This new monograph features work by the admired New York painter, Richard Phillips, whose brash, often pornographic paintings borrow from fashion, art, the news and other graphic media. Equally apt to take his motifs from glossy magazines as from art historical or kitsch icons, he blends Pop art with a contemporary critique of the representation which emerged in the "Picture Group" generation of the 1980s. Richly illustrated, the book features recent work as well as essays by musician Kim Gordon and artist Liam Gillick.
Librarian Note: There is more than one author in the Goodreads database with this name.
Born in Massachusetts in 1962, Richard Phillips lives and works in New York. Phillips is known for his large-scale glossy hyper-realistic paintings, recalling the pictorial style of magazines from the 1950s, 1960s and 1970s and reflecting traditions of popular image culture. His paintings represent close-up portraits, predominantly of women from fashion and soft porno magazines, but also persons from the fields of pop music and politics. He says "My pictures involve a kind of wasted beauty - that's always been a thread in my work."