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Drawing Us In: How We Experience Visual Art
With Contributions by Dorothy Allison, John Berger, Mark Doty, Mary Gordon, bell hooks, Alfred Kazin, August Wilson, and others
For the contributors to Drawing Us In, visual art makes us see what we haven't seen before; it surprises, transforms, and comforts us. Dorothy Allison explains how a painting in a Baptist church taught her as a child that art connects people from disparate backgrounds. Alfred Kazin reflects on his wanderings around New York's museums as a teenager. Mary Gordon finds that Bonnard's still lifes put in perspective her mother's struggle with illness and aging.
For anyone who has felt moved by the visual, this collection offers a delightful range of views on how and why art matters in our psychic, social, and political lives.
For the contributors to Drawing Us In, visual art makes us see what we haven't seen before; it surprises, transforms, and comforts us. Dorothy Allison explains how a painting in a Baptist church taught her as a child that art connects people from disparate backgrounds. Alfred Kazin reflects on his wanderings around New York's museums as a teenager. Mary Gordon finds that Bonnard's still lifes put in perspective her mother's struggle with illness and aging.
For anyone who has felt moved by the visual, this collection offers a delightful range of views on how and why art matters in our psychic, social, and political lives.
- GenresArt
152 pages, Paperback
First published April 13, 2001
122 people want to read
About the author
Hilton Als
93 books275 followersHilton Als is an American writer and theater critic who writes for The New Yorker magazine. Previously, he had been a staff writer for The Village Voice and editor-at-large at Vibe magazine.
His 1996 book The Women focuses on his mother, who raised him in Brooklyn, Dorothy Dean, and Owen Dodson, who was a mentor and lover of Als. In the book, Als explores his identification of the confluence of his ethnicity, gender and sexuality, moving from identifying as a "Negress" and then an "Auntie Man", a Barbadian term for homosexuals.
Als's 2013 book 'White Girls' continued to explore race, gender, identity in a series of essays about everything from the AIDS epidemic to Richard Pryor's life and work.
In 2000, Als received a Guggenheim fellowship for creative writing and the 2002–03 George Jean Nathan Award for Dramatic Criticism. In 2004 he won the Berlin Prize of the American Academy in Berlin, which provided him half a year of free working and studying in Berlin.
Als has taught at Smith College, Wesleyan, and Yale University, and his work has also appeared in The Nation, The Believer, and the New York Review of Books.
His 1996 book The Women focuses on his mother, who raised him in Brooklyn, Dorothy Dean, and Owen Dodson, who was a mentor and lover of Als. In the book, Als explores his identification of the confluence of his ethnicity, gender and sexuality, moving from identifying as a "Negress" and then an "Auntie Man", a Barbadian term for homosexuals.
Als's 2013 book 'White Girls' continued to explore race, gender, identity in a series of essays about everything from the AIDS epidemic to Richard Pryor's life and work.
In 2000, Als received a Guggenheim fellowship for creative writing and the 2002–03 George Jean Nathan Award for Dramatic Criticism. In 2004 he won the Berlin Prize of the American Academy in Berlin, which provided him half a year of free working and studying in Berlin.
Als has taught at Smith College, Wesleyan, and Yale University, and his work has also appeared in The Nation, The Believer, and the New York Review of Books.
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Displaying 1 - 2 of 2 reviews
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July 8, 2015Such an interesting book, about how writers perceive artists and/or their work(s) of Art. Fifteen excerpts and each stands alone as a work of art, I read many, two, three, four times, in order to digest just what was said and it's meaning, we are all different and have our own ways of seeing, but I do enjoy other views.
December 17, 2012
John Berger's essay was interesting.
Displaying 1 - 2 of 2 reviews