"Suddenly Last Summer," "This Milk Train Doesn't Stop Here Anymore," and "Small Craft Warnings" offer three brief glimpses into the teetering, changing, and left-behind mind of Tennessee Williams. Each play, written in a different decade (50s, 60s, and 70s, respectively) represents a playwright trying to grapple with a world that isn't what it was when he wrote "The Glass Menagerie."
"Suddenly Last Summer" tells the story of a New Orleans mother trying to punish her niece for her role in her son's death, but what it reveals is the wickedness and perversion that attends to an individual unwilling to accept their own mortality.
"This Milk Train Doesn't Stop Here Anymore" grapples with many of the same themes: refusal to accept death amidst its obvious encroachment. But unlike Williams' past plays, this one is sterile - still dark but with all the grunge and grime of Southern Goth removed.
And finally, "Small Craft Warnings" offers a playwrights attempts to bring his darkened mood to a period when pop and americana had gilded over the darkness of the former decades. Williams tells the story of a group of friends in a bar in Southern California. None of them fit in and none of them quite make sense as they fight, drunkenly, with each other for love, money, and a sense of grounding.