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Five Approaches to Acting Series, Part Two: Playing Episodes

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Episodic techniques developed in early twentieth century Russia and Germany, based on the study of Shakespeare's texts and other non-realistic plays. Playing episodes became the international silent film technique and is still the basis of most film work. Onstage today an episodic approach is especially useful for Shakespeare, Brecht and Sam Shepard, but essential for any actor working on realistic plays - Chekhov, Ibsen, and Williams, for example - in which a mass of individual "objectives" can obscure the events and significance of the play. Playing Episodes, Part Two in the Five Approaches to Acting Series includes a useful explanation of terms, instruction in applying techniques in rehearsal and performance, practical classroom exercises, detailed script analysis, the history and theory behind the approach, as well as inspiring examples to be seen on film.

70 pages, Paperback

First published January 1, 2007

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About the author

David Kaplan

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Librarian Note: There is more than one author in the Goodreads database with this name.

David Kaplan is the author of Tennessee Williams in Provincetown (Hansen Publishing Group) and The Five Approaches to Acting (Hansen Publishing Group). He is a theater director who stages plays around the world with professional companies in indigenous languages and settings. He is a former Fellow at the Harry Ransom Humanities Research Center in Austin, Texas, the repository of Tennessee Williams’s literary estate. He has experience directing Williams’s repertory around the world.

In 2003, Mr. Kaplan staged Tennessee Williams’s "The Eccentricities of a Nightingale" in Cantonese at the Hong Kong Repertory Theater. Seasons past include directing the first Russian production of Tennessee Williams’s "Suddenly Last Summer" (the subject of a TASS documentary); a Sufi "King Lear" in Tashkent, Uzbekistan, performed in the Uzbek language and broadcast on Uzbek television; and Genet’s "The Maids" in Ulaan Baator, Mongolia, performed in Mongolian. In America, he has staged his own adaptation of "The Circus of Dr. Lao" in Los Angeles, Tennessee Williams’s "The Traveling Companion" at West Beth in New York, and Williams’s "Frosted Glass Coffins" in Birmingham, Alabama. He is also the curator of the Provincetown Tennessee Williams Festival.

David Kaplan is also the author of articles on such varied subjects as Eudora Welty and Andres Segovia, the history of Shakespeare productions in Central Asia, the American monologist Ruth Draper, the twenty-first century freaks of Coney Island USA. His translations of Chinese poetry from eighteenth century Japan will appear in the journal Alehouse early 2007.

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