One Step Beyond isn't the best album in the world - it's not even the best album by Madness. It is, however, a great record and an exceptional debut album -fully formed despite half the band still being in their teens - and it remains as exhilarating, inspiring and as much fun as when people first heard it nearly 30 years ago. Through extensive interviews with the band, as well as producers Clive Langer & Alan Winstanley, Terry Edwards tells the inside story of how Madness rose to be the most successful singles band of the 1980s in the UK charts.
This fun, inside-look took me back to my teen years when I frequently listened to this album. Terry Edwards was not in Madness at the time of the making of this album, but having been a member at one time added to his chummy 'wink and elbow to the ribs' that he ends each section with. And this charm of Madness, of being a bunch of friends, who somehow made you and me, us, feel included somehow, was reinforced by this book. I love all the details and comments from band members about theses songs, and the making of this great album.
I wanted to love this, as it's hard to find a legitimate reason not to love anything about Madness. However, this book really let me down. It's just a bunch of incessant ramblings-on by a person who was involved in part of that classic scene. There was no direction, and it really felt like there was no point . Alas, the one saviour was the new font used by the series, which made my day.
An excellent read about a band I know very well and yet not at all. I didn't even know that Suggs doesn't sing all the songs, let alone noticed that so many of their hits don't bother with a chorus - or that 'Night Boat To Cairo' claims that Egypt is prone to monsoons... Terry Edwards is great fun as a writer and I enjoyed all the times he broke off from the narrative to appreciate saxophones.
I'm a big fan of Madness - they were the first band I ever liked when I was a kid - so I was keen to give this a read. It's part of a series, written by various authors, going over the making of a number of classic albums.
The introduction notes that a good five or six of the songs from this album still make the setlist of every Madness gig, and forty years after its release, that's no mean feat. I didn't see them live until 2014, but seeing "One Step Beyond", "Night Boat to Cairo", "My Girl" and "Bed and Breakfast Man" performed at their gigs is still a stunning experience. So yes...there's some strong songs here. There's a few absolute turkeys as well, and the book is willing to highlight those weak spots.
The author has played on stage with the band, and clearly knows them all well, so there's a lot of interviews and anecdotes from those involved in writing and performing the songs. There's a lot in here I didn't know, and so I found it a very interesting read. It shed a lot of light on things, and it was a useful reminder that several members of the band were only 18 when this album was released. It makes it a bit easier to forgive the rough edges when you bear that in mind, especially some of the more naïve lyrics ("Mummy's Boy" stands out as a song that hasn't aged well).
It prompted me to give the album a listen again, and appreciate it a little more, although I'm firmly of the opinion that the next three albums were much stronger. By then, the band had matured a lot and were capable of some truly amazing songwriting and musicianship.
I see a few people didn't think much of this book, but as a big fan of the band, I really enjoyed it, as it's packed with fascinating little details. Some of the contents are a bit technical - I'm no music expert, so those were lost on me - but the rest of it was very readable and informative.
I think a lot of people viewed Madness as bit of a novelty band, but this book proves the point I've often made - there's far more to them than that, and they're a hugely talented bunch responsible for some wonderful tracks. Strongly recommended - and see them live if you haven't already!
Some chipper writing on this one, but it's WAY too much of an insider's book. Edwards played with and knew the members of the band, and he writes his book as if we did, too. The chummy, laddish tone is easy to read, but it kept making me feel like a guest at a party where everyone knew everyone else and I didn't know everyone. It goes deeper on the actual music than some of these books do, and that's good. Probably better for hardcore Madness fans than for more casual listeners like myself.
Of the 7 or 8 33 1/3 books I have read which range from good (DJ Shadow, which was mostly from direct interviews) to terrible (meat is murder, the book is a long story which references the Smiths' classic) to one difficult to categorize (the Replacements Let It Be is not about the album so much as it is about the writer learning to love the Replacements and other great bands and the evolution of the writer into the singer-songwriter of the Decemberists.... This is one of my favorites of the bunch. Good analysis, interviews with the band and, bonus, the author is not only a musician but one who has actually played with Madness.
One of those entries in the series where one likely enjoys it much more if one is musically trained. This type always makes me wonder why my tone deaf self w/no training beyond a seventh grade year of hell failing at sax makes me question why the hell I keep picking these books up. But then I figure they're all so short, why not gamble, and I do it again (and again).
Marginally interesting, even for a Madness fan like me. Quite revelatory about the power dynamics in the early times of the band, but written in a too chummy insider tone that is detrimental.