This novel marks the end of a genre that peaked with L'Amour. This is considered his final Western before his passing so I guess this book was particularly special for me, reading his books for years. Especially since the copy I read is the "Lost Treasures" with a postscript to this very story.
He wasn't asking for trouble. He was just a drifter and all he wanted was a meal. When a drunk slinger tests his luck on a stranger, a bad man is dead but the stranger pays. He only survives his hanging by luck and now he needs to stay low while the trouble brews over. A ranch with a retired actress and a younger accomplice provide him a place to hide, where he's dubbed the name Passin' Through for his common phrase. Soon, a young lady shows up providing "proof" she owned the ranch. Despite it not being his problem, Passin' senses he's going to be stuck in the crossfire of a land war. So much for laying low and passin' through.
This is something I've noticed in L'Amours final writings is that he gets more descriptive and more informative in his works. He takes more time to develop his characters and really delve into a plot. Now I'm not his previous works are dull or bad or not informative, it's just those to me are stories. To better explain, his older works are stuff you read around a campfire, a novel like this is something you need to sit down and really contemplate what you're reading and really get the wheels turning in your head. This type of writing change in L'Amour can also be seen in the "Last of the Breed" and "The Haunted Mesa". From what I've been told, since I haven't read them yet, this same format is also used in "The Lonesome Gods" and "The Walking Drum". These five late novels all make you think about what you're reading since the plot is full of twists and turns instead of a straightforward storyline and I quite enjoy it.
Now, I've read some reviews for this novel and I'm quite surprised by the ridicule some have. "We don't even learn his name," they said. Well, I say, we do know his name, it's Passin'. I don't see any reason not to provide a real name for our protagonist, mostly because it does nothing for the plot. What are you expecting, his name to be Sackett or something. To me the name doesn't really matter, if it was necessary for the story, L'Amour would've said it. As mentioned by Beau L'Amour in the postscript in the 2020 edition:
"Over the years, both my father and I have gotten a fair number of fan letters asking about the real identity of the man who calls himself "Passin' Through." On one level, Dad was just poking fun at the legion of taciturn and unnamed heros in Western fiction and film. The idea of this "man with no name" goes hand in hand with, and was probably inspired by, the image of the kind of iconic hero who might ride the Blue Roan - or death horse."
Probably the only thing about this book that really bothered me was the romance between Passin' and Janet. I just can't see happened. Of course, the characters are to open interpretation to each reader but from I learned, I would be one to go courting after Mattie. Passin' was working at her home for what? A couple weeks? He really got to know her and he mentioned several times he felt awkward talking to such a beautiful woman. Not only that, I could tell from Mattie's behavior that she had feelings for him. Janet on the other hand, he ate dinner with her twice. I just don't see it him falling for her and not his employer.
Anyway, it was great book in my opinion, I enjoyed reading it and each novel I read from this author encourages me to grab the next one I haven't read. We'll see what I choose next.