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352 pages, Hardcover
First published March 2, 2010

”They still thought of me as the clown. The one who could always find a way to make everyone laugh. I realized they assumed that because I was the youngest sister, I could be cheerful because I didn’t fully understand what was happening to us. I had developed a realistic view of life, and a deep existence of love and distance and sorrow and abandonment.”Anastasia has always been known as the clown and the imp of the family, often overlooked or criticized in favor of her more classically elegant sisters. As much as I loved Anastasia, I don’t think the author got her true personality down. It seemed like the author was trying to desperately hard to make Anastasia not the stereotypical kid sister who plays practical jokes that she forgot some of the qualities that made the real Anastasia truly stand out. Here, she just kind of blended into the background with the rest of her sisters. Basically, I wanted at least a little more of the goofy part of her to come out. Here, I thought she was just too serious about things.
”’It’s true, they have not spoiled you and give you high and mighty airs. But do you really know what it’s like to be what you call a normal person?’”Alexander, aka Sasha, is a soldier in the Russian army when he first meets Anastasia. A fast friendship blooms between him and Anastasia, as her shows her how the real world truly is different from her sheltered and isolated existence. I liked him, but the thing that kind of irked me was that he was always doubting Anastasia and her ideas. It got annoying at times.
I had low expectations for this book and, to begin, they matched what I read. The first fifteen chapters were deserving of 2 stars and the cringe-worthy prologue could go with one. Anastasia and Sasha's romance seemed straight out of a bad dystopian: Rich-girl-meets-poor-boy-who-tells her "your life is messed up." Anastasia had to make up all sorts of lies just to see him and when there's a war and revolution, all she cares about is him. In addition, a few historical inaccuracies and improbabilities, along with the inavoidable immature voice used by older authors when they want to sound younger didn't help anything. However, after a few chapters in exile, the writing turned into something descriptive, poetic, and actually interesting. While some writers stick only to factual accounts, a little historically accurate creative license can make a Romanov historical fiction a bit more interesting and, since I've read so many Romanov books, a bit less predictable. However, a good ending doesn't justify a bad beginning in fiction, so 3 stars is the highest it gets.
