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352 pages, Hardcover
First published January 1, 2009
I'm not quite sure how it happened that I became a clay pot "junkie." At age nineteen I bought my first clay pot, a beautiful, potbellied tripière, used for coking tripe. I had as yet no idea what tripe was and chose the vessel solely for its looks. Thus began a collection that grew exponentially through the years — enlarged by my travels and culinary adventures. Perhaps it was the different shapes and sizes, the colors and glazes, the myriad variations on primal shapes that attracted me. Or perhaps it was just that earthenware produced such great-tasting food. (Introduction, p.ix)
A Spanish cazuela is a round earthenware vessel glazed all over except on the very bottom. [...] The cazuela is the real workhorse of this book, as it can stand in for all kinds of Mediterranean skillets and shallow posts and can be used in the oven and on top of the stove. [...] Not that throughout I specify Spanish cazuelas. That's because they're well made, stronger than most others, and totally lead free. (A Clay Pot Primer, p.xiv)
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The familiar terra-cotta Romertopf clay baker, with its domed cover, is based on the ancient "Roman pot" — a two-part, fitted cooking container made of unglazed earthenware that acts as a miniature oven. (A Clay Pot Primer, p.xiv)
There are three basic types of earthenware tagines: fully glazed, elaborately decorated vessels, which are used only for serving, and the simply glazed and unglazed earthenware tagines, which are used for cooking as well as serving. (A Clay Pot Primer, p.xvi)