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Eighth Doctor Adventures #66
Doctor Who: Emotional Chemistry
"Love! Surely one of the most destructive forces in the universe. There's nothing a man — or woman — won't do for true love."
1812. The Vishenkov household, along with the rest of Moscow, faces the advance of Napoleon Bonaparte. At its heart is the radiant Dusha, a source of strength and inspiration — and more besides — for them all. Captain Victor Padorin, heroic Hussar and family friend, meanwhile, acts like a man possessed — by the Devil.
2024. Fitz is under interrogation regarding a burglary and fire at the Kremlin. The Doctor has disappeared in the flames. Colonel Bugayev is investigating a spate of antique thefts, centred in Moscow, on top of which he now has a time-travel mystery to unravel.
5000. Lord General Razum Kinzhal is preparing to set in motion the closing stages of a world war. More than the enemy, his fellow generals of the Icelandic Alliance fear what such a man might do in peacetime. What can possibly bridge these disparate events in time? Love will find a way. But the Doctor must find a better alternative. Before love sets the world on fire.
1812. The Vishenkov household, along with the rest of Moscow, faces the advance of Napoleon Bonaparte. At its heart is the radiant Dusha, a source of strength and inspiration — and more besides — for them all. Captain Victor Padorin, heroic Hussar and family friend, meanwhile, acts like a man possessed — by the Devil.
2024. Fitz is under interrogation regarding a burglary and fire at the Kremlin. The Doctor has disappeared in the flames. Colonel Bugayev is investigating a spate of antique thefts, centred in Moscow, on top of which he now has a time-travel mystery to unravel.
5000. Lord General Razum Kinzhal is preparing to set in motion the closing stages of a world war. More than the enemy, his fellow generals of the Icelandic Alliance fear what such a man might do in peacetime. What can possibly bridge these disparate events in time? Love will find a way. But the Doctor must find a better alternative. Before love sets the world on fire.
288 pages, Paperback
First published December 16, 2003
About the author
Simon A. Forward
34 books29 followersSimon A. Forward is an author and dramatist most famous for his work on a variety of Doctor Who spin-offs. He currently lives and works in Penzance with his wife as a full-time writer.
Forward specialises in sci-fi novels such as Doctor Who. His most recent work is Evil Unlimited for the Kindle. Simon's first published work was the short story One Bad Apple in BBC Books' Doctor Who anthology More Short Trips (BBC Books, 1999). Following this, Simon had a proposal for a Past Doctor Adventure accepted, and the subsequent novel, Drift, was published by BBC Books in 2002.
Having a successful novel behind him, Simon contacted Gary Russell about the possibility of writing for Big Finish's range of audio adventures. The enquiry resulted in him writing the audio play The Sandman (Big Finish, 2002). Simon went on from this to write several short stories for the Big Finish Short Trips volumes, as well two subsequent audio adventures.
Forward also wrote the novella Shell Shock (Telos Publishing Ltd., 2003). This was part of their range of Doctor Who novellas and is now out of print. In the same year, Simon also had another Doctor Who novel published by BBC Books, the Eighth Doctor Adventure Emotional Chemistry (BBC Books, 2003).
2009 saw two novelisations of the BBC television series Merlin, followed by a third in 2010.
2010 also saw the independent publication of an original SF Comedy, Evil UnLtd, in ebook form.
Forward specialises in sci-fi novels such as Doctor Who. His most recent work is Evil Unlimited for the Kindle. Simon's first published work was the short story One Bad Apple in BBC Books' Doctor Who anthology More Short Trips (BBC Books, 1999). Following this, Simon had a proposal for a Past Doctor Adventure accepted, and the subsequent novel, Drift, was published by BBC Books in 2002.
Having a successful novel behind him, Simon contacted Gary Russell about the possibility of writing for Big Finish's range of audio adventures. The enquiry resulted in him writing the audio play The Sandman (Big Finish, 2002). Simon went on from this to write several short stories for the Big Finish Short Trips volumes, as well two subsequent audio adventures.
Forward also wrote the novella Shell Shock (Telos Publishing Ltd., 2003). This was part of their range of Doctor Who novellas and is now out of print. In the same year, Simon also had another Doctor Who novel published by BBC Books, the Eighth Doctor Adventure Emotional Chemistry (BBC Books, 2003).
2009 saw two novelisations of the BBC television series Merlin, followed by a third in 2010.
2010 also saw the independent publication of an original SF Comedy, Evil UnLtd, in ebook form.
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Displaying 1 - 10 of 10 reviews
April 11, 2013
While "Emotional Chemistry" is indeed a striking title, by not calling the book "Love Will Set the World on Fire", they really missed an opportunity to capture the market of all those romance novel readers who don't check what a book is about before they buy it. It's an untapped bonanza. Fortunately the book makes up for not giving us the steamiest of titles with a plot and setting that offers us something resembling a challenge for once, along with a few breaks from the tried and true.
In the course of an investigation, the Doctor, Trix and Fitz wind up separated in an explosion and find themselves in different time zones. The Doctor winds up in the year 5000 and change with a soldier turned art thief, Fitz stays put and gets interrogated by an increasingly exasperated Russian general, while Trix gets to cause chaos pretty much wherever she goes, one of those places being 19th century Russian right before Napoleon marches into town, where a beautiful Russian can kiss everyone back to health. If you don't think this all connects at some point, you must be new to "Doctor Who".
I remember Forward's first novel "Drift" as one that showed promise but probably needed to wait for his ambition to catch up with his talent. Even so, his talent was evident then and it appears that all he needed was a bit more seasoning. While this one isn't one of the game-changing masterpieces, it is one of those fine second-tier books that should be what makes up the bulk of the line.
Often it's not one thing that makes these books go well but a bunch of little things done right that all add up. Here, Forward takes a few storytelling risks that pay off, one of which is separating the main cast for the bulk of the novel and by separating, both in the physical and temporal senses. To make this work and give the impression that it's all happening simultaneously, he flips back and forth from plot to plot like a sugar addicted toddler, managing to keep the plots constantly moving without giving us whiplash. The sections are short and there are times when you wish he'd spend a little more time before racing off to the next occurrence but the end result is not only making the book a page turner but also making it reward close reading. Most of the lesser "Who" novels I can take knock off in a couple of hours, while this one required a bit more intense study to make sure I had everything straight. And yet, it wasn't a chore.
Part of this is helped by giving us interesting supporting characters. Most of the TV episodes that don't have world shattering premises live or die based on the people who aren't the Doctor and company. A good writer makes them come to life and thus brings the world to life, a feat that isn't necessarily easy to do. They exist as partners in the plot, capable of carrying scenes by themselves, whether it's Colonel Bugayev trying to piece together what the heck just happened or Razum Kinzhal outthinking everyone in the 51st century scenes, you get the sense of a whole series of moving parts that keep moving even when the focus isn't on them and the Doctor isn't in the room. It amplifies the effect of the Doctor, showing how he can push a balanced system out of whack, whether he intends to or not.
What gets me is how sly the plot is. There's a villain but he's more a means to an end and not the real threat, dangerous as he is. He's another link in the complexity, more catalyst than climax. The world is threatened but for once not from crazy generals or world-conquering aliens but by a mystery with an aura of strangeness to it, the components of the solution but only brought together by the Doctor and a little bit of luck, which is how it should be. For the first time in a while aliens are treated as great unknowns and not murdering psychopaths or warmongering fools, bringing back that sense of fairy tale myth that works best in the Eighth Doctor adventures (and really nowhere else). The Doctor doesn't have to fight anyone as much as stop something from happening, giving him a chance to puzzle out and solve, and that sleight of hand isn't what we commonly see in the "Who" books, but it's certainly welcome.
This is also our first real run of the new TARDIS crew, and while I'm pretty sure I won't like them as much as the Doctor/Fitz/Anji combo, it does have its moments. Fitz remains the unsung hero in the "Who" canon, the cowardly hero, the Jamie to this Doctor, and seeing him alone reminds us of what he's brought to the range and how different it would have all been without him. Trix I'm not as sold on yet, she's given more chance to act and make an impression here but it's hard to see what she's doing with these people. She's not altruistic (but the Doctor seems bent on teaching her how to be) and while the dilemmas in this novel appeal more to her special skillset as opposed to Anji's, beyond saving her own skin and continued survival. she's not making much of a case (although there's a hint that she's trying to prove to the Doctor she's not all shallow). But she likes the edge that Compassion brought with her, the balance of someone who isn't quite in tune with the Doctor but willing to go along anyway.
Still, Forward gets so much right here that even the lapses are forgivable. And the novel isn't perfect. For one, the resolution lacks any kind of impact at all and some of the "rules" seems easily broken (Aphrodite claims she can't go to the times of her parents, but, um, isn't one of those 19th century Russia?). The novel is a twisty, entertaining affair but lacks the emotional gut punch a scenario like this requires to be truly great, a heartstopping sacrifice or insight. We're brought to the lip of it, as several people claim to know the Doctor from old, adding a nice tension to the plot and reminding us of his memory loss. But little is done with it except add some local color (the 51th century scenes do tie in to "The Talons of Weng-Chiang", which is a nice subtle touch), where using that as a springboard to delve into the mystery of the Doctor and give us some revelations into how he works could have taken the book to another level. As it is, the Doctor remains distant as always, the hero we all know and yet someone we're not quite sure we know.
But all the hints that bleed off the page, the little touches and attentions to detail, it shows the work of someone who is capable of conceiving something that isn't standard, of writing odd structures without getting caught up in their own cleverness, of being able to use the background of "Who" without becoming enslaved to the continuity of it, finding new wrinkles to keep it interesting. A good rule of thumb with these is to see which ones work as "Who" novels and which ones work as pure novels. This one is more the latter than the former. Congratulations, you've made your name worth paying attention to.
In the course of an investigation, the Doctor, Trix and Fitz wind up separated in an explosion and find themselves in different time zones. The Doctor winds up in the year 5000 and change with a soldier turned art thief, Fitz stays put and gets interrogated by an increasingly exasperated Russian general, while Trix gets to cause chaos pretty much wherever she goes, one of those places being 19th century Russian right before Napoleon marches into town, where a beautiful Russian can kiss everyone back to health. If you don't think this all connects at some point, you must be new to "Doctor Who".
I remember Forward's first novel "Drift" as one that showed promise but probably needed to wait for his ambition to catch up with his talent. Even so, his talent was evident then and it appears that all he needed was a bit more seasoning. While this one isn't one of the game-changing masterpieces, it is one of those fine second-tier books that should be what makes up the bulk of the line.
Often it's not one thing that makes these books go well but a bunch of little things done right that all add up. Here, Forward takes a few storytelling risks that pay off, one of which is separating the main cast for the bulk of the novel and by separating, both in the physical and temporal senses. To make this work and give the impression that it's all happening simultaneously, he flips back and forth from plot to plot like a sugar addicted toddler, managing to keep the plots constantly moving without giving us whiplash. The sections are short and there are times when you wish he'd spend a little more time before racing off to the next occurrence but the end result is not only making the book a page turner but also making it reward close reading. Most of the lesser "Who" novels I can take knock off in a couple of hours, while this one required a bit more intense study to make sure I had everything straight. And yet, it wasn't a chore.
Part of this is helped by giving us interesting supporting characters. Most of the TV episodes that don't have world shattering premises live or die based on the people who aren't the Doctor and company. A good writer makes them come to life and thus brings the world to life, a feat that isn't necessarily easy to do. They exist as partners in the plot, capable of carrying scenes by themselves, whether it's Colonel Bugayev trying to piece together what the heck just happened or Razum Kinzhal outthinking everyone in the 51st century scenes, you get the sense of a whole series of moving parts that keep moving even when the focus isn't on them and the Doctor isn't in the room. It amplifies the effect of the Doctor, showing how he can push a balanced system out of whack, whether he intends to or not.
What gets me is how sly the plot is. There's a villain but he's more a means to an end and not the real threat, dangerous as he is. He's another link in the complexity, more catalyst than climax. The world is threatened but for once not from crazy generals or world-conquering aliens but by a mystery with an aura of strangeness to it, the components of the solution but only brought together by the Doctor and a little bit of luck, which is how it should be. For the first time in a while aliens are treated as great unknowns and not murdering psychopaths or warmongering fools, bringing back that sense of fairy tale myth that works best in the Eighth Doctor adventures (and really nowhere else). The Doctor doesn't have to fight anyone as much as stop something from happening, giving him a chance to puzzle out and solve, and that sleight of hand isn't what we commonly see in the "Who" books, but it's certainly welcome.
This is also our first real run of the new TARDIS crew, and while I'm pretty sure I won't like them as much as the Doctor/Fitz/Anji combo, it does have its moments. Fitz remains the unsung hero in the "Who" canon, the cowardly hero, the Jamie to this Doctor, and seeing him alone reminds us of what he's brought to the range and how different it would have all been without him. Trix I'm not as sold on yet, she's given more chance to act and make an impression here but it's hard to see what she's doing with these people. She's not altruistic (but the Doctor seems bent on teaching her how to be) and while the dilemmas in this novel appeal more to her special skillset as opposed to Anji's, beyond saving her own skin and continued survival. she's not making much of a case (although there's a hint that she's trying to prove to the Doctor she's not all shallow). But she likes the edge that Compassion brought with her, the balance of someone who isn't quite in tune with the Doctor but willing to go along anyway.
Still, Forward gets so much right here that even the lapses are forgivable. And the novel isn't perfect. For one, the resolution lacks any kind of impact at all and some of the "rules" seems easily broken (Aphrodite claims she can't go to the times of her parents, but, um, isn't one of those 19th century Russia?). The novel is a twisty, entertaining affair but lacks the emotional gut punch a scenario like this requires to be truly great, a heartstopping sacrifice or insight. We're brought to the lip of it, as several people claim to know the Doctor from old, adding a nice tension to the plot and reminding us of his memory loss. But little is done with it except add some local color (the 51th century scenes do tie in to "The Talons of Weng-Chiang", which is a nice subtle touch), where using that as a springboard to delve into the mystery of the Doctor and give us some revelations into how he works could have taken the book to another level. As it is, the Doctor remains distant as always, the hero we all know and yet someone we're not quite sure we know.
But all the hints that bleed off the page, the little touches and attentions to detail, it shows the work of someone who is capable of conceiving something that isn't standard, of writing odd structures without getting caught up in their own cleverness, of being able to use the background of "Who" without becoming enslaved to the continuity of it, finding new wrinkles to keep it interesting. A good rule of thumb with these is to see which ones work as "Who" novels and which ones work as pure novels. This one is more the latter than the former. Congratulations, you've made your name worth paying attention to.
October 4, 2026
Simon A. Forward loves Russian literature and Doctor Who. I love Doctor Who and have not read nearly enough Russian literature to consider myself a massive fan. Emotional Chemistry is a book that takes its chapter titles from famous works of Russian literature from Chekov to Turgenev. The novel is split into three different time periods in the history of Russia: the past, the relatively near future, and the far future. It is also a story about falling in love in ways that ultimately fall apart. Forward is attempting a tragedy with a TARDIS team that is built upon tragedy. Fitz Kreiner and the Doctor have both been through their own personal hells, arguably still going through them while newcomer Trix MacMillan has her own traumas to work through. It’s a shame then that Simon A. Forward does not actually do much in terms of pushing these characters forward. Emotional Chemistry is a novel that reads closer to a stopgap in between bigger plot points. Timeless ended with Trix a new member of the TARDIS team and the team realizing that Sabbath has some mysterious bosses that have been behind apparently everything the Eighth Doctor Adventures have been building towards. This is yet another novel where there is a clear disconnect with the author writing and the direction of the range, a problem that plagued much of the alternate universe sequence that led to this point. There is a feeling of distinct lack of communication between the writers as the range is slowing down and reaching its eventual conclusion.
These things would not be a terrible problem; however Simon A. Forward is an author whose work seems to work better in short doses than in the form of a novel and even than that is hit or miss. Emotional Chemistry has an incredibly slow start, juggling three plotlines while lacking a consistency in terms of pace. Much of the first half of the novel would be considered a Doctor-lite story which again is not necessarily an issue, there have been novels such as Birthright that barely feature the doctor but his presence and influence is felt. For Emotional Chemistry, Forward almost seems to have had a piece of original speculative fiction focused on Russian history and future time travel experiments, but it was retrofitted into the world of Doctor Who. The big Doctor Who connection is the Zygma experiments featured in The Talons of Weng-Chiang, with several mentions of the character of Magnus Greel, but as this is written into a sequel it the references feel like a retrofitting. The supporting characters are largely military characters, partially working for OGRON, the Russian branch of UNIT, which is for whatever reason a reference to the Ogrons. This and the Greel references make me wonder if it’s a tribute to the fact that some of the earlier VHS releases were The Talons of Weng-Chiang and Day of the Daleks.
These are the ideas with the most depth, the supporting characters feel all particularly like stock characters once the TARDIS team becomes important to the plot. The most interesting side character is Aphrodite. Aphrodite metatextually is representative of the relationships. She’s an alien who is the result of her parents love in a society where having children were forbidden and much of her characterization is about being empathic and someone’s missing half. While she is given the name of the Greek goddess of love, her story has its roots in Plato’s Symposium in a dialogue with Aristophanes about the third sex of a hermaphrodite, split in half by Zeus and searching for their other half to become whole again. This is a perfectly fine myth and piece of philosophy to explore in a science fiction novel, but Emotional Chemistry never really achieves what it sets out to do because it eventually has to remember the Doctor, Fitz, and Trix are there.
Overall, Emotional Chemistry is actually a really good idea for an original piece of speculative fiction, but in pitching and writing it as a Doctor Who novel it feels pointless. Simon A. Forward feels more at home writing the novel as a series of connected short stories instead of a continuing narrative, only really committing to that when it becomes more focused on the Doctor. This leaves it lacking in a direction and with Forward’s basic prose it becomes a chore that only covers ground that’s been covered elsewhere in the range. 3/10.
These things would not be a terrible problem; however Simon A. Forward is an author whose work seems to work better in short doses than in the form of a novel and even than that is hit or miss. Emotional Chemistry has an incredibly slow start, juggling three plotlines while lacking a consistency in terms of pace. Much of the first half of the novel would be considered a Doctor-lite story which again is not necessarily an issue, there have been novels such as Birthright that barely feature the doctor but his presence and influence is felt. For Emotional Chemistry, Forward almost seems to have had a piece of original speculative fiction focused on Russian history and future time travel experiments, but it was retrofitted into the world of Doctor Who. The big Doctor Who connection is the Zygma experiments featured in The Talons of Weng-Chiang, with several mentions of the character of Magnus Greel, but as this is written into a sequel it the references feel like a retrofitting. The supporting characters are largely military characters, partially working for OGRON, the Russian branch of UNIT, which is for whatever reason a reference to the Ogrons. This and the Greel references make me wonder if it’s a tribute to the fact that some of the earlier VHS releases were The Talons of Weng-Chiang and Day of the Daleks.
These are the ideas with the most depth, the supporting characters feel all particularly like stock characters once the TARDIS team becomes important to the plot. The most interesting side character is Aphrodite. Aphrodite metatextually is representative of the relationships. She’s an alien who is the result of her parents love in a society where having children were forbidden and much of her characterization is about being empathic and someone’s missing half. While she is given the name of the Greek goddess of love, her story has its roots in Plato’s Symposium in a dialogue with Aristophanes about the third sex of a hermaphrodite, split in half by Zeus and searching for their other half to become whole again. This is a perfectly fine myth and piece of philosophy to explore in a science fiction novel, but Emotional Chemistry never really achieves what it sets out to do because it eventually has to remember the Doctor, Fitz, and Trix are there.
Overall, Emotional Chemistry is actually a really good idea for an original piece of speculative fiction, but in pitching and writing it as a Doctor Who novel it feels pointless. Simon A. Forward feels more at home writing the novel as a series of connected short stories instead of a continuing narrative, only really committing to that when it becomes more focused on the Doctor. This leaves it lacking in a direction and with Forward’s basic prose it becomes a chore that only covers ground that’s been covered elsewhere in the range. 3/10.
June 28, 2020
Overall, a pretty good story all round. Things get a tad confusing with all the different timey-wimey(tm) shenanigans, and I feel that some of the resolution does come across fairly rushed but yeah, I still really liked it.
We get a pretty interesting love story, surrounded by some great dark stuff that's explored very well. The character stuff admittedly occasionally slips and some of the Characters of the Week can be a bit grating, and while Trix gets a fair amount to do it kind of feels that the writers haven't really talked enough about what exactly to do with her, so it mostly comes down to her fulfilling whatever role she needs to for the sake of progressing a plot. I mean, it works, I guess, but it would be nice to maybe pin down who Trix is just a bit more in future beyond wearing disguises and being adaptable.
We get a pretty interesting love story, surrounded by some great dark stuff that's explored very well. The character stuff admittedly occasionally slips and some of the Characters of the Week can be a bit grating, and while Trix gets a fair amount to do it kind of feels that the writers haven't really talked enough about what exactly to do with her, so it mostly comes down to her fulfilling whatever role she needs to for the sake of progressing a plot. I mean, it works, I guess, but it would be nice to maybe pin down who Trix is just a bit more in future beyond wearing disguises and being adaptable.
February 25, 2024
https://fromtheheartofeurope.eu/emotional-chemistry-by-simon-forward/
Part of it is set in the year 2024 in Russia, where the Doctor’s companion Fitz Kreiner finds himself isolated while the Doctor and the other companion Trix McMillan zoom off to the year 5000 and to 1812 respectively. To be honest there is little here to differentiate the Russia of 2024 from the Russia of 2002 when the book was written, and if it weren’t for the back cover explicitly mentioning 2024 you would tend to think it was set in or very soon after the year of publication. I’m afraid I was not terribly excited by the plot, with a McGuffin and a time-travelling entity looking for it, but there are some pleasing references to Magnus Greel from The Talons of Weng-Chiang.
Part of it is set in the year 2024 in Russia, where the Doctor’s companion Fitz Kreiner finds himself isolated while the Doctor and the other companion Trix McMillan zoom off to the year 5000 and to 1812 respectively. To be honest there is little here to differentiate the Russia of 2024 from the Russia of 2002 when the book was written, and if it weren’t for the back cover explicitly mentioning 2024 you would tend to think it was set in or very soon after the year of publication. I’m afraid I was not terribly excited by the plot, with a McGuffin and a time-travelling entity looking for it, but there are some pleasing references to Magnus Greel from The Talons of Weng-Chiang.
August 9, 2008
I’ve now read most of the EDA’s; some have been good, some have been excellent and some just don’t work for me - Emotional Chemistry is one of the latter.
The plot is all, here, and it’s a tale stretched thin, across three time zones - which is, of course, a staple of Who-fic and not to be grumbled at, but in this story, each bit of the tale seems far too short, so that the story never gains any momentum making the style annoyingly choppy.
There are far too many characters and this, coupled with the complex, three-pronged plot, means you never get to know any of them well. The original figures get all the love, there’s just not enough Doctor and Fitz and even Trix – who's new, we need to get to know her - none of them get any flesh on their bones. The Doctor felt the least important of all, he seemed tacked on, an afterthought. I was left with the distinct impression that the author wanted to write a novel about Aphrodite and her Sisters Across Time but was forced into writing a Who book instead, had tried to shoehorn The Doctor and his companions into his concept and didn't do it well.
It just didn’t work, not for me. I like The Doctor and Fitz, I needed much more of them in my EDAs and what you got here instead didn’t make up for the lack.
The plot is all, here, and it’s a tale stretched thin, across three time zones - which is, of course, a staple of Who-fic and not to be grumbled at, but in this story, each bit of the tale seems far too short, so that the story never gains any momentum making the style annoyingly choppy.
There are far too many characters and this, coupled with the complex, three-pronged plot, means you never get to know any of them well. The original figures get all the love, there’s just not enough Doctor and Fitz and even Trix – who's new, we need to get to know her - none of them get any flesh on their bones. The Doctor felt the least important of all, he seemed tacked on, an afterthought. I was left with the distinct impression that the author wanted to write a novel about Aphrodite and her Sisters Across Time but was forced into writing a Who book instead, had tried to shoehorn The Doctor and his companions into his concept and didn't do it well.
It just didn’t work, not for me. I like The Doctor and Fitz, I needed much more of them in my EDAs and what you got here instead didn’t make up for the lack.
November 4, 2008
Something is happening in Russia, during Napoleon's retreat, and it is connected to a war in the future and events in an idyllic garden that is located... somewhere else.
The Doctor and his companions are scattered through time and caught up in events that they aren't entirely sure about what's going on and what they can do to fix any of it.
Not a bad story, but you spend most of it trying to figure out how it all fits together and when it does, it feels vaguely unsatisfying.
Liked the stuff set in Russia, but the future setting feels generic and flat.
While the Eighth Doctor got a raw deal on TV and the books can be terribly uneven, they made up for it by giving him great companions.
Fitz is his usual trying hard to be a heroic adventurer and only occasionally succeeding self, and the new girl, a con woman that the Doctor doesn't entirely trust and I thinks lets stay just so he can keep an eye on her was fun.
We rarely get a sneaky companion. On the new TV show it's just one big lovefest.
Not a great read, but better than most.
The Doctor and his companions are scattered through time and caught up in events that they aren't entirely sure about what's going on and what they can do to fix any of it.
Not a bad story, but you spend most of it trying to figure out how it all fits together and when it does, it feels vaguely unsatisfying.
Liked the stuff set in Russia, but the future setting feels generic and flat.
While the Eighth Doctor got a raw deal on TV and the books can be terribly uneven, they made up for it by giving him great companions.
Fitz is his usual trying hard to be a heroic adventurer and only occasionally succeeding self, and the new girl, a con woman that the Doctor doesn't entirely trust and I thinks lets stay just so he can keep an eye on her was fun.
We rarely get a sneaky companion. On the new TV show it's just one big lovefest.
Not a great read, but better than most.
December 26, 2011
I’m incredibly fortunate to be able to call Simon Forward a friend. That friendship arose quite a number of years after I first read this, and this novel is why I was so gasted in my flabber when we first interacted - it’s a beautiful, clever, witty, funny, technically and artistically well executed piece of writing, and I was in awe when first I read it. Timey-wimey before that was a thing, it straddles (at least) three distinct epochs and draws those time periods so incredibly well you feel you’re living there. Like all good stories it’s a beginning, middle and end, and like all good *Doctor Who* stories they don’t necessarily occur in that order.
Every single character feels real, and fully fleshed out. You care about the vast majority, and revile those couple of villains whose actions and motivations are so incredibly plausible and real you almost feel dirty for understanding them. This is high art masquerading as sci-fi.
Talk about having big, expansive goals and fucking nailing it.
Every single character feels real, and fully fleshed out. You care about the vast majority, and revile those couple of villains whose actions and motivations are so incredibly plausible and real you almost feel dirty for understanding them. This is high art masquerading as sci-fi.
Talk about having big, expansive goals and fucking nailing it.
June 10, 2015
I'm one of those people that never lets a book go unfinished, and this one made me regret it. Very bluntly put, there were a lot of things going on - very few of which managed to actually hold my interest, and there were a lot of characters - none of which I found myself particularly invested in, strangely including even the Doctor. On top of that, the author seemingly couldn't stop himself in writing very embellished descriptions of all the women, constantly drawing attention to their figures and their beauty (I exclude Aphrodite in that because, fair enough, it's what you'd expect for the goddess of love and beauty). It became increasingly more tedious to read.
September 5, 2015
An interesting tale, in that it's one of the few Who novels to deal with romance. The switches between time periods could have been better executed, I think. It was neat to see the year 5000 as referred to in "Talons of Weng-Chiang," but I wish (between Kinzhal and the Russian UNIT commander knowing the Doctor) that someone would establish exactly how much the removal of Gallifrey has changed pre-existing continuity. (Maybe Lance Parkin's updated History will clear this up?)
September 18, 2016
Intriguing.
Displaying 1 - 10 of 10 reviews