More than 200,000 words of the best mystery and suspense fiction from around the world
The world's Finest Mystery and Crime Stories
Each year, editors Ed Gorman and Martin H. Greenberg cast their net far and wide, across the seas, throughout the world to catch the best-the most suspenseful, most original, intriguing, confounding, downright entertaining stories of crime and mystery. Edgar winners from the U.S., Silver Dagger winners from the U.K., and stories from elsewhere as well come together here in a bountiful crop of great stories by the best in the business, including Lawrence Block - Jon L. Breen - Stanley Cohen - Bill Crider - Jeffery Deaver - Jeremiah Healy - Clark Howard - Susan Isaacs - John Lutz - Sharyn McCrumb - Ralph McInerny - Anne Perry - Bill Pronzini - Donald E. Westlake and many others.
Librarian note: There is more than one author in the GoodReads database with this name
Edward Joseph Gorman Jr. was a prolific American author and anthologist, widely recognized for his contributions to crime, mystery, western, and horror fiction. Born and raised in Cedar Rapids, Iowa, Gorman spent much of his life in the Midwest, drawing on that experience to set many of his novels in small towns. After working over two decades in advertising, political speechwriting, and industrial filmmaking, he published his first novel, Rough Cut, in 1984 and soon transitioned to full-time writing. His fiction is often praised for its emotional depth, suspenseful storytelling, and nuanced characters. Gorman wrote under the pseudonyms Daniel Ransom and Robert David Chase, and contributed to publications such as Mystery Scene, Cemetery Dance, and Black Lizard. He co-founded Mystery Scene magazine and served as its editor and publisher until 2002, continuing his “Gormania” column thereafter. His works have been adapted for film and graphic novels, including The Poker Club and Cage of Night. In comics, he wrote for DC and Dark Horse. Diagnosed with multiple myeloma in 2002, he continued writing despite his illness until his passing in 2016. Critics lauded him as one of the most original crime writers of his generation and a “poet of dark suspense.”
I rarely read short stories as I like to get my teeth into a good twisty plot. The stories in this book are too short for much of that. They are mainly about style. As such, it held a mixed bag - some good, some not so good. I read a half dozen of the of the 42 stories, enough to get a feel for the book, but not enough to give a fair review of most of them. My favorite was Cousin Rachel's Uncle Murray because I really like Susan Isaacs's witty and original style. It was handy at times to have something I could pick up and finish after the news and before dinner. The book holds a rich and varied selection for you to choose from, but in the end I can only give it three stars because most of the stories were rather predictable and too short to develop any real feel for the characters.
Like any anthology, some stories I skipped over entirely (as soon as I see Sherlock Holmes, I'm out of there...not a fan of that whole subgenre), some I gave up on after getting partway through, and some I enjoyed. I bookmarked two of the featured authors for further reading -- Bill Pronzini and Brendan DuBois. This earns it a solid middling rating of three stars.
With that said, I give it a fourth star for no other reason than the fact that the editors placed the author bios and statements on the page preceding the story, rather than stacking them together in the back of the book. This is so blatantly logical that it really makes one wonder why on earth the other anthology series persist in doing these as "endnotes", which requires excessive page turning. (I'm looking at you, The Best American * series…)