Eight members of major league baseball’s Chicago White Sox colluded with gamblers, arranged to lose a 1919 World Series that they were heavily favoured to win, and were banned from organized baseball for life as a result. Yet the corrupt actions of these players were only part of a system that had itself grown corrupt. Such, at any rate, is part of the message of Eliot Asinof’s book Eight Men Out.
Asinof, himself a former minor-league baseball player (Moultrie Packers and Wausau Lumberjacks, 1940-41), spends a good deal of his time tearing away at the tissue of myths surrounding this difficult moment from American sports history.
For instance, many readers looking at the book’s subtitle -- The Black Sox and the 1919 World Series -- might assume that the “Black Sox” nickname was invented by outraged baseball fans after the fixing of the 1919 World Series was made public. In fact, however, the nickname took hold before that ill-starred championship series even began; team owner Charles Comiskey, whose dedication to winning was matched only by his desire to save money wherever possible, would let his team “run out on the field in the filthiest uniforms the fans had ever seen: Comiskey had given orders to cut down on the cleaning bills” (p. 23). The Chicago fans observed the players’ dirty uniforms, and a nickname was born – one that would take on new significance in years to come.
The 1919 White Sox were a team of extraordinary talent – even better, perhaps, than the 1917 White Sox who had won the World Series. The eight players who threw the World Series and became the “eight men out” included outfielder “Shoeless Joe” Jackson, the slow-talking South Carolinian who could not read but was among the greatest all-around players that the game ever produced. Jackson’s participation in the fixing scheme seems to have been relatively half-hearted; and he and third baseman Buck Weaver, who insisted that he had never taken money from gamblers, and pointed to his excellent play in the 1919 World Series as evidence of his innocence, emerge as relatively sympathetic figures among the “Black Sox.”
At the same time, the story of the “Black Sox” scandal is in many ways the story of Comiskey’s own personal tragedy. Comiskey, a man who “had become a rich man with his ball club”, and who had observed that “Chicago’s Southside…offered the finest baseball fans in America” (p. 50), betrayed both himself and his fans through his penny-pinching antics – behavior that made some of his players more willing to listen to the gamblers. Many team owners have had to live with losing a World Series; only Comiskey had to live with the knowledge that his team had lost a World Series on purpose.
Asinof’s meticulous reporting uncovers the careful machinations of gamblers who, when they weren’t betraying the players to whom they had promised large sums of money, were busy betraying each other. He also captures well the paradox of skilled baseball players, who know that they have what it takes to win, setting themselves with a grim, perverse sort of determination to the task of losing, as when Asinof describes pitcher Eddie Cicotte taking the mound at the beginning of Game 3, receiving a warm welcome from the Chicago home crowd, and reflecting that “It was going to be another tough day for him. He hated to lose in his home ball park” (p. 101).
Equally conscientious is the manner in which Asinof shows how slowly, how gradually, the truth about the 1919 World Series came out and exploded into scandal. Reports of Detroit gamblers launching “sure-thing” bets on a Cubs-Phillies game in August of 1920 meant that “the baseball fans of Chicago had had it. In the span of the past two seasons, they had heard enough stories of corruption to shatter their equanimity thoroughly” (p. 150).
The investigation of the game-fixing allegations led to the convening of a grand jury. One gets a strong sense, in these passages from Eight Men Out, of how very much the players – mostly working-class men with little or no formal education – are out of their depth in a world of Ivy League-educated attorneys, and depositions, and waivers of immunity. Buck Weaver, the third baseman who always claimed innocence of participation in the fixing of World Series games, at one point called an Illinois assistant state's attorney and offered to testify voluntarily before the grand jury. After Weaver hung up the phone, he reflected that “The lawyers were all such agreeable fellows. They even sounded harmless. But the bodies were dropping like flies” (p. 201).
A series of indictments was followed by a sensational 1921 trial on charges of conspiracy to defraud. In the passages dealing with the trial, the helplessness of the players in the face of larger social and economic forces is once again emphasized. Asinof writes that Shoeless Joe Jackson, who had impulsively offered a full confession during grand-jury proceedings,
sat through [the trial] like a kid listening to a fascinating story he had never heard before. Somehow, he’d assumed that it was the gamblers who had started it all. He had been following the proceedings with absorbed attention….He hated himself for having confessed….Not so much because he had been stupid, but because he’d been weak. He had allowed himself to believe the lawyers’ promise of protection. Now, he had no choice but to rely on them. That, too, he hated. Because he couldn’t understand all this. At recesses, he would nervously joke about his ignorance. “Hey, lawyer, who’s winning?” he would ask….His counsel would smile back and shrug. In a ball game, Jackson could always look at the scoreboard and tell. Here, the answer was a shrug. (pp. 253-54)
The eight players were acquitted of those conspiracy charges, to the noisy approval of courtroom spectators. But in the wake of that verdict came another verdict – that of the newly appointed Commissioner of Baseball, Judge Kenesaw Mountain Landis:
”…Regardless of the verdict of juries, no player who throws a ball game, no player that undertakes or promises to throw a ballgame, no player that sits in conference with a bunch of crooked players and gamblers where the ways and means of throwing a game are discussed and does not promptly tell his club about it, will ever play professional baseball!” (p. 273)
In context, Judge Landis’s decision makes sense for many reasons. Had baseball continued to be under the influence of gamblers, there was a very real danger that the sport might have lost all credibility as an athletic contest; it could have turned into a sensationalistic sideshow, like professional wrestling nowadays. But the most shattering and immediate impact of that decision was on those eight former members of the Chicago White Sox. On that August day in 1921, they became, then and forevermore, the “eight men out.”
The epilogue to the book describes the ultimate outcomes for a number of the disgraced players. Buck Weaver sought to clear his name, and gain readmission to professional baseball, as diligently as he had played third base – but all in vain. Shoeless Joe Jackson meanwhile slipped into anonymity, to the point that Ty Cobb, wandering one day into Jackson’s liquor store in Greenville, South Carolina, found himself asking Jackson, “Don’t you know me, Joe?” and hearing Jackson say, “Sure – I know you, Ty. I just didn’t think anyone I used to know up there wanted to recognize me again….” (p. 293)
The saga of the “eight men out” permeates our culture. Aptly, Asinof includes as an epigraph for his book the excerpt from F. Scott Fitzgerald’s The Great Gatsby (1925) wherein Gatsby introduces narrator Nick Carraway to gambler Meyer Wolfsheim, and then “added coolly, ‘He’s the man who fixed the World’s Series back in 1919.’” The Black Sox scandal was just six years in the past when Fitzgerald published his great novel; and one can sense the shock that this sullying of the national pastime caused for Fitzgerald, and for millions of other Americans, in the way Gatsby narrator Carraway expresses incredulity at the idea that such a thing could be done:
“The idea staggered me. I remembered, of course, that the World's Series had been fixed in 1919, but if I had thought of it at all I would have thought of it as a thing that merely happened, the end of some inevitable chain. It never occurred to me that one man could start to play with the faith of fifty million people – with the single-mindedness of a burglar blowing a safe.”
And then there is W.P. Kinsella’s novel Shoeless Joe (1982), and its film adaptation, Phil Alden Robinson’s Field of Dreams (1989). The novel and the film, both crafted in the nostalgic 1980’s, offered a symbolic, looking-backward opportunity to reverse Judge Landis’s verdict, granting Shoeless Joe Jackson a chance to return to major league baseball and pit his talents against those of his fellow greats.
And perhaps most importantly, there is John Sayles’s 1988 film adaptation of Eight Men Out, with its superb evocation of period detail and its subtle suggestions that the true villains of the “Black Sox” scandal escaped both publicity and punishment. As Chicago journalist Hugh Fullerton (played by Chicago journalist Studs Terkel) puts it in the film, after the players have been acquitted of the conspiracy charges, “Gamblers eight, baseball nothing.”
The "Black Sox" scandal comes up in everyday life as well. One day, for example, a very ordinary English class I was teaching at Heartland Community College in Normal, Illinois, took an interesting turn when I mentioned the “Black Sox” scandal and a student insisted, vociferously and repeatedly, that the whole thing was “not proven” and the eight players were almost certainly innocent. If by “not proven” he meant that the “Black Sox” were never convicted of a crime, he was correct; but the very insistence with which he clung to his viewpoint showed the extent to which he felt that the existence of the scandal threatened the good name of his beloved White Sox franchise.
Sometime later, my wife and I drove up from our home in Champaign and attended our first White Sox game at U.S. Cellular Field. I still have the ticket stub from that game, inserted as a bookmark in my paperback copy of Eight Men Out -- White Sox vs. Tigers, 25 July 2004. What stands out to me is not the game’s final result (the Tigers won, 9-2), or its highlights (the Detroit manager got thrown of the game in the first inning), but a seemingly routine detail that I noted during one of the inning breaks. Like all other major league teams, the White Sox have posted flags to commemorate their league pennants and their World Series titles. I found myself looking back and forth at the large flag for the White Sox’s 1917 World Series title, and then at the smaller flag for the 1919 American League pennant. Between those two flags, I found myself thinking, what an epic story looms. Eliot Asinof’s Eight Men Out tells that story very well. It is one of the best baseball books ever written – and one of the saddest.