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Пути небесные
"Пути небесные" - уникальное произведение, лирическое повествование о встрече человека с Богом, встрече, состоявшейся не в догмате, не в Таинстве, и не в богослужении, а в естественной жизни, в быту, но быту, насквозь пронизанном токами православного миросозерцания. В основе романа лежит подлинная история двух людей - инженера Виктора Алексеевича Вейденгаммера и Дарьи Королевой. Дарья, кроткая и глубоко верующая девушка, духовная дочь известного оптинского старца Иосифа, удивительным образом повлияла на Виктора Алексеевича и способствовала его нравственному перерождению. Настоящее издание романа впервые снабжено комментарием, пояснением устаревших слов и исторических реалий, понятных с полуслова современникам И.С.Шмелева, но неизвестных нынешнему читателю.
477 pages, Unknown Binding
First published January 1, 2004
15 people want to read
About the author
Ivan Shmelyov
68 books11 followers Иван Сергеевич Шмелёв
Russian émigré writer, member of the Moscow literary group Sreda.
Shmelev was born into a merchant family. He graduated from the law faculty of Moscow University in 1898. His works first appeared in print in 1895. Shmelev’s best prerevolutionary prose works showed a profound knowledge of city life and popular language; they employed the narrative technique of oral folktales. The novellas Collapse (1907), Citizen Ukleikin (1908), and The Man From the Restaurant (1911), which was the most significant of the three, were written in the traditional style of critical realism.
Shmelev emigrated in 1922 and later published anti-Soviet stories and books filled with nostalgia for the prerevolutionary past, for example, The Lord’s Summer (1933).
Russian émigré writer, member of the Moscow literary group Sreda.
Shmelev was born into a merchant family. He graduated from the law faculty of Moscow University in 1898. His works first appeared in print in 1895. Shmelev’s best prerevolutionary prose works showed a profound knowledge of city life and popular language; they employed the narrative technique of oral folktales. The novellas Collapse (1907), Citizen Ukleikin (1908), and The Man From the Restaurant (1911), which was the most significant of the three, were written in the traditional style of critical realism.
Shmelev emigrated in 1922 and later published anti-Soviet stories and books filled with nostalgia for the prerevolutionary past, for example, The Lord’s Summer (1933).
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