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Anthony Goicolea

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Across the specific differences among Goicolea's works, the artist tirelessly excavates human weakness, awkwardness, and discomfort. Toward the end, he returns again and again to his themes of adolescent sexuality, unflinching self-exploration, and the never-ending contest between victims and victimizers. We are torn between the desire to witness these strivers and underdogs evolve gloriously into calm, powerful grown-ups and wanting to observe the Peter Pans as they play out the piercing struggles of adolescence-such apt metaphors for the rest of life's battles -- into eternity. Jennifer Dalton Recently, I have begun working on a series of video projects in which the narrative structure is generated and depicted through the progression of time. As in my photos, I am interested in self-portraiture, vanity, and narcissism, as well as issues revolving around the body, bodily functions, beauty, chaos, the grotesque and the perverse. The videos introduce the element of time into my narratives. I am interested in using this element to chronicle the gestation period of progressive states which ultimately end in destructive or absurd predicaments. Anthony Goicolea Anthony Goicolea has set the art world on its ear with these disturbing, provocative images. Exploiting his own boyish appearance, and with the help of body doubles and computer effects, he's cloned himself (all the faces in the photographs are his) in coming-of-age narratives that evoke both fondness and horror. The self portraits depict him (and his clones) indulging in all kinds of boys-will-be-boys mischief...where desire is unfixed and sometimes alarmingly off-kilter. This, the artist's first book, includes a DVD of his fiveshort films.

152 pages, Hardcover

First published January 1, 2003

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Anthony Goicolea

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Profile Image for Grady.
Author 51 books1,822 followers
October 3, 2010
Exponential Alter Egos!

ANTHONY GOICOLEA makes art that is as much about beautiful photographic compositions as it is about the investigation of pubertal psyches. Using himself as model, Goicolea creates moments frozen by his camera to create Renaissance-like staged retablos that deal with the childlike approaches to adult dilemmas and situations. There are pranks, there are episodes of bad behavior, there are surprisingly tender moments of self-exploration. The artist's imagination is fertile and his ability to create these pictures by manipulating his own physical presence is a bit mind boggling! But the overall effect is fun and thoughtful and never cloying. How he is able to do all of this is another bit of magic beyond the resultant fine photographs. A beautiful book for the art lover's collection.

Grady Harp
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