Carlucci’s Edge is a gritty, dystopian mystery novel set in San Francisco in an indefinite future. The story features a number of distinctive characters including Frank Carlucci, middle-aged detective, Paula, an early-forties rock musician, Mixer, a police informant, and Tremaine, a reporter. We know the most about Paula, whose thoughts and experiences make up a large part of the novel, and more about the family life of Carlucci, whose oldest daughter is dying, and how he weighs his decisions as a policeman, than his interior life, which is one of the few weaknesses of the novel. There is not quite enough about the main character to make us care about him, as opposed to our being concerned with the solution to the crime(s), which are at the heart of the story.
The plot is engaging and sufficiently circuitous to keep the reader involved and guessing to the end of the story. It involves the solution of a series of murders, which turn out to be related to each other and to a secret operation, which I won’t divulge because it would spoil it for the reader. Everything takes place in a ruined version of San Francisco, where a variety of odd groups of people populate a city that appears to have suffered past violence, where the Tenderloin district is hyper-dangerous and demarcated into ethnic quarters, and in which odd groups such as the all-female “Saints” roam, finding victims for their “trials” which either kill the defendant or permanently ruin his or her brain. Drug use and abuse are rampant, although beer and cigarettes are the main choice of most of the main characters. Even the wealthy, powerful neighborhoods, such as Telegraph Hill, where the city’s mayor lives, are heavily fortified. I have no idea and no explanation is given for the state of the city, but perhaps it was explained in the first book in the series. We know that the setting is the future because the moon is populated with a colony called New Hong Kong, a fact that is part of the plot.
The dystopian environment is as much a focus of the book as is the story, and it is described well. Unfortunately, many of the idiosyncratic characteristics, such as the city’s dangerous and partially destroyed “core,” the secret passages into the Tenderloin, the various groups, such as screamers, who have their mouths permanently shut, dog-boys, who walk on all fours, rat packs, go unexplained. It seems to be a tendency of many science-fiction novels to invoke concepts, devices and identities without much explanation of what or why they are, which adds to the alien atmosphere of the story, but which I find mildly irritating. Nevertheless, as an atmospheric device, it works in Carlucci’s Edge.
The plot of the story is first class. The plot alone is guaranteed to keep the reader involved. The plot does not go unexplained, and, although we don’t grasp it fully until near the end of the book, it is one that makes sense. I was engaged throughout the book and enjoyed reading it. I would have liked more explanation of the characteristics of the dystopian environment, but that detracted from my enjoyment very little. I would certainly recommend it for fans of science fiction or noir mystery, and it is a very good combination of these two genres.