The stranger strangler has been brutally murdering homeless girls near the run-down old cinema where Tom Burden works. The shelter next-door is a magnet for the young and vunerable, and the serial killer who's stalking them. Late at night in the cinema, Tom's plagued by unexplained noises-the old organ starts playing by itself, lights are mysteriously switched off. Worst of all there's the terrifying whispering and wheezing that haunts him in the darkness-the sound of someone struggling; of someone dying to breathe.
Anthony Masters was a writer, educator and humanitarian of exceptional gifts and prodigious energy. He was, in the parlance of his spiritual ancestors, the ancient mariners, that rare voyager "as gracious as a trade wind and as dependable as an anchor".
He leaves 11 works of adult fiction – notably, Conquering Heroes (1969), Red Ice (1986, with Nicholas Barker), The Men (1997), The Good and Faithful Servant (1999) and Lifers (2001) – and was in the process of completing another, Dark Bridges, which he thought would be his best. Many of these works carry deep insights into social problems that he gained, over four decades, by helping the socially excluded, be it by running soup kitchens for drug addicts or by campaigning for the civic rights of gypsies and other ethnic minorities.
His non-fiction output was typically eclectic. It ranged from the biographies of such diverse personalities as Hannah Senesh (The Summer that Bled, 1972), Mikhail Bakunin (Bakunin: the father of anarchism, 1974), Nancy Astor (Nancy Astor: a life, 1981) and the British secret service chief immortalised by Ian Fleming in his James Bond books (The Man Who Was M: the life of Maxwell Knight, 1984), to a history of the notorious asylum Bedlam (Bedlam, 1977).