In The Rock & Roll Book of the Dead, author David Comfort takes a hard look at the brief bright lives of the artists he describes as "rock's seven immortals" - Jimi Hendrix, Janis Joplin, Jim Morrison, Elvis Presley, John Lennon, Kurt Cobain and Jerry Garcia. The Rock & Roll Book of the Dead is essentially a collection of abbreviated biographies, culled from existing biographies and articles, with interludes on various topics (drugs, death fixation, love, mental illness, etc.) that tie these seven stories together.
I confess I was skeptical going into this book. Tying Morrison, Hendrix and Joplin together makes sense, given their ages and proximity to each other. Garcia seemed a stretch given his relatively long life, as did Cobain, who came along so much later. Lennon fit the bill, though his end was not at his own hands, and Elvis...well, Elvis just seems like he's from a different planet altogether than the rest of "The Seven". Still, with Comfort as a guide, you soon begin to see the patterns and note what ties each of these doomed artists together (namely heroin, lots and lots of heroin). Reading this was frustrating in that you see talented young musicians - of any generation - squander talent, fame, money and everything else they worked for in a seemingly never-ending cycle.
The Rock & Roll Book of the Dead is obviously a labor of love for Comfort, who, if the bibliography and copious footnotes are any indication, did a great deal of research for this book. He presents a very vivid picture of the life, struggles and final days of each star, though midway through I started to chafe at the volume of material taken from other sources. The aggregated biographies have a VH1 Behind the Music tone, and take emphasis away from the author's own observations and analysis, and had me questioning whether there was enough original material to warrant a full book.
I had some other issues with the book as well. I was a bit taken aback at Comfort's characterization of the deaths of Hendrix and Cobain as murders. Even if there is circumstantial evidence to support those claims, it seemed presumptuous to call their deaths homicide in the same manner as Lennon's. There were also a couple of minor inaccuracies that bothered me, such as citing Elvis's infatuation with "Marvel Comics" and "Captain America" when it was Captain Marvel, a totally different character from a totally different publisher, that made such an impression on the King. Elsewhere he claims Morrison's dark poetry was the precursor to death metal (which is wrong, but that's just my opinion) and proceeds to list six "death metal" bands, of which exactly one qualifies as death metal. These are arguably minor errors, but if those are the ones I caught as a comics and metal fan, it makes me wonder what others I may have missed.
Those issues aside, The Rock & Roll Book of the Dead is an interesting read, especially for those not already familiar with each artist. I still think Phil Lynott, Freddie Mercury or Bon Scott would have made more appropriate additions to this fellowship than Garcia or Cobain, but I did come away with a bit more appreciation for those two artists. I wouldn't call this essential reading, but The Rock & Roll Book of the Dead is an entertaining book that should appeal to classic rock fans.