Five Approaches to Acting Series, Part Five: Telling a Story

by David Kaplan

Telling a Story, Part Five in the Five Approaches to Acting Series is a chance to learn true the casting of a spell on audience members so that they see what isn't there. More, the telling of a tale can reveal the what takes place in the mind of the speaker. Shakespeare's soliloquies offer an actor special opportunities to reveal the processes of thought, and there is a separate chapter in Telling a Story, Part Five in the Five Approaches to Acting Series about ways to prepare and perform soliloquies from Shakespeare's plays. Like Mae West's sultry recitation of nursery rhymes, Romeo's bashful recitation of Juliet's charms works from the principle that it's not what you say, it's how you say it - and what happens to you while you say it. Actors burdened with "emotional memory" in story-telling are given access to a more useful technique by identifying point of views and creating dramatic onstage action while telling a story by shifting points of view. Telling a Story, Part Five in the Five Approaches to Acting Series offers practical techniques for analyzing texts and performing stories within the context of a play, whether written by Sam Shepard, Tennessee Williams, the ancient Greeks, or Shakespeare. Telling a Story suggests strategies for actors to switch between performance and story-telling in their approach to any role.

74 pages, Paperback

First published January 1, 2007

About the author

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David Kaplan is the author of Tennessee Williams in Provincetown (Hansen Publishing Group) and The Five Approaches to Acting (Hansen Publishing Group). He is a theater director who stages plays around the world with professional companies in indigenous languages and settings. He is a former Fellow at the Harry Ransom Humanities Research Center in Austin, Texas, the repository of Tennessee Williams’s literary estate. He has experience directing Williams’s repertory around the world.

In 2003, Mr. Kaplan staged Tennessee Williams’s "The Eccentricities of a Nightingale" in Cantonese at the Hong Kong Repertory Theater. Seasons past include directing the first Russian production of Tennessee Williams’s "Suddenly Last Summer" (the subject of a TASS documentary); a Sufi "King Lear" in Tashkent, Uzbekistan, performed in the Uzbek language and broadcast on Uzbek television; and Genet’s "The Maids" in Ulaan Baator, Mongolia, performed in Mongolian. In America, he has staged his own adaptation of "The Circus of Dr. Lao" in Los Angeles, Tennessee Williams’s "The Traveling Companion" at West Beth in New York, and Williams’s "Frosted Glass Coffins" in Birmingham, Alabama. He is also the curator of the Provincetown Tennessee Williams Festival.

David Kaplan is also the author of articles on such varied subjects as Eudora Welty and Andres Segovia, the history of Shakespeare productions in Central Asia, the American monologist Ruth Draper, the twenty-first century freaks of Coney Island USA. His translations of Chinese poetry from eighteenth century Japan will appear in the journal Alehouse early 2007.