Cinderella story from 1909
This is the second book in a trilogy. The events in this story occur two years after the end of Book 1, making this 1833.
Phoebe Deane has her eighteen birthday a few days after the start of this novel. She has been living with her much older half-brother, her sister-in-law, and their children since she was 10 years old. She and her brother share the same father, who died many years ago. Phoebe's mother only survived her husband for a few years.
There is no explanation in this story as to how Phoebe's widowed mother supported the two of them before she died. However, it is made quite clear that her mother was a WASP lady of refined manners, who made an enormous impression on Phoebe's outlook on the proper behavior for a genteel woman.
Though Phoebe has worked hard, fast, and effectively while performing endless household chores from sunup to sundown for the past eight years within the rambling farmhouse on her brother's large farm, her vindictive termagant of an SIL has never been satisfied with Phoebe's efforts. She resents the fact that Phoebe's affable brother will never take her side in persecuting Phoebe, but he is so lacking in backbone that he does nothing whatsoever to prevent his wife from trampling all over his little sister. It is clear by her actions and attitude that the SIL considers Phoebe's ladylike manners to be a personal affront. Mainly because she has no such manners herself. She is an ignorant, crude, working-class farm wife who never has anything to say that is not a complaint or a criticism. She is actually unkind in varying degrees to everyone, including her husband and children, but she spews her greatest venom onto hapless Phoebe. In short, the SIL is the evil stepmother figure in this Cinderella tale.
Phoebe is also bedeviled endlessly throughout this novel by a widowed, middle-aged neighbor, who is a prosperous, big and beefy farmer. He is determined to marry Phoebe because she is a hard worker who could seamlessly run his household, performing all the endless domestic chores and raising his tribe of uncivilized children. Unfortunately for his cynical, self-serving plans for her, Phoebe was close to his dead wife and considers him a monster because of the callous way he treated her. She flatly refuses to marry him, but he will not take, no, for an answer. He is encouraged in his suit by the evil SIL, because she is determined to get Phoebe out of her house. Over the course of the novel, the man becomes a pernicious stalker.
This novel is part of a trilogy that contains these three books:
Marcia Schuyler (1908)
Phoebe Deane (1909)
Miranda (1915)
This series is sometimes called the Miranda trilogy, and sometimes the Marcia Schuyler trilogy, mainly because both of these female characters appear in all three books. For anyone who might be interested, I have provided additional information on GLH's approach to writing women's fiction in my review of Book 1, in addition to what I have written below.
Hill is often credited with inventing the Christian romance novel. However, neither this novel, nor either of the other two novels in this trilogy, comes anywhere near the modern definition of a romance novel, which involves the FMC onstage with her love interest at least 50% of the novel, with the main focus of the story on their courtship. Throughout this story, there are very few scenes in which Phoebe and her love interest interact with each other onstage, and the process of their falling in love gets short shrift, occurring in a rushed manner at the very end of this novel. Instead, the vast majority of page space is melodramatically focused on the thoughts and actions of the evil stalker and his willing accomplice, the vicious SIL. Frustratingly, the author provides far more of their evil POVs than Phoebe's.
In addition, a major, rather aggravating irony of this novel's being categorized as Christian fiction, which is the case for all three books in this trilogy, is that every single character is a Christian, who regularly attends church, including all of the villains. And nothing is ever discussed or demonstrated regarding the fact that participating in organized, Christian religion is not a guarantee of righteousness. Righteousness, in fact, seems to be something that people like Marcia, Phoebe and Miranda are born with. They are certainly not socialized into Christian compassion and kindness by any examples in their immediate family.
Basically, similar to Marcia, the FMC of Book 1, Phoebe has clearly been socialized to adhere to the tenets of the Cult of True Womanhood. This was a 19th-century ideology defining ideal gender roles for upper- and middle-class, WASP women in the USA. It emphasized four essential virtues: piety, purity, submissiveness, and domesticity. As a member of the lower class, the SIL has not been inculcated with any of those virtues. Yes, the SIL works very hard employing the domestic skills of cooking, cleaning, knitting and sewing, but not in a "ladylike," piously submissive manner in the way that Phoebe and Marcia do.
Interestingly, the continuing character, Miranda, being also from the working class, has not been socialized within the cult of True Womanhood either. But her inborn ethics are the complete opposite of those of the evil SIL. Miranda is never cruel to anyone, and she works hard to defend and protect both Marcia and Phoebe from the villains who have harmed them so much that, in the case of Phoebe in particular, they almost succeed in killing her.
The contrast between Miranda's compassionate nature and that of the cruel SIL reinforces what I experienced as an unintentional, subversive subtext within this entire series, and is the sole reason that I enjoyed anything at all about this book or the other two books.