I have to admit, I didn't finish this book. At first, I thought it would be unfair to the author to write a review for a book I'd only partially read, but as I've thought about it, I realized that in the first four chapters of the book, I had formed an opinion that was strong enough to make me decide to set it down, and I feel it's important to share what led to such a strong opinion. If it turns out that my reasons for setting the book down fade in later chapters, I welcome comments to this review. First, the story:
Wolf pups don't receive their names until they emerge from their den and are inspected by the leader of the pack. Only if the pack leader decides they are strong enough to survive and accepts them as pack do they receive their name. From then on, the pack is bound to protect the pups until they grow old enough to defend themselves. But Kaala was named at birth because her mother knew that otherwise her daughter would never be accepted.
Kaala and her siblings have Outsider blood. It is said that a wolf with Outsider blood has the power to either save or destroy their pack. For this reason, her pack leader, Ruuqo, killed each of her siblings on their inspection day and drove her mother away. Only outside intervention saved Kaala, and before her mother fled, she instructed her daughter to join the pack, then find her.
But Kaala's not pack yet. Ruuqo hasn't accepted her name, the sign of acceptance to the pack, and although he's been forbidden to kill her, he's making life as hard for her as possible in the hope that she'll simply die off. Accompanied by Azzuen, a male pup who Ruuqo initially thought too weak to live, Kaala struggles to overcome three challenges every pup in the pack must face. If she can best these challenges, Ruuqo will have to let her into the pack so she can fulfill her mother's instructions.
And that's the story I've read so far. It's an excellent story -- I'd like to see how it plays out -- but I did not realize until reading this book how big a role the voice of a novel plays in my desire to read it. Promise of the Wolves is written in a first-person point of view from Kaala's perspective. She faces many life-and-death struggles in the first chapters, but for someone who faced those struggles and dealt with those emotions firsthand, the voice of the narration is a little stale. It sounds as if she's just spitting out her story, and one has to wonder why she's interested in telling it in the first place. I believe a big reason for the staleness is that there are many areas in the book where scenes are simply told to us, leaving us without the personal experience of having been shown them. While there is description, there are many areas where everything feels laid out too plainly, especially for a limited viewpoint like first-person.
Also a little annoying was the author's tendency to set a scene, then reveal a little into it that Kaala realized the scene wasn't exactly the way she'd first thought. Realistic? Probably. But also jarring, when I constantly have to tweak my perception of the scene, through no fault of my own imagination.
Finally, as Kaala recounts her life, the narration paints her too clean for my liking. In his first scene, the pup Azzuen doesn't have the will to live -- which in Kaala's culture means he doesn't live -- but she goes out of her way to push him, literally, to survive anyway, though there's no benefit to her. In another scene, during a battle between Kaala and two pups that want to kill her, she throws both of them off in a critical moment. Perhaps I'm a bit nit-picky, but I feel not enough convincing was done to fortify my willing suspension of disbelief here. We're asked to believe that Kaala is simply good enough (without any previous characterization) to go out of her way for another who doesn't even want to survive when her own survival is hinged on the fact that she desired life. We're asked to believe that one wolf pup is strong enough to throw two wolf pups off, but two wolf pups (both older and better fed) are not strong enough to hold one wolf pup down. While both of these developments serve the plot later (I assume; I haven't gotten that far yet) they need to be supported with reasons they work, like extra characterization in the introduction chapter, or the mention of Kaala's adrenaline levels during the fight and the effort throwing her peers off requires.
Perhaps these are all minor details, but they come together to prevent me from truly getting into the book. Most of all, I need a narrator who believes in her story and its importance to the listener; who is so invested in the story that she will tell it in detail, in as much or as little hurry as the scenes require to help me understand what it was like for her to experience them. It looks like a story worth telling, but that makes it a story worth believing in: a story worth telling with passion.