This book is literally everything there is to know about the Frankfurt School and the intellectuals and scholars associated with it. Adorno and Horkheimer is featured most prominently and somewhat central to the book, which is no surprise given that their names are most associated with the Frankfurt School. But the rest of the crew - Marcuse, Lowenthal, Fromm, Neumann, Kirchheimer Habermas et al - are given attention to as well. Some non-Frankfurt School names also were featured prominently in relation to the above names - including the likes of Arendt, Heidigger and Popper.
Beginning from how the Institute of Social Research was set up, its development over the last years of the Weimar Republic, the fleeing of most of them to the US during the period of Nazi rule and the war years, their time spent there and thereafter in the post-war period, Wiggerhaus covers it all. I am fairly certain that he covered all the works - some (presumably the major works) in much more detail than others - that each of these scholars produced, the context behind each work, and their subsequent impact on each other and in their respective fields.
The book also humanises them, their thoughts, feelings, petty rivalries, concerns - some of which are almost prosaic. Like Adorno wanting a raise from Horkheimer, which got a chuckle out of me because these intellectual giants have the same sets of concerns as us ordinary folks - sometimes one may tend to forget that they too are ordinary humans with human concerns. It also showed a side of them that is none too flattering, such as Horkheimer’s exclusion of the likes of Fromm from his circle (which includes Adorno) and why that was the case.
Also, as one reviewer here put, they are often more afraid of the shadows cast by their political writings, which is especially evident during the protests of the late 1960s. And these are the characters that the political right make out to be manipulative evil geniuses and wanting to “destroy western civilisation” through “cultural Marxism” (or whatever that rubbish means).
It is not that easy a read - especially when Wiggerhaus writes about the respective ideas and works of these intellectuals. I find myself struggling at times to make sense of some of what is written, especially when it comes to Adorno’s writings on art and music. Having a background would be useful, and some familiarity with their work coming into this book would be essential.
Though the book took me longer to read than I thought but it was worth the time and effort. I will revisit it again from time to time, especially after reading some of their works.
Wiggerhaus has done an amazing job of putting this piece of work together, and I cannot recommend it enough to anyone interested in this subject.