen that history. The lives of the other men matter less to the telling than the affront to this particular king. I wanted more attention to them. Family conflict repeats the confusion between love and control with a sour comic edge. Threats, confinement and the prospect of keeping someone close through another person's suffering are treated as extensions of excessive affection. My fur bristles at that easy transition into cuteness. Feeding someone and fussing over them do not make a cage less of a cage. I wanted the experience to leave a deeper mark on his understanding of freedom, not merely add another complication to his romantic itinerary.

The expanding cast damages the promise of individual relationships. Taking a smaller group into the Wilds creates room for Polydora and Maeve, but the established household is pushed aside for a substantial stretch while still more prospective partners accumulate. Trina particularly frustrates me because her medical background and professional curiosity previously gave her a recognisable identity. Her personal scenes here dwell on desire and broodiness rather than the curiosity that made her interesting. The useful healer in combat becomes the broody mate when the fighting stops. The nymphs make the imbalance more pronounced. Their stated ambitions keep returning to serving, pleasing and bearing children, producing a crowd defined largely by its availability. An explanation for similar priorities cannot create distinct personalities. Briefly discovering an individual interest, such as Sarisha's music, exposes how much more could have been done with people already present. I don't feel a growing pack so much as a growing demand for scenes the story has no room to provide.

The erotic writing compounds that crowding through repetition. A challenge, a private approach, magical playfulness and confrontational desire give the encounters different beginnings. The language then steers them toward possession, extraordinary stamina, overwhelming satisfaction and pregnancy. I enjoy adult intimacy; the repeated proof of Zach's sexual superiority bores me. Desire should reveal more than how long he lasts or how many women want him. The constant sexual commentary tires me more than any single detailed scene. It follows meals, planning, travel and recovery until conversations have little space to remain about something else. Even the supposed solution to his crowded love life becomes more capacity, more willing partners and more reassurance that everybody can fit. My tail goes still when intimacy starts resembling another measure of increasing power. The contrast is the quieter affection elsewhere: sharing work, attending to nerves or taking care over a small task. Those moments give desire a person to belong to. Repeated assurances of sexual abundance mostly give it somewhere to go.

The wording makes these patterns harder to escape in audio. Too many exchanges follow a familiar route: someone makes an insinuation, someone protests, then Zach explains the supposedly obvious feeling underneath it. Eyebrows rise, somebody smirks, somebody growls, and his internal beast confirms the reaction. The repeated explanation takes time without adding proportionate understanding. Even the altered phrase about a “roll in the gold” gets an explanation, as though the joke cannot survive being left alone. I feel the resulting drag most in group conversations, where several characters contribute recognisable attitudes rather than genuinely different observations. Brief changes of viewpoint allow some distance from Zach's assumptions before his familiar interpretation takes over again. I want answers that surprise him and remain unresolved. Instead, the dialogue closes uncertainty by declaring another woman's interest, loyalty or hidden attraction. Hearing that pattern unfold again and again makes the lack of surprise harder to ignore.

The allocation of attention near the end is another disappointment. The shared wedding is framed around women with different expectations, histories and customs, and the planning has taken up a great deal of time. The fullest emotional attention goes to Scarlett. Her significance is established, and the private conversation about whether she remains comfortable with their life together has genuine tenderness. The other relationships need comparable specificity, not necessarily equal-length ceremonies. Instead, much of the promised variety is compressed into a rush of collective happiness. I wanted to hear what commitment means differently to these people, especially after so much discussion of expanding their family. All the preparation and anticipation have made that an important promise. An assurance that everybody is happy cannot do the work of a scene that makes their happiness individual. The expedition reaches a stopping point while larger trouble remains ahead. The emotional payoff is far less evenly developed than that long setup promised.

Evaluation and Personal Impact

The progress on Zach's origins matters because his need for answers is more vulnerable than his usual hunger for recognition. It gives me answers that change how I understand him, rather than just teasing another secret. Beneath the history is a son trying to understand absence and decisions made before he could choose anything. After losing my father, that emotional territory carries a weight for me that another title or increase in strength cannot match. I know the value of someone who repeatedly showed up, and why explanations alone cannot replace the time a person wishes he had. From my den in HowlStrom, I respond to the longing for dependable closeness more than to the spectacle of being wanted by everyone. Compared with the last adventure, this explores more history and stranger places while giving everyday relationships less room. The widening mythology holds my curiosity. The intimate questions get hurried past when there is another chance to expand the cast.

Conclusion

My 2.62 reflects an adventure whose best ideas deserve more care than they get. The Wilds have rules that matter, the dangerous scale is effective, and the journey advances questions that have been building for several volumes. Maeve gives it a reason to matter personally, while practical cooperation provides a glimpse of the household I find most convincing. My main frustration remains: more power and more partners keep being offered where the story needs more attention, more difficult conversation and more meaningful change. A character can be protective and still need to confront how he treats somebody else's refusal. A large family can be affectionate and still lose its individuality when most of its members must wait outside the main story. I finish with more interest in the world than confidence in the handling of the people inside it. I leave with my ears turned toward the Wilds, wishing the relationships had given me as much to explore.

[Dan]

A terrible book. DNF at 72% and I really tried to finish this one as I knew it would be the end of Dragons Justice for me.

A good author decides what counts as strong and weak at the beginning of a story and then determines where the Mc starts and how fast he grows more powerful. That is one of the basics of good world building. So far we established that fae queens, vampire lords, hell princes and archangels are more or less at the top of the power pyramid. Now suddenly all of these are considered weak compared to the new wild dragons and fairy wilds as a whole. If thats the case why couldn’t Zachs mother just send one or two dragons to the real world and make the threat from the celestial plane and Ikta void?
Suddenly saying „Oh there were more dragons all along and they are all bigger and stronger than Zach“ is just a cheap attempt the reset the power dynamic in order the stretch the series at the cost of quality.

The whole plot in that dragon village sucked. Sentar suddenly felt like taking the story in a completely different direction and humiliating his protagonist, by making him a house wife for a couple of chapters.

Once again the harem expands way too much. Maeve is on the cover, so that one is ok. But there is also Maeves attendant, the summer queen, Ikta, two of the dragonettes a new dragon and dozens of random nymphs. Seven new women for the Mc. I can not remember all of their names and the good ones - the women from the earlier parts, that still had some personality - are sidelined. Scarlet, Jadelyn, Morgana and Kelly have no more place in the story, because Sentar deemed it necessary to add SEVEN NEW WOMEN IN ONE BOOK. Thats not even to mention that he also accepted some random new nymphs. When he accepted those, I stopped reading. It goes against anything Zach said so far and the promises he made to Scarlet and his other women.

Conclusion:
This book was terrible. Way too many new harem members. Old characters were sidelined and the new women noticeably have no personality.

The protagonist went against promises he made to others and himself, by agreeing to sleep with Ikta and a dozen random unnamed nymphs for no reason whatsoever. Yes, the story was twisted in a way that he had to accept Ikta - and even that was forced. But some random nymphs? Why?

The world building was ruined by making everything in the Fae Wilds unnecessarily powerful, thus destroying the so far established power dynamics.

Congratulations Bruce, Dragon’s Justice was pretty good up to this point, but you somehow managed to ruin world building, harem characters and protagonist all in one book.

Edit: Just read the afterwords. No Bruce, you do not have the skills to manage a harem of that size. No one does. There simply is a point when you start exchanging quality for quantity. And that is never a good trade to make. Sad DJ had to end like this.

[William Moody]

LOVE this series

I’ve been a fan of Bruce’s work for a while, and think he’s a fantastic author. I generally enjoy the harem books, but a common issue with most of them is that it generally comes across as unbelievable how quickly characters just accept the harem or women push for it without issues. It’s never that believable and is a bit jarring when reading. Also, the frequent tumbles in the sheets tend to get old, and the characters tend to stop developing as the story progresses and new characters are inserted.

That was NOT an issue for this series, to my joy and surprise. I’ve read up to book 6 of this series, and the story was fantastic and seemed completely natural. My favorite part was that the character development seemed pretty consistent across the series, and when it seemed like an older character was starting to get ignored, Bruce would add something about that character to keep that character’s development going.

I think one thing that made this series work as well as it did was the paranormal aspect where the characters are mostly not human and have animal instincts that just make harems make more sense and really helped individualize each character in a unique and special way- preventing the characters from becoming bland.

The story here was phenomenal and I look forward to the next installment. My inner fantasy nerd was loving this series and all the paranormal species in it. I’d honestly like to see the harem not growing anymore (past book 6) as it is getting difficult to keep up with all the characters and will be impossible to maintain character development for everyone. That said I would highly recommend this series for any fantasy/harem genre lovers as it’s an incredible read, and this is my new favorite of Bruce’s work.

[John]

Spinning Out of Control
Picking up a substantial artifact from the new Vampire representative in town.

Bonding with a few of the dragonettes.

Zach and a small team (subset) leave a palatial estate (most of his crew, and Maddie and Frank behind) where they are vacationing leading up to wedding season, to venture into the Fey Wild in search of Winter (Maeve's mother) who has gone missing searching for power alone in they fey wild.

Constant undetectable teleportation magic, an environment where literally anything can appear and be threatening or not, including gods the size of mountains and magical creatures with unknown powers.

Captured by fey wild dragons, previously unknown, who turn out to be very powerful as they eat a lot of magical creatures. They also have a very matriarchal society. And they are ruled by Tiamat, who does confirm she is Zach's mom and fill in a lot of backstory.

Nymphs just want to be servants and have babies...hmm.

Meeting a near-omnipotent plant "The Dreamer" that is ages old, with roots throughout the fey wild, and knows much that it shouldn't know, playing at a global scale, forces Zach into a deal mostly revolving around him taking on more mates to increase the dragon population, including Ikta and Summer.

Making a deal with Ikta to save Winter that conveniently also satisfies the deal with.

Going to the underworld with Ikta joining the crew to conveniently provide gates, picking up T as a tour guide, and getting to visit with Bahamut, filling in more back story and providing a distraction while Bahamut casts a very complicated spell to sever a titan-god's connection to Winter.

Friction with Helena isn't resolved, but things progress.

Mushy weddings.

[Desert Lumens]

good but this one frustrated me

I enjoyed this, but it had its frustrating moments. This one for me had some drop off in the storytelling. I think Sentar is kinda going the way of Isaac with too many mates bringing in the nymphs… it’s going to lose focus I think and the main women are going to be lost in translation… I mean Isaac had what? 19 women? 🤣 then like 40 kids or something 😅😂. I’m still enjoying the story, but there was some parts that droned on for me. But I have to say goldie had me laughing, each and every time they showed her. There’s plenty of good and funny elements in the book. I’m shocked though Zach didn’t pull out the crystal when he met the “ferryman” also I was disappointed that they focused so much on maeve’s ring but didn’t show her receive it…. That just felt like a wasted scene to me. This book was more along the 3.5 range but I rounded up to 4 stars. I’m looking forward to the next book though. I hope it’s soon

[Parad0x]

While I did enjoy this, it's probably the weakest in the series. A lot of reviews mention the size of the harem. I figured this was due to the number of people from the previous book we expect to join, but this is only the beginning. I'm genuinely not sure how many are in it now. The result is that most of the harem only play minor roles in this book. Much of it takes place in the Fae Wilds, and there is a big section that I found very frustrating, and not in a good way. Once I got past it the rest of the book was good, but it still cast a bit of a dark spot. The author is expecting to end the series in 2 more books. While I do look forward to future books and am excited to see what happens, I do think series needs to end soon.

[Ti]

Zach will marry his women in a „traditional“ way and therefore travels to the fae realm. Summer and Winter doing a great job setting things up for the grand day.

Of course he can’t just take a whole month of vacation to prepare for the weddings. So Zach helps to undergo a task to save the day but will find a whole new kind of trouble that will reach even into the human realm.

The book felt a little different but I am not able to put a findet to it.

The author is mentioning that the eighth book might be the last one of the series. Not sure if that is a good or a bad thing. Only time will tell.

[Andrew Blanche]

?

There was more than one person who wrote this one for the styles were all over the place from bachelor party on it was useless bable nothing made any sort of sense was just wrong for series, would have been better to have a few pages of detail of the bachelor party, with the ring forging done before that even happened then the weddings with more to just having detail on Scarlett, he was marrying nine, different beliefs mentioned but sorry you say that and just don’t write about it, and not enough detail into overall next stages of storyline. Book 6 is a series changer in way, disappointed and prob stopping it. I don’t understand how this got past an editor.

[Chad Martin]

With Zach set to marrying his bevy of beauties, it only makes sense that his troubles will only escalate. His journey into Fae continues to add depths of the layers upon which Zach can both escalate his control and show his true level of Dragon King status.
The introduction of a village of wild dragons, ones that may solve many of the color issues, adds both a twist when he has the chance to meet his parents and see the bigger picture as he encounters various Titans who are starting show how small and young he may actually be in the grand scheme of things.
I enjoyed the book and it continues to keep my interest as I quickly burn through the books. Bring number 7!

[Alice]

Romance: 21-year-old chromatic+metallic dragon shifter king MMC with...
1. assassin/bodyguard kitsune FMC
2. siren princess FMC
3. 600+-year-old dark elf vampire nightclub owner/mercenary FMC
4. werewolf alpha FMC
5. 31-year-old green dragon shifter/adoptive elf princess FMC
6. 33-year-old high elf princess FMC
7. succubus demon wizard FMC
8. nephilim FBI agent FMC
9. bronze dragon shifter Amazonian warrior FMC
10. copper dragon healer FMC
11. winter fae princess FMC
12. winter nymph attendant FMC
13. spider queen of wild fae FMC
14. queen of summer fae FMC

[Rocco Sgabellone]

Fantastic

This was quite the rollercoaster for zach. It seems between supervillains 3 mr. Sentar is enjoying the process of slightly humbling the protagonists. Zach being faced with odds and does he cannot match and the oppressive dragon women was quite frustrating to read but in a good way. I’m very excited to see as the titans and winter cause problems and what seems like an inevitable outing of the paranormal. Keep it up Bruce, these books are damn great.

[Jamie Ross]

Another awesome read!

Dragons Justice by far has become on of my favourite book series to read, with an awesome cast of characters and unique personalities, it's hard to to have fun reading these books.

And when Zach has to go to the realm of the Far, he ends up on a twisted and unexpected journey of his past, and meets a few unexpected new allies.
And learns of a bigger threat rising.

Looking forward to the next book!

[Alan K]

Another great book in the story

The story itself is getting a bit over the top with a visit to the underworld and battling titans, please don’t “jump the shark” with this series and go so far over the top that the story becomes a joke. I still enjoyed the book and I’m catching up to the author’s releases in this series. The books are not that long so I am reading through them fairly quickly for someone I consider a fairly slow reader, but spend a lot of my spare time reading.

[Andrew Riley]

Defiantly with the read it this is your tie of genre

Just started the series a couple of days ago after seeing it recommended and couldn't recommend it more. Full of laughs character building as we as a decent amount of combat. Very much looking forward to more of this series and others you write of there like this one.

[Kevin]

I had this for a while and just read other books.

I thoroughly enjoyed this. It's great to see how far the protag has come, and I liked how the author ties dragons into mythos of old.

I find it funny that I'm enjoying a book about a dragon, when I don't like dragons.

I will pick up the sequels. Mine

3/5 Stars

[Tracy S McCoy]

Better and better!!!

No surprise that this was another fabulous story in this series!!! Perfect blending of slice of life and fantasy adventure action and activities!!! I can't wait to see what this author comes out with next for our imagination to play in!!!

[Gerry Novack]

Keeps the Story rolloing

Not just a filler, this closes a portion of the old and enters into a new phase. This book will lead us into the next storyline. Cannot wait to where this ends up!

[Martin]

Always so good

Well this didn’t disappoint, as always the story is captivating making it hard to put down, we get to care for the characters in this wonderful and intriguing world. I will be waiting for the next one

[Mitchell kaiser]

fantastic as always

This author has some wonderful talent and I can’t get enough of his stories. Looking forward to book 7! My only criticism is that the main character is a little too bone headed and it’s frustrating. Keep up the great work!

[Kasper]

It continues

I wonder if I at any point will grow tired of this book's format, I have been binging the series for the last week straight and I've loved it, it's not without it's flaws, but it's lovely and this one in particular ends in a most beautiful manner

[H.C TOWERS]

Loved this volume like every other before

This one brought more of the world into perspective and expanded the entire mythos of the story, I loved it, no spoilers and the ride was great and fun look forward to next book.

[Genielle Weber]

amazing

The send of this book had me smiling and crying in happiness. I really enjoyed this book and am eagerly heading to read the next book. This series is beyond fun and a new favorite

[Jon]

best series ever

You won’t find a better supernatural/ dragon series, I previously read to book six and at the time there was no more now there up to 9 , so excited to see what happens next and what will happen to our dragon harem!

[Ron Butler]

Shifting Gears

This volume in the saga could have the subtitle "Shifting Gears". The story revs up into high rpm and then near the end, quickly pushes in the clutch, and drops the rpm in preparation for launching the tale into high gear! Next, Please!