Ralph Fletcher is a friend of young writers and readers as well as writing teachers. He has written or co-authored many books for writing teachers includng Writing Workshop: The Essential Guide, Teaching the Qualities of Writing, Lessons for the Writer's Notebook, Boy Writers: Reclaiming Their Voices, and Pyrotechnics on the Page: Playful Craft That Sparks Writing. Ralph has worked with teachers around the U.S. and abroad, helping them find wiser ways of teaching writing.
Ralph's many books for students include picture books (Twilight Comes Twice, Hello Harvest Moon, and The Sandman), novels (Fig Pudding, Flying Solo, and Spider Boy), poetry (A Writing Kind of Day and Moving Day), and a memoir, Marshfield Dreams: When I Was a Kid. His novel Uncle Daddy was awarded the Christopher medal in 2002. He has also written a popular series of books for young writers including Poetry Matters, Live Writing, and A Writer's Notebook. Ralph lives with his family in New Hampshire. He is a strong environmentalist who believes we all must work together to live in a more sustainable way. His other passions include travel, good food, dark chocolate, growing orchids, and sports.
I had to read this book for school, but it was the most interesting text on writing I’ve ever read. I enjoyed all the little anecdotes that Fletcher included from other books. I especially enjoyed the writing examples from young children. This book didn’t read like a textbook, so I call it a job well done.
Murray provides an alternate way of looking at the teaching of writing. Rather than fill his book with exercises and rules, he lists what he believes to be the essential pieces of each writer's life, touching most frequently and powerfully on the power of agency for a young writer. This is a must-read for anyone interested in writing or the teaching of writing.
This workshop classic from the early 90s works on two levels. You can read it as a wannabe writer and you can read it as a wannabe-better writing workshop teacher. Fletcher, you see, has credentials not just as a teacher but as a writer as well. Unlike some writers of teaching books, he has also published books of poetry, children's picture books, magazine fiction, and essays. What's more, his own work is sprinkled liberally throughout this book. That, combined with generous portions of student works (aged K to 8), serves as exemplars for his points.
In some ways this is a good soup-to-nuts book for teaching writing. If there's an Achille's heel, it is that it focuses way more on fiction/memoir writing than essay writing (a weakness prevalent in many books of this sort). Of course, it's been argued that writing narrative from your own experience is essential in student writing, and I do not disagree. Still, it'd be great to see more methods and strategies for non-fiction pieces too. Fletcher does not ignore it; he just gives it short shrift.
Chapters of note in the book are those devoted to the craft of writing: The Art of Specificity, Creating a Character, Voice, Beginnings, Endings, Tension, A Sense of Place, A Playfulness with Time, Unforgettable Language, and A Significant Subject. The appendix, which includes many books to use in teaching, is helpful but, as you might expect, a tad dated.
If you're workshop savvy already, you may feel like you know a lot of this, but even then you'll come across new ways of approaching old problems. If you're newer to workshop practice or to teaching writing, this will prove even more valuable as a starting point. And if you want to write, OK. Read this and other books on writing, but don't forget to write. Every day. Um, that's what writers do....
Topic and Themes- How to write and a love of writing and making it a valuable experience for children
Curricula Use- Assist students in different ways of looking at the task of writing
Social- Helping people to write and enjoy it
Literary Elements- Full of personal experiences with writing and ways to make writing enjoyable
Text and Pictures- There are a few pictures of samples to study
Summary- "What a Writer Needs" is an excellent book full of ideas on how to write. This book takes you through the steps of how to be a successful writer.
Fletcher provides a great resource for all writers, aspiring and perspiring alike. Some of the chapters offer clear insight and strategies into how to teach writing to student while others do not. However, Fletcher's nonchalant, candid, friendly writing style makes this a pleasure to read. I'd never think of this as a "textbook" because of how enjoyable it was reading it.
I've read this before and I love his approach to writing. I especially love how he recognizes that all aspects of writing tie in together and are hard to separate. He allows for most types of writers from over involved to totally uninterested. He makes it possible for any student to not only succeed but also to love the craft. I want to be like this guy when I grow up.
No one but Ralph can put the complexities of writing into such beautiful, accessible prose. It's hard to believe it, but this is a professional read that I had a hard time putting down. He lives his work - and it shows. Every one of his own examples and every one of the student examples fits perfectly into this book. I'm jealous of Joann Portalupi!
This book was the text for a Writer's Workshop that I attended. It is geared towards teachers of writing, mostly those who have younger students. But, Fletcher has a lot of great advice and ideas for writers of all ages.
I love the way Ralph Fletcher helps us begin reading like a writer. The way he teaches us to be better writers, while also teaching us how to inspire students is unique and exemplary. I love his writing style.
Wonderful examination of writing from a right-brain perspective--instead of setting up writing instruction as a step-by-step, fill-in-the-blank process, Fletcher examines large contexts and treats elementary student composition as seriously as the prose/poetry created by adults. Refreshing.
My favorite part-"It doesn't matter if the writer begins cleverly, ends neatly, organizes smoothly, writes dramatically with voice. It is all meaningless unless the writer can find something interesting and important to say about the subject."
This is an important book for writers, though it mostly parrots Don Murray, repeating information writers already know. Nevertheless, these kinds of reminders are sometimes needed.
Filled with a lot of useful information. Wishing it was broken down a little differently but overall a really good book that had a lot of information to come away from.
Pretty good story about this guy's learning to like writing. Get writers to go more in depth when they write. Have them find the deeper meaning in the story. Find the 5 senses of the story.