From little acorns, mighty oaks grow. And when this was first published, it did seem like a little acorn – the first new ‘official’ Sixth Doctor story since Colin Baker had been sacked from the role, with little else to set it apart from its stablemates. Future books would take the opportunity to smooth down some of the Sixth Doctor’s rough edges and make him far more likeable – a process Big Finish would continue with great success. It may not have seemed obvious at the time, but in a workmanlike and unshowy way, that’s what Bulis does here – within a plot that seems like an alternate history story but is actually far more original and clever than that.
Everything that felt like a failing in 1994 is, 20 years on, a real strength. The presence of a returning villain may have seemed a bit self-indulgent at the time, and a heart-sinking precursor of the way the Missing Adventures range was likely to go, but as things turned out, said returning villain has continued to be used remarkably sparingly in spin-off media and Virgin publishing always showed remarkable restraint in which characters from the TV series they chose to bring back. Also, said villain’s motivations actually work very well within the confines of the plot.
Stories set in an alternative dimension don’t always work as it’s not always easy for writers to convince their audience that things could have diverged quite so sharply after one event. Bulis gets around that by not making this an alternative history story per se – although I won’t give away how he does that. I was – despite my own expectations – convinced by the likely effects of Anthony and Cleopatra winning the Battle of Actium. A cursory glance at ancient history shows that other triumvirates of the era were riddled with instability, and even brothers and sisters felt no compunction in wanting to assassinate each other. Imagine what such people would have done with advanced technology. The only surprise is that they haven’t done it already by the time the plot begins.
I was also pleased by Bulis’ handling of the Doctor-companion dynamic here. It would have been a shame to replicate the antagonistic on-screen relationship between the Sixth Doctor and Peri, and to make Peri the simpering victim she was all-too-often portrayed as. There’s no sign of that here – Bulis shows the real, often unspoken, respect the pair have for each other, and their trust in each others’ abilities. Despite the mutations inflicted on her in the TV story ‘Vengeance on Varos’ coming to fruition here, and her necessary confinement to the other end of a video link for a fair proportion of the book, Peri has rarely been on such proactive form. She uses her situation to great advantage, and the result is a refreshing subversion of expectations. It does mean I couldn’t quite ‘hear’ Nicola Bryant saying the lines Bulis gives her, but the same is true for my ability to ‘hear’ Colin Baker as the Doctor – surprising, given that his speech patterns are usually easier for most writers to capture than those of his fellows. But at least Bulis got the chance to rectify that – as time went on he’d manage to write full-length novels featuring all the first eight Doctors and (mostly) get their mannerisms off pat. He’d return to this Doctor-companion combination with his final book for the range, ‘Palace of the Red Sun’, and succeed admirably. So it’s not a criticism by any means.
So, yes, this little acorn bore fruit, even if it may not have seemed so at the time. But then that’s the point of the metaphor, isn’t it? An oak tree takes a long time to develop. And, like the oak tree, 20 years is a reasonable length of time to return to the place the acorn was planted and see how the tree is getting on. I’m glad I did, because, like me, you may be surprised at how worthy of another look ‘State of Change’ is.