Already successful as a portrait artist, Josslyn Ransome now found herself acclaimed as a travel writer, author of the Mexican Sketchbook which she had researched at such a high price to her personal well-being. In spite of her natural self-assurance and independence inherited from her father, she had agreed to the demands made upon her by Juan de Grijalva, agreed that he should act as her guide around his beautiful but primitive country of Mexico, agreed with his insistence on non-involvement. And yet, she could not prevent the unbidden reaction of her body to his very presence; whatever happened, he must not know of her instinctive longing!
Annabel Murray was born Marie Bush in Bishop’s Stortford, in Hertfordshire and educated at St Mary’s Convent. She is married to Tom Murray and now lives in Southport, Lancashire. In 1979 she joined the local Writers’ Circle and is also a member of the Romantic Novelists Association. Her first Mills & Boon romance was published in 1982 and currently she has thirty novels to her credit. She has two daughters and two grandchildren, two cats and a passion for patchwork and quilting.
ANNABEL MURRAY has pursued many hobbies. She helped found an arts group in Liverpool, England, where she lives with her husband and two daughters. She loves drama: she appeared in many stage productions and went onto write an award-winning historical play. She uses all her experiences — holidays being no exception — to flesh out her characters’ backgrounds and create believable settings for her romance novels.
Yet even as she protested Josslyn knew it was useless. Juan de Grijalva could have the whole project canceled if she didn't accept his guidance.
The trip to produce a Mexican sketchbook in tribute to her late adored explorer father was Josslyn's dream--planned as a solo expedition.
Josslyn bitterly resented Juan's chauvinistic attempt to curtail her independence, resented his familiarity. Most of all, she resented the fact that she found him attractive, disturbing . . . that he could make all her senses quiver!
Yet even as she protested Josslyn knew it was useless. Juan de Grijalva could have the whole project canceled if she didn't accept his guidance.
The trip to produce a Mexican sketchbook in tribute to her late adored explorer father was Josslyn's dream--planned as a solo expedition.
Josslyn bitterly resented Juan's chauvinistic attempt to curtail her independence, resented his familiarity. Most of all, she resented the fact that she found him attractive, disturbing . . . that he could make all her senses quiver!