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Lee Friedlander: Apples & Olives

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The master photographer best known for his extensive, insightful documentation of "the American social landscape"--from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards--has recently been spending more time looking at the literal, natural landscape. His monumental 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American West, while for Olives and Apples , he has looked back over the last decade's work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree's furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer.

64 pages, Hardcover

First published October 15, 2005

3 people want to read

About the author

Lee Friedlander

110 books12 followers
Lee Friedlander is a seminal American photographer known for his innovative images of city streets. Often featuring candid portraits of people, signs, and reflections of himself in store front windows, Friedlander’s street photography captures the unexpected overlaps of light and content in urban landscapes. “I’m not a premeditative photographer,” he has said. “You don’t have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.”

Born on July 14, 1934 in Aberdeen, WA, he studied at the Art Center College of Design in Pasadena before moving to New York in 1956. Influenced by the work of Eugène Atget and Walker Evans, he attempted to see things as if a step removed, spontaneously reacting to all the potential images in front of him. Along with Diane Arbus and Garry Winogrand, Friedlander was represented in the historic “New Documents” exhibition at The Museum of Modern Art in 1967, curated by John Szarkowski. He went on to publish his acclaimed photobook The American Monument in 1976. More recently, in 2010, Friedlander published America by Car, a book which was accompanied by an exhibition at the Whitney Museum and featured a series of photos that were taken on road trips from behind the wheel of rental cars. The artist continues to live and work in New York, NY. Today, his photographs are held in the collections of the Art Institute of Chicago, The Metropolitan Museum of Art in New York, the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London, among others.

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