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Coming Close to the Earth
160 pages Elm Tree Books; Limited signed edition edition (October 27, 1977) English 0241897629 978-0241897621 Shipping 1.7 pounds
160 pages, Hardcover
Published October 27, 1977
1 person is currently reading
12 people want to read
About the author
Rod McKuen
145 books90 followersRod McKuen (born April 29, 1933) was a bestselling American poet, composer, and singer, instrumental in the revitalization of popular poetry that took place in the 1960s and early 1970s.
Born Rodney Marvin McKuen in Oakland, California, McKuen ran away from home at the age of eleven to escape an alcoholic stepfather and to send what money he could to his mother. After a series of jobs, from logger, ranch hand, railroad worker to rodeo cowboy, throughout the west, McKuen began in the 1950s to excite audiences with his poetry readings, appearing with such well-known poets as Jack Kerouac and Allen Ginsberg; during this time, he often used the pseudonym "Dor".
McKuen moved to New York City in 1959 to compose and conduct for the TV show The CBS Workshop. By the 1960s he had achieved fame, far surpassing in sales the works of the Beat poets who preceded him. During the early 1960s he spent most of his time in France. This began his project to translate the work of legendary singer/songwriter Jacques Brel, into English. After Brel died he said, "As friends and as musical collaborators we had traveled, toured and written - together and apart - the events of our lives as if they were songs, and I guess they were. When news of Jacques’ death came I stayed locked in my bedroom and drank for a week. That kind of self pity was something he wouldn’t have approved of, but all I could do was replay our songs (our children) and ruminate over our unfinished life together."[1]
He became an icon across college campuses for his ability to capture in verse the feelings of anxiety, love, confusion, and hope that were common during the Vietnam era. His public readings had the drawing power of a rock concert.
McKuen's commercial success is unparalleled in the field of modern poetry. His poetic works have been translated into a dozen languages and sold over 65 million copies. Throughout his career he has continued to enjoy sell-out concerts around the world and appears regularly at New York’s famed Carnegie Hall.
Edward Habib's liner notes for McKuen's Amsterdam Concert album make the often-repeated claim that Rod McKuen is the best-selling and most widely read poet of all time. This claim is probably rooted in the fact that McKuen's works -- unlike those of Shakespeare or Dante Alighieri -- are copyrighted, and his total sales can be more readily quantified.
As a songwriter, he contributed to the sale of over 100 million records. His material has been recorded by such artists as Frank Sinatra (who in 1969 recorded A Man Alone, an album of McKuen's songs), Johnny Cash who (just before his death) recorded McKuen's "Love's Been Good To Me", Waylon Jennings, The London Philharmonic, Greta Keller, Perry Como, and Madonna. Perhaps his most well-known song is "Jean", recorded by Oliver in 1969 for the soundtrack to the film The Prime of Miss Jean Brodie. In 1959, McKuen released a novelty single on the Brunswick label called "The Mummy". Bob Mcfadden and Dor was listed as the artist.. In 1961, he had a hit single titled "Oliver Twist".. McKuen has proven to be a prolific songwriter, penning over 1500 songs. He collaborated with a variety of internationally renowned composers, including Henry Mancini and John Williams, and a highly successful series of albums with Anita Kerr. His symphonies, concertos, and other classical works have been performed by orchestras around the globe. His work as a composer in the film industry has garnered him two Academy Award nominations.
Throughout his multi-award-winning career, McKuen paired his artistic endeavors with a spirit for social reform. Before a tour of South Africa in the 1970s, McKuen demanded “mixed seating” among white and black concert-goers, opening the doors for successful tours by a variety of African-American performers, including Sammy Davis, Jr. and Ella Fitzgerald. He also spearheaded efforts to raise AIDS awareness and fund charities for children and senior
Born Rodney Marvin McKuen in Oakland, California, McKuen ran away from home at the age of eleven to escape an alcoholic stepfather and to send what money he could to his mother. After a series of jobs, from logger, ranch hand, railroad worker to rodeo cowboy, throughout the west, McKuen began in the 1950s to excite audiences with his poetry readings, appearing with such well-known poets as Jack Kerouac and Allen Ginsberg; during this time, he often used the pseudonym "Dor".
McKuen moved to New York City in 1959 to compose and conduct for the TV show The CBS Workshop. By the 1960s he had achieved fame, far surpassing in sales the works of the Beat poets who preceded him. During the early 1960s he spent most of his time in France. This began his project to translate the work of legendary singer/songwriter Jacques Brel, into English. After Brel died he said, "As friends and as musical collaborators we had traveled, toured and written - together and apart - the events of our lives as if they were songs, and I guess they were. When news of Jacques’ death came I stayed locked in my bedroom and drank for a week. That kind of self pity was something he wouldn’t have approved of, but all I could do was replay our songs (our children) and ruminate over our unfinished life together."[1]
He became an icon across college campuses for his ability to capture in verse the feelings of anxiety, love, confusion, and hope that were common during the Vietnam era. His public readings had the drawing power of a rock concert.
McKuen's commercial success is unparalleled in the field of modern poetry. His poetic works have been translated into a dozen languages and sold over 65 million copies. Throughout his career he has continued to enjoy sell-out concerts around the world and appears regularly at New York’s famed Carnegie Hall.
Edward Habib's liner notes for McKuen's Amsterdam Concert album make the often-repeated claim that Rod McKuen is the best-selling and most widely read poet of all time. This claim is probably rooted in the fact that McKuen's works -- unlike those of Shakespeare or Dante Alighieri -- are copyrighted, and his total sales can be more readily quantified.
As a songwriter, he contributed to the sale of over 100 million records. His material has been recorded by such artists as Frank Sinatra (who in 1969 recorded A Man Alone, an album of McKuen's songs), Johnny Cash who (just before his death) recorded McKuen's "Love's Been Good To Me", Waylon Jennings, The London Philharmonic, Greta Keller, Perry Como, and Madonna. Perhaps his most well-known song is "Jean", recorded by Oliver in 1969 for the soundtrack to the film The Prime of Miss Jean Brodie. In 1959, McKuen released a novelty single on the Brunswick label called "The Mummy". Bob Mcfadden and Dor was listed as the artist.. In 1961, he had a hit single titled "Oliver Twist".. McKuen has proven to be a prolific songwriter, penning over 1500 songs. He collaborated with a variety of internationally renowned composers, including Henry Mancini and John Williams, and a highly successful series of albums with Anita Kerr. His symphonies, concertos, and other classical works have been performed by orchestras around the globe. His work as a composer in the film industry has garnered him two Academy Award nominations.
Throughout his multi-award-winning career, McKuen paired his artistic endeavors with a spirit for social reform. Before a tour of South Africa in the 1970s, McKuen demanded “mixed seating” among white and black concert-goers, opening the doors for successful tours by a variety of African-American performers, including Sammy Davis, Jr. and Ella Fitzgerald. He also spearheaded efforts to raise AIDS awareness and fund charities for children and senior
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Displaying 1 - 3 of 3 reviews
February 8, 2023
This is the third of McKuen's books I've read and, here, the tone changes. Seems McKuen is still intently depressed and moans on and on of his lot in life...a rather privileged one, no less.
In this one, religion seems to have caught him a bit and invokes such on a very limited basis throughout.
Otherwise, there is a tiny amount of context missing from the other two. This would help if his "poetry" related to what opens each section.
The disjointed mess lacks reason or sense. At one point he breaks from his prose and writes, "I'll join a gym". Then goes on about missing whoever and skies and whatever.
I don't recommend this book. 2 out of ten points.
In this one, religion seems to have caught him a bit and invokes such on a very limited basis throughout.
Otherwise, there is a tiny amount of context missing from the other two. This would help if his "poetry" related to what opens each section.
The disjointed mess lacks reason or sense. At one point he breaks from his prose and writes, "I'll join a gym". Then goes on about missing whoever and skies and whatever.
I don't recommend this book. 2 out of ten points.
May 7, 2025
Wow I mean, I don't know.
Rod McKuen's work in this book is different from what I've read by him so far. It really does feel as though he's come close to Earth, speaking more on things of life than love - love, however, is still a very common subject matter. I mean, it is of course written by Rod McKuen. I enjoyed it, as always, and can't wait to read more by him.
I love the artwork throughout the book.
Rod McKuen's work in this book is different from what I've read by him so far. It really does feel as though he's come close to Earth, speaking more on things of life than love - love, however, is still a very common subject matter. I mean, it is of course written by Rod McKuen. I enjoyed it, as always, and can't wait to read more by him.
I love the artwork throughout the book.
December 1, 2020
Oh lord.
This is the worst one yet.
There is a terrible, cringey poem about cunnilingus in this collection, and I read it out loud to my husband, and he laughed like he was dying for a full five minutes, and then he said, "Why did you do this to me? I hate Rod McKuen now. Thanks for that."
This is the worst one yet.
There is a terrible, cringey poem about cunnilingus in this collection, and I read it out loud to my husband, and he laughed like he was dying for a full five minutes, and then he said, "Why did you do this to me? I hate Rod McKuen now. Thanks for that."
Displaying 1 - 3 of 3 reviews