This book is written by David Milch, the great television writer, and Detective (and later writer-producer) Bill Clark, the decorated NYPD homicide investigator who supplied the true life stories on which episodes of the landmark series NYPD BLUE were based.
Clark's (italicized) first person accounts tell the true stories of the crimes. Photo inserts depicts some of the criminals and crime scenes. Milch reveals the process of how these true stories were fictionalized for television, shaping the first year of the series. The best way to read the book is with the Season One DVD on hand.
I do believe that decades from now NYPD BLUE will be remembered as perhaps the most important work of dramatized literature from our era, surpassing even THE SOPRANOS and MAD MEN, and Milch will be respected as a great artist much as Shakespeare, Dickens, Zola, Sinclair Lewis, and Saul Bellow are today. Dennis Franz' performance as Detective Andy Sipowicz, a character loosely based on Clark, is already recognized in its own time as one of television's most memorable. Inside the industry, so are the writers.
This little book will become an important source for informing future students about the (often challenging) creative process behind-the-scenes of the show. It is also a fascinating collaboration because the co-authors are so opposite: the former Yale lecturer with a history of substance abuse problems, and the tough Viet Nam vet who both inspired the writer and protected him from himself.
In the November 1989 issue of Harper's, Tom Wolfe rote an essay called STALKING THE BILLION-FOOTED BEAST A literary Manifesto for the New Social Novel. He argued that realism, and a journalistic-like attention to detail could uniquely capture the energy of the great metropolis and provide the "petits faits vrais", the verisimilitude, which are essential for the greatest effects literature can achieve. Any journalist, scholar, or cop will tell you that first-person accounts from reliable witnesses yield the most valuable truth. David Milch understood this when writing the prose and poetry of the series, and Bill Clark provided the telling details which made it all ring true.
Bill Clark continued to assemble his former police colleagues each year and find the most compelling stories for adaptation by an equally impressive team of writers led by co-creator Milch and Steven Bochco. This book tells the story of the year when it all began. Believe me, there's a lot more to it than the year spent negotiating which expletives can be used, and the whys and wherefores of David Caruso being written out at the end of the first season.