The play recounts the imagined final days in the life of the Marquis de Sade.
Quills premiered at Washington, D.C.'s Woolly Mammoth Theatre Company in 1995 and subsequently had its debut Off-Broadway at New York Theatre Workshop. Quills garnered the 1995 Kesselring Prize for Best New American Play from the National Arts Club and, for Wright, a 1996 Village Voice Obie Award for Outstanding Achievement in Playwriting.
I could read this play everyday of my life, and still that would not be enough. Recommended to all non-anally retentive intellectuals with a sense of humour.
Here's the synopsis found on the back of this edition of the play (Since it's not included above):
I've wanted to read or see this play because I've loved the film version for years. The play is a bit different and I really love that they added elements of Marat/Sade to the movie that are not in the play. However, I love how the play works as both intellectual melodrama and an amazing piece of Grand Guignol. I now dream of putting this play on, though it would require some rather inventive staging.
The book contains graphic descriptions of sexual acts and other debaucheries often disturbing and horrific. It examines the effects the Marquis' writings had on readers, censorship and hypocrisy. Quills depicts the last days of the Marquis de Sade at the Charenton insane asylum.
This is the story of the Marquis de Sade who is locked away in a lunatic asylum because of his lewd and lascivious habits and scandalous literary works -- but still, he continues to write his pornographic books and get them published -- with the help of a young woman who works at the asylum. It's a fascinating trip into the mind of a strange man. They made a movie by the same title with Geoffrey Rush and Kate Winslet; good and twisted.
A great play about the nature of censorship that is equal parts wonderful and horrible. It reminded me of the Italian film "SALO" in the way the play layers the internal meaning beneath repulsive yet compelling imagery and prose. Those who are exceptionally sensitive may want to steer clear of this as it takes a some mental toughness and open mindedness to catch a glimpse of the hidden beauty in the words.
والمتضمنة حياة ماركيز دي ساد , وطقوس حياته داخل المصح النّفسي وتأملاته الفلسفيّة, ومناضلته رغم المنع والإضطهاد من مسؤول المصح والدكتور إلا أنه دافع عن فلسفته الكتابيّة بشتّى الطرق, حيث أنه كان ينشر كتاباته عبر خادمة بريئة وجميلة في المصح, وذلك بوضع كتاباته داخل سلّة الملابس المتسّخة, وحينما علمٌوا بالأمر جرّدوه من الملابس والآثاث, ولم يقف بل جرح نفسه واستخدم دمه حبراً له .
Disturbing and delightful. Not certain if I loved it or loathed it. But, with most things De Sade, that's a pretty natural and, I'd say, wonderful response to his work. Revels in its own fiendish scares and torments, with a genuine, philosophic heart beating at it's core. A real page turner.
The play is so much more wild than the movie! Wright cuts away at the poor Marquis and shows how the Catholic mind operates on anybody with an artistic temperament.
"Let his volume lie by every Bible as its inverse. ... Which book tells the truth about mankind, and which lies?"
-1 star for how Mme de Sade was treated by the play, but otherwise a tremendous and ever-poignant read. The Marquis's parts are still in their boxes these centuries later as our fingers itch for quills alongside his.