Kirsty’s dad married nasty piece of work Selina. Selina drove poor Kirsty from her home, and separated her from the love of her life, Adam. See, when Kirsty was 17, her dad made Adam, 28, a partner in his business. Adam had been around for years, and Kirsty had gotten used to adorably crushing on him while he indulgently waits for her to reach the age of consent.
Now that she’s 17 he’s starting to drop hints that maybe some sexy times will occur in the not too distant future? Sure, Kirsty’s up for it. Until she overhears a conversation between Adam and Selina that leads her to think these two are having an affair.
Devastated, Kirsty decides she won’t tell her dad about their betrayal, but she’ll have nothing to do with Adam or Selina again, if she can help it.
By the time she gets to 24, she’s doing pretty ok. She owns a small art gallery and specialises in paintings of animals. She has lots of clients and is being ‘Storage Wars’ level of awesome at auctions. She last saw Adam 4 years ago when she finally threw at him her knowledge of his and Selina’s affair.
Adam didn’t deny it. He just got really cranky, gave her a ‘you want this as much as I do’ snog, and stormed off.
When the story opens, Selina has popped off to Paris to buy clothes for her fashion boutiques (gold digger with a business!), and Kirsty must come home to act as hostess for daddy. And she must once again be in the same room as Adam.
There’s no way around it: Kirsty is dumb as a box of hair. Sure, she’s got that successful business and has paid off the loan her daddy made her so she could establish it, but: she’s ridiculous. She’s ridiculous in a fun way, she has a habit of making a complete mess of something and then wondering over to Adam and saying, hi, is broken, you fix it? She and Adam are going to have a marriage you could base a sitcom on.
She’s also ridiculously combative with the housekeeper. The housekeeper is a creepy woman, but Kirsty’s habit of giving instructions to an employee as though she is destroying her with assertive self-confidence is overkill. Sure, Mrs Drew is developed as a Mrs Danvers to Selina’s Rebecca, but she seems to be doing her actual job of making meals and putting towels in the bathroom, so why can’t she just be sat down and told to pull her head in?
What makes her stand out from a long line of ridiculous heroines who would prefer to believe the man they love is involved with someone else, is that, in the middle of all the moping and crankiness, she does something incredibly sweet for him.
So …we all know that Adam isn’t sleeping with Selina, and has maintained a long outraged sulk that the love of his life would think so badly of him. That’s fine, obviously his biggest flaw was falling in love with a child in the first place, and he knew it. I liked him quite a lot. He seemed such a nice person, and he clearly suffered having the love of his life tell him she thought he was a miserable worm.
The question of what’s actually going on with Selina is not handled very well. She’s not around much in the book to be a satisfying evil other woman, which meant I never really bought into Kirsty’s continued trauma about her. When Selina finally does turn up, her story didn’t make a lot of sense.
This book had a good hero and some very nice moments, but I never felt that Kirsty had faced any real hardship. She’d just really mismanaged the chances Adam gave her to act like an adult.