"The Statement of Randolph Carter" is a short story by American writer H. P. Lovecraft. Written in December 1919, it was first published in The Vagrant, May 1920. It tells of a traumatic event in the life of Randolph Carter, a student of the occult loosely representing Lovecraft himself. It is the first story in which Carter appears. Its adaptations include the film The Unnamable The Statement of Randolph Carter. With Plot details.
Howard Phillips Lovecraft, of Providence, Rhode Island, was an American author of horror, fantasy and science fiction.
Lovecraft's major inspiration and invention was cosmic horror: life is incomprehensible to human minds and the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. Lovecraft has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fictions featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism and Christianity. Lovecraft's protagonists usually achieve the mirror-opposite of traditional gnosis and mysticism by momentarily glimpsing the horror of ultimate reality.
Although Lovecraft's readership was limited during his life, his reputation has grown over the decades. He is now commonly regarded as one of the most influential horror writers of the 20th Century, exerting widespread and indirect influence, and frequently compared to Edgar Allan Poe. See also Howard Phillips Lovecraft.
This early story—written in 1919, published in the amateur journal The Vagrant in 1920—is a simple but thoroughly effective tale of terror, based on one of Lovecraft’s dreams. Technically it could be considered part of Lovecraft’s Dunsanian Dream Cycle, since its hero Randolph Carter appears here too, but it reminds me more of Monsieur Valdemar than of anything by Dunsany. Indeed, its whole atmosphere is redolent of Poe, from its narrator whose memory is scarred by trauma to its melodramatic—AND ITALICIZED AND CAPITALIZED—last line.
Our narrator Randolph Carter tells of a night he accompanied Harley Warren--his friend and fellow student of the occult—to the graveyard near Big Cypress Swamp. Harley, long been obsessed with discovering “why certain corpses never decay, but rest firm and fat in their tombs for a thousand years,” is now armed with a newly acquired “ancient book in undecipherable characters” and wishes to test his theories. In the graveyard, the two men pry up a stone slab, revealing a flight of stone stairs beneath, and then . . . but the rest you must discover for yourself.
Yes, this is a simple story, but it scared me the first time I read it, and it scares me now just thinking about it.
It would take Lovecraft ten years to discover how to localize, anticipate, and prolong a good shock of terror, but The Statement of Randolph Carter shows us that, even in his earliest stories, he had mastered the art of delivering the shock.
“I’m sorry to have to ask you to stay on the surface,” he said, “but it would be a crime to let anyone with your frail nerves go down there."
No need to apologize, Harley! We're good. You go right ahead into that black aperture, from which rushed an effluence of miasmal gases so nauseous that we started back in horror. You call and tell me all about it.
Carter's friend really is calling him from the unknown depths and telling him about that uncanny vault. He's taken a telephone on a really long wire. Unfortunately, Warren is the original vaguebooker and just relates in a shaky whisper more portentous than the loudest shriek things like “God! If you could see what I am seeing!” “Carter, it’s terrible—monstrous—unbelievable!” “I can’t tell you, Carter! It’s too utterly beyond thought!"
I'm reading Carter & Lovecraft, in which the main character is a descendent of the guy in this story, so I thought I should pause and read something about him, but this story doesn't add much to the recent novel. However, there are some references in C&L to the continuing Randolph Carter stories set in the Dreamlands, so I guess on to those. After the completely different Lovecraft-western pastiche of Weird Trails: The Magazine of Supernatural Cowboy Stories.
Randolph and his friend warren explore a deserted cemetery at a swamp. When Warren climbs down the steps of one of the mausoleums he finds something indescribable and urges Randolph to beat it and go away as fast as he can. His friends tries stays on the phone and heears an uncanny voice? What happened to Warren down in the basement of the grave? Eerie Lovecraft you will absolutely like. What a pageturning adventure. Highly recommended!
The Statement of Randolph Carter is a short story where Carter speaks of his dreadful experience in Big Cypress Swamp. He went there with his friend. They found him wandering with no knowledge of Harley Warren's whereabouts. The last time he saw Harley was before he entered an underground crypt. He never came out.
There is a reference to this event in The Silver Key too: 'Once he heard of a man in the South who was shunned and feared for the blasphemous things he read in prehistoric books and clay tablets smuggled from India and Arabia. Him he visited, living with him and sharing his studies for seven years, till horror overtook them one midnight in an unknown and archaic graveyard, and only one emerged where two had entered.'
This story fed my hunger for horror drama. I loved it!
HP sets the scene in jagged cliffs into the underground with ancient runes. It reads like a Hitchcock or Twilight Zone show. A man's ambition leads him to walk toward the center of the earth while talking to the narrator through a telephone with a long wire. The narrator hears ghastly noises and Mr. Carter urges him to leave. The end will make you feel like bugs burrow into your pores.
I found a description of a voice powerful and terrifying. He used the word "gelatinous" which makes me think of a phlegm infested throat and the hearing of those vibrations.
Awesome read, and short, maybe twenty minutes. Highly recommended.
La buena narración del audiolibro lo ha hecho mas creíble y tenso.
Este relato corto nos muestra a un Carter temeroso, confuso de sus recuerdos que emprendió una aventura con su amigo Warren, un estudioso de lo oculto, quienes tras su incursión en el pantano Cypress en busca de las ruinas de un cementerio abandonado en una oscura noche, encuentran el sepulcro que creían que conectaba con otro mundo, una escalera a lo desconocido, por su parte Carter es testigo de como su amigo se sumerge en las profundidades de este sitio, donde el horror que le espera es incontable.
Lo he escuchado a través de un audio libro gratuitamente en Google Libros y me ha gustado bastante. La narración fue increíble y realmente sentía el pavor en su voz cuando narraba los hechos terroríficos que le habían pasado al compañero del narrador.
Y eso fue justamente lo que me transmitió. Terror, horror, se me palpitaba el corazón. Cosa que aveces leyendo no se siente esas emociones. Aunque el libro también te las da; sólo que el audio las incrementa. Ha sido mi primer audiolibro y me ha encantado la experiencia.
3.5* A story of deception or truth? Randolph Carter has been asked to give account of the whereabouts of missing man Hayley Warren. If Carters statement is true, a monster demon of unspeakable terror and evil consumed the man who dared to venture into its sepulchre. A cemetary with its scene set perfect and, being honest, classic to most descriptions of its kind allows the reader to be slowly drawn in. Alternatively, Carter has committed the biggest crime of all and disposed of his partner. The entire statement potentially being a cover-up for his own wrongdoings with Carter deciphering his inner most attributes to create the monster.
I wanted to read Lovecraft for his terror-inducing, descriptive prose, and this story was recommended as a starting point.
Though, it was not as descriptive as some his quotes that I have read, it was certainly enjoyable in the sense that it does what it intended to do--well, if not great.
Un relato Magistral, más aun si tenemos en cuenta la brevedad del mismo, ya que son poco más de 2000 palabras, que todo admirador de lo fantástico, el terror y la ciencia ficción debería disfrutar.
Una genialidad más que surgió para el disfrute de todos de la privilegiada mente de H.P.Lovecraft, el maestro del terror y lo fantástico.
Sin duda un relato que nos pondrá los pelos de punta, más aun si tenemos en cuenta que fue escrito en el Siglo XVIII.
Relato en los inicios de Lovecraft considerado parte de los Mitos de Cthulhu sin ser uno de los canónicos. Relato muy cortito pero no por ello menos inquietante. Está lejos de ser lo mejor del autor pero se le reconoce perfectamente. Cuenta la horrorosa desaparición de Harley Warren a través de la declaración de su acompañante Randolph Carter, que se encuentra absolutamente horrorizado por las extrañas circunstancias en las que escuchó desaparecer a su amigo. Y poco más se puede contar. Yo, al igual que el señor Carter, espero que Harley Warren "haya encontrado la paz y el olvido definitivos, si es que existen en alguna parte."
It's about two men going to Big Cypress Swamp where they walk into a tomb to prove that corpses never decay.
It's not really special in any way as there was never . While I like mysterious endings, I know the trope of going to abandoned places and disappearing or dying is something often used in horror films. That's why I wasn't able to enjoy this story.
I've read this super-short story a few times now and enjoy it quite well. It contains the great horror/sci-fi elements that you can expect from Lovecraft. In this story, the protagonist, Randolph Carter, was Harley Warren's assistant. He's writing a letter telling the authorities why he can't really explain what happened to him; it must have been the boogeyman that got him.
Carter's experience reminded me of some work experiences I've had (except cooler and creepier). Since he's the assistant, he doesn't know anything about the work; he's more like Warren's go-for. When they get to the spot where they're going to explore, Warren won't let Carter go down in the hole with him. This upsets Carter, because he wants to feel useful, like he's doing something besides just being a spectator. Then Warren goes down in the hole and Carter must wait for a long time without hearing a response or knowing what's going on. He keeps calling for him and can't decide if he should go down and look for him or just wait like he was told, so there's a lot of tension. Finally, he realizes Warren is dead.