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Winterland
"Timely, topical, and thrilling."-- John Connolly
"A terrific read...completely involving."-- George Pelecanos
"WINTERLAND sets a dramatically high benchmark for emerald noir. With all the operatic inevitability of Greek tragedy, it anatomises what greed has done to Ireland. A resonant, memorable and uncomfortable read."-- Val McDermid
"This is the colossus of Irish crime fiction, what Mystic River did for Dennis Lehane, WINTERLAND should do for Alan Glynn, it is a noir masterpiece, the bar against which all future works will be judged."
-- Ken Bruen
Winterland is a blistering unputdownable novel about power, lies and the corrupting influence of money. It is the first in a series on the dark and clandestine underside of globalization and announces a compelling new voice in contemporary crime writing.
The worlds of business, politics and crime collide when two men with the same name, from the same family, die on the same night—one death is a gangland murder, the other, apparently, a road accident. Was it a coincidence? That’s the official version of events. But when a family member, Gina Rafferty, starts asking questions, this notion quickly unravels.
Devastated by her loss, Gina’s grief is tempered, and increasingly fuelled, by anger—because the more she’s told that it was all a coincidence, that gangland violence is commonplace, that people die on our roads every day of the week, the less she’s prepared to accept it. Told repeatedly that she should stop asking questions, Gina becomes more determined than ever to find out the truth, to establish a connection between the two deaths—but in doing so she embarks on a path that will push certain powerful people to their limits...
"A terrific read...completely involving."-- George Pelecanos
"WINTERLAND sets a dramatically high benchmark for emerald noir. With all the operatic inevitability of Greek tragedy, it anatomises what greed has done to Ireland. A resonant, memorable and uncomfortable read."-- Val McDermid
"This is the colossus of Irish crime fiction, what Mystic River did for Dennis Lehane, WINTERLAND should do for Alan Glynn, it is a noir masterpiece, the bar against which all future works will be judged."
-- Ken Bruen
Winterland is a blistering unputdownable novel about power, lies and the corrupting influence of money. It is the first in a series on the dark and clandestine underside of globalization and announces a compelling new voice in contemporary crime writing.
The worlds of business, politics and crime collide when two men with the same name, from the same family, die on the same night—one death is a gangland murder, the other, apparently, a road accident. Was it a coincidence? That’s the official version of events. But when a family member, Gina Rafferty, starts asking questions, this notion quickly unravels.
Devastated by her loss, Gina’s grief is tempered, and increasingly fuelled, by anger—because the more she’s told that it was all a coincidence, that gangland violence is commonplace, that people die on our roads every day of the week, the less she’s prepared to accept it. Told repeatedly that she should stop asking questions, Gina becomes more determined than ever to find out the truth, to establish a connection between the two deaths—but in doing so she embarks on a path that will push certain powerful people to their limits...
320 pages, Hardcover
First published January 1, 2008
34 people are currently reading
672 people want to read
About the author
Alan Glynn
7 books216 followersAlan Glynn is a graduate of Trinity College. His first novel, The Dark Fields, was released in March 2011 as the movie Limitless by Relativity Media. He is also the author of Graveland, Winterland and Bloodland, for which he won the 2011 Irish Book Award.
http://us.macmillan.com/author/alanglynn
http://us.macmillan.com/author/alanglynn
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Displaying 1 - 30 of 65 reviews
October 12, 2018
I chose to read this after watching the film of Glynn's book The Dark Fields (re-titled as 'Limitless' and set in America rather than Ireland) which has marvellous plotting. This novel too would be very filmable, but I hope the setting would remain in Dublin. It doesn't have such an endearing protagonist as in Dark Fields, but it is a good example of the genre - Irish noir - in the same company as Adrian McKinty and Declan Hughes.
January 14, 2021
Alan Glynn intrigue in politico and criminal worlds within Dublin, Ireland. For me, this one didn't work as well for unique plays or tension as his others. Still a good read with excellent writing and prose flow. Only recommend if you like fairly dark and brutal. Noir more than cozy. Language foul is always used more than it needs to be.
March 26, 2010
The most delicious part of Winterland is the way the characters are managed and developed. Both Gina, the order loving protagonist, and Paddy, the pill-popping antagonist, are mercilessly unraveled, strung out by their obsessions. Glynn evokes a relationship between Gina and Mark, the somewhat deranged survivor of childhood tragedy, so intimate it transcends sex or even proximity since they only meet once, briefly over coffee, and still manage to save each other's lives.
My only complaint is that Glynn throws away, Christy, the star of the most effectively constructed shooting scene I've ever read, after the brilliant opening sequence. The plot is pretty traditional noir, but every time you think you know where the story is going, Glynn drops you just to the side of it, leaving you deliciously off balance, and from car alarms to crowbars, there's not an extraneous object in sight.
My only complaint is that Glynn throws away, Christy, the star of the most effectively constructed shooting scene I've ever read, after the brilliant opening sequence. The plot is pretty traditional noir, but every time you think you know where the story is going, Glynn drops you just to the side of it, leaving you deliciously off balance, and from car alarms to crowbars, there's not an extraneous object in sight.
June 27, 2013
If this book had been 200 pages shorter it would have been very much better. However, a pretty ordinary story with an ending that was completely predictable was stretched out over almost 500 pages and that was far too long; the plot just could not support a book of that length.
The main character was, at first, quite interesting and I found myself caring what happened to her. However once she turned into some sort of action woman; shooting, kicking, taking hostages, she lost most of her credibility for me. Several characters appeared and vanished or became very superficial and the political plot line was not realised fully.
The villain gave up his secrets far too easily and his ending was, as I say above, very predictable and a complete cop-out by the writer. He tried to create suspense by dragging the ending out but it was too obvious and so there was no suspense - just irritation and feeling of "why don't you get on with it".
All very disappointing.
Having said all that, I recognise that I am one of the few who did not think much of this book. Most other reviewers are far more positive about it than I am. So I will try another Alan Glynn book and maybe I will be converted.
The main character was, at first, quite interesting and I found myself caring what happened to her. However once she turned into some sort of action woman; shooting, kicking, taking hostages, she lost most of her credibility for me. Several characters appeared and vanished or became very superficial and the political plot line was not realised fully.
The villain gave up his secrets far too easily and his ending was, as I say above, very predictable and a complete cop-out by the writer. He tried to create suspense by dragging the ending out but it was too obvious and so there was no suspense - just irritation and feeling of "why don't you get on with it".
All very disappointing.
Having said all that, I recognise that I am one of the few who did not think much of this book. Most other reviewers are far more positive about it than I am. So I will try another Alan Glynn book and maybe I will be converted.
October 20, 2020
Very clever and dark thriller set in modern Dublin. Fast moving, gripping and with a few good turns
January 31, 2010
Two men with the same first name, Noel die on the same night. Is this just a bizarre coincidence or is there some connection to these two men’s deaths? Both men died in different ways.
The first was Noel Rafferty, who was part of a Dublin gang. He was known as “Grassy Noel” because he enjoyed partaking in smoking marijuana over hash. Grassy Noel was one of the top lieutenants in the gang.
The other Noel was also from the Rafferty family. He was the older Mr. Rafferty. His death was being ruled as a tragic accident.
No one believes the two deaths are connected. The only person who does is Gina Rafferty. She will stop at nothing to get justice for her family.
Winterland by Alan Glynn is the first book I have read by this author. I thought it was pretty good. It started out alright but lost some steam throughout parts of the books. Though, the ending was good. The only person I really found of interest was Gina. When she wasn’t in the scenes than I didn’t really pay attention to what was transpiring between the other characters. What made Gina appealing to me was her drive and determination to uncover the truth behind the deaths of her family members. Overall, Winterland is a pretty good novel worth giving it a try.
The first was Noel Rafferty, who was part of a Dublin gang. He was known as “Grassy Noel” because he enjoyed partaking in smoking marijuana over hash. Grassy Noel was one of the top lieutenants in the gang.
The other Noel was also from the Rafferty family. He was the older Mr. Rafferty. His death was being ruled as a tragic accident.
No one believes the two deaths are connected. The only person who does is Gina Rafferty. She will stop at nothing to get justice for her family.
Winterland by Alan Glynn is the first book I have read by this author. I thought it was pretty good. It started out alright but lost some steam throughout parts of the books. Though, the ending was good. The only person I really found of interest was Gina. When she wasn’t in the scenes than I didn’t really pay attention to what was transpiring between the other characters. What made Gina appealing to me was her drive and determination to uncover the truth behind the deaths of her family members. Overall, Winterland is a pretty good novel worth giving it a try.
November 25, 2018
A decent Dublin based thriller, if a bit slow to develop. The characters are strong but the plot is rather linear - there was no real surprises as things developed. pretty much as expected.
Two men called Noel from the same family die on the same night. The younger is a crime figure, the older a respected structural engineer. It becomes clear far too easily that the latter was the real target. There was a real missed opportunity for misdirection here, and very little of a police investigation is mentioned.
Gina, the sister and aunt of the murdered men, picks up on the real story, which involves a major construction project and links to a senior politician, whose brother was killed in a car crash that claimed several lives - but there was a survivor.
Overall this one held my attention reasonably well, but the basic plot elements should have led to a much more thrilling novel.
Two men called Noel from the same family die on the same night. The younger is a crime figure, the older a respected structural engineer. It becomes clear far too easily that the latter was the real target. There was a real missed opportunity for misdirection here, and very little of a police investigation is mentioned.
Gina, the sister and aunt of the murdered men, picks up on the real story, which involves a major construction project and links to a senior politician, whose brother was killed in a car crash that claimed several lives - but there was a survivor.
Overall this one held my attention reasonably well, but the basic plot elements should have led to a much more thrilling novel.
August 25, 2010
Great book. I really cared about the characters enough to be kind of sad when it ended....I am still debating in my mind if I like how the "bad guy" died in the end. the story was current and I liked how the author connected all the pieces. and I liked the background info the author provided, very detailed but it tied it all together.
July 30, 2020
Alan Glynn, the author of the book the movie “Limitless” is based on, here dabbles in emerald noir, but it’s not the Tana French variety of emerald noir, though Glynn does explore the after-effects of the Celtic Tiger, the boom that transformed Ireland from a quaint backwater to a significant economic force in the EU.Unlike French, Glynn doesn’t do deep, psycho-social background on his characters. He focuses on their actions, though for much of the novel, his heroine, Gina, doesn’t really know what she’s doing. She’s simply searching for answers to the deaths of her nephew and her brother, two men who shared the same first and last name and departed this world on the same day. Her brother Noel was an engineer and an altogether good guy. Her nephew was a minor-league thug. Nobody was surprised when he got assassinated in a pub one night, but when his uncle dies the same night in a car accident, it begins to smell a bit fishy, at least to Gina.Politics and business form the usual corrupt, ugly mix here, concocted by one powerful character completely lacking in moral fiber, and Gina’s sleuthing eventually turns up a connection between another “accident” that had occurred twenty years earlier and left ruined lives left in its wake, and the deaths of her brother and nephew. The book is fast-paced and gritty, but not too gritty. It’s the kind of novel that can be turned into a screenplay with a few simple changes in formatting. But once it hooks you, you won’t be able to stop reading until all the questions have been answered, even if, for the characters, only some of the loose ends are tied up.
January 8, 2023
Alan Glynn’s crime thriller makes good use of its Irish setting and the impact of property development on the economy and society but the initial murder twist is quite contrived and the plot becomes more contrived as it goes on. It’s not helped by the fact that neither Gina, Norton nor Bolger really feel like fully realised characters, which makes it difficult to empathise with them. Ultimately it’s not a bad read but it didn’t really gel for me.
May 27, 2017
After reading Limitless (the dark fields) and thoroughly enjoying it, I was quite excited to read another book by Alan Glynn, but unfortunately I was left a little disappointed with this novel. I found the story a bit generic and underwhelming, and it's characters a little bit two-dimensional. I still think it's worth a read but I just expected something better.
February 28, 2018
This was my first Alan Glynn novel, bought on a whim. I am a fan of his writing style, and plan on reading more of his books.
October 3, 2021
Mooie verhaal en plot.
October 12, 2022
political crime fiction, not that good not that bad
January 19, 2013
I picked up this title because I was thoroughly impressed with the writing of Alan Glynn in Limitless. And this book also orchestrates the same fluent, reader-captivating persona that Glynn's talent is.
Winterland is a crime thriller which takes place in the idyllic town of Dublin in Ireland. Irish city and it's landmarks are vivid in description. The story is short spanned, happens within a period of three weeks. And in these three weeks, the life of Gina Rafferty spirals in, recoils out and she unravels the most gruesome truth that she has ever faced.
One evening, within few hours, Gina's nephew and brother, both named Noel, dies. One by a gunshot and one in a speculated car accident. Gina sees the swell of people who gather around in the mourning. But somehow, her gut feeling doesn't subside. She can't put the two deaths in different strings, can't accept them that they are not a part of a homogeneous subversion. She starts to become agitated and starts fact finding and soon meets a unholy mess of events.
The other story is about construction maverick Paddy Norton and his biggest project till date, The Richmond Plaza towering in the Dublin sky. Richmond Plaza is poised to be the biggest sky-scrapper in Ireland and one of the tallest in Europe. Gina's brother Noel was the chief construction engineer for Richmond Plaza before his untimely death. On other side, Paddy Norton has a long, time-tested tie with soon-to-be-prime-minister of Ireland, Larry Bolger. Larry started into politics 25 years ago, after his brother who was supposed to take a leading position in the Irish politics died in another car wreck with three other people.
The third story is about those three other people, well not about them but the only blood relationship of those three other people - Mark Griffin. He is the usual guy raised by his uncle and aunt who knows that Larry Bolger's rise to power is related with the car wreck that happened 25 years ago. And like Gina, he also can't put this story to rest, however he doesn't do anything, only cringes inside. Unless he is approached by Gina who states that she sees a pattern in the accidents of her brother and Mark's family.
But is this a discernible image. No, this is a pattern that can't be proved in facts, can't be extrapolated linearly with the proof that Police has to show. The line blurs somewhere and this is where Gina starts to do things. She starts to question people, starts to doubt motives of people and even wonders whether they are connected to something as long as 25 years ago.
Told in Glynn's unmistakeable lucid prose, wonderfully crafted and engagingly keeping the reader on his/her toes, this is one hell of a crime thriller. Viscerally wrenching with suspense, this is a true page turner. The story starts off slowly and then it develops the pace and just runs to the end in a stretch, without giving the reader any respite.
The difference between this one and other books of the same genre is that here, from the very beginning, we know what the links are and who is the mastermind behind all the crimes. How the aspiration of greed lubricated with the power of politics goes beyond bound, crawls beyond proportion. This is a chain of events that keeps going vertically to the shams of corruption and blood-fest. And Glynn lays it bare, he lays it bare that who is the criminal. But the reader still keeps reading to know how did it reach to the tip of the toe, how did the sky-kissing Richmond Plaza crashes into other people, tormenting people and defining truth.
Having read quite a few contemporary thrillers, I must say that this is not the path-breaker. This is not the best of the lot, this is not the epic story of Lisbeth Salander. The plot is definitely interesting but it is modestly sowed. It is not weak, it is not astounding but it is what the characters needed and that is where the novel excels. Bearing a distinct degree of separation of how crime suspense is dealt in contemporary novels, this is a fascinatingly engrossing tale.
Recommendation - Go read it and judge. 4 out of 5.
Winterland is a crime thriller which takes place in the idyllic town of Dublin in Ireland. Irish city and it's landmarks are vivid in description. The story is short spanned, happens within a period of three weeks. And in these three weeks, the life of Gina Rafferty spirals in, recoils out and she unravels the most gruesome truth that she has ever faced.
One evening, within few hours, Gina's nephew and brother, both named Noel, dies. One by a gunshot and one in a speculated car accident. Gina sees the swell of people who gather around in the mourning. But somehow, her gut feeling doesn't subside. She can't put the two deaths in different strings, can't accept them that they are not a part of a homogeneous subversion. She starts to become agitated and starts fact finding and soon meets a unholy mess of events.
The other story is about construction maverick Paddy Norton and his biggest project till date, The Richmond Plaza towering in the Dublin sky. Richmond Plaza is poised to be the biggest sky-scrapper in Ireland and one of the tallest in Europe. Gina's brother Noel was the chief construction engineer for Richmond Plaza before his untimely death. On other side, Paddy Norton has a long, time-tested tie with soon-to-be-prime-minister of Ireland, Larry Bolger. Larry started into politics 25 years ago, after his brother who was supposed to take a leading position in the Irish politics died in another car wreck with three other people.
The third story is about those three other people, well not about them but the only blood relationship of those three other people - Mark Griffin. He is the usual guy raised by his uncle and aunt who knows that Larry Bolger's rise to power is related with the car wreck that happened 25 years ago. And like Gina, he also can't put this story to rest, however he doesn't do anything, only cringes inside. Unless he is approached by Gina who states that she sees a pattern in the accidents of her brother and Mark's family.
But is this a discernible image. No, this is a pattern that can't be proved in facts, can't be extrapolated linearly with the proof that Police has to show. The line blurs somewhere and this is where Gina starts to do things. She starts to question people, starts to doubt motives of people and even wonders whether they are connected to something as long as 25 years ago.
Told in Glynn's unmistakeable lucid prose, wonderfully crafted and engagingly keeping the reader on his/her toes, this is one hell of a crime thriller. Viscerally wrenching with suspense, this is a true page turner. The story starts off slowly and then it develops the pace and just runs to the end in a stretch, without giving the reader any respite.
The difference between this one and other books of the same genre is that here, from the very beginning, we know what the links are and who is the mastermind behind all the crimes. How the aspiration of greed lubricated with the power of politics goes beyond bound, crawls beyond proportion. This is a chain of events that keeps going vertically to the shams of corruption and blood-fest. And Glynn lays it bare, he lays it bare that who is the criminal. But the reader still keeps reading to know how did it reach to the tip of the toe, how did the sky-kissing Richmond Plaza crashes into other people, tormenting people and defining truth.
Having read quite a few contemporary thrillers, I must say that this is not the path-breaker. This is not the best of the lot, this is not the epic story of Lisbeth Salander. The plot is definitely interesting but it is modestly sowed. It is not weak, it is not astounding but it is what the characters needed and that is where the novel excels. Bearing a distinct degree of separation of how crime suspense is dealt in contemporary novels, this is a fascinatingly engrossing tale.
Recommendation - Go read it and judge. 4 out of 5.
November 3, 2025
Gripping read. Refreshing to read a crime novel that doesn't involve a neurotic detective.
June 8, 2010
"Winterland", by Alan Glynn
Mr Glynn very kindly sent me a synopsis of his book, which is categorised as a literary thriller
with noir over and under tones,
rather than as a gritty crime novel.
"It has elements of the crime thriller in it, but I wrote it simply as a novel.
The main character in the book is a young woman, Gina Rafferty, who refuses to be lied to.
Two deaths occur in her family on the same night and she refuses to accept that it was a coincidence.
Her pursuit of an honest answer leads her through the worlds of business,
politics and crime and to the unravelling of a dynamic in Irish life where people tell lies, cover them up, create all sorts of collateral damage over decades and never take responsibility.
One strand of the plot involves the construction of a high rise office building down in the docklands by a man who becomes Gina's nemesis or opposite.
One of the things I was trying to do with these two characters was create a simultaneous sense that 'the centre cannot hold' and that actually maybe, with adjustment, it can.
In an exciting abstract way I see an echo of that in your image."
Much has been written about the astonishing greed of the past fifteen years.
However, the Celtic Tiger did bring a sense of vitality to our lives and now
that we are in post-boom times, our artists are offering considered explorations of
what exactly seems to have happened and "where it all almost went wrong".
I am an optimist. I expect that Alan Glynn will manage to get the centre to hold
in his much anticipated novel.
I have read that Mr Glynn has regard for James Joyce, who seems to have settled into the role of venerable patriarch to the city's numerous writers.
Dubliners, whose city motto is "Obedienta Civium Urbis Felicitas"...
"Happy the city where citizens obey"..
are survivors. There is more to their story than the ones told through the moroseness of the many writers who chose exile rather than live in a place that did not suit their psychological needs.
Since the world of publishing is now a global phenomenon it is heartening to see writers living in our city and following its narrative as insiders at last.
Dublinia
posted by Tales from the Birch Wood. at 4:38 PM
3 Comments:
Blogger DaviMack said...
Congratulations on getting published, then! Cover art? Woo!
10/15/2009 6:56 PM
Blogger Cathy said...
Congratulations indeed! Will be looking out for the book and its cover.
10/16/2009 8:47 AM
Blogger Tales from the Birch Wood. said...
Thank you both.
It has been a dramatic few months and certainly a reason to focus more clearly on photography.
Cover art is very fashionable, it seems.
May 31, 2011
There is a distinct correlation between Alan Glynn's 'Winterland' and Dennis Lehane's 'Mystic River' insomuch as they are touted as noir masterpieces, the forefront of the new wave so to speak, with each respective novel thrusting the author into stardom and instant industry respect. Having now read both, I can draw the comparisons and conclude they are alike in terms of plot pace and deep seeded character development. Personally I like my noir boiling over the pan, whereas Glynn (like Lehane's Mystic River) was more a simmer with the occasional spill over burn - if it were faster and a little less bogged down in detail, 'Winterland' could hold claim to the finest real estate noir written but being better in premise than delivery it falls short of the title. Having started with a gritty gangland murder and subsequent car cash death, the Rafferty family is in mourning and looking for answers. Enter Gina, sister of the elder Noel, aunt of the younger, who becomes obsessed with linking the deaths and assumes a quasi private eye persona to find who, if anyone, is responsible. Gina, for the most part is an accidental hero type rather than the no holds barred heroine I would've liked (some say this is more real, I want more hardness and rough edges to my noir) who apprehensively bounds from one violent confrontation to the next all the way to the story's showdown conclusion. 'Winterland' has the makings of a solid Hollywood movie - politics, high roller backstabbing, cover-ups, money, cross continent interests, and thrills a plenty, for me, however, to say 'Winterland' is noir is diluting the brand a little - its a solid murder mystery/crime that, while longer than it should've been, is still quite enjoyable - 3 stars.
May 7, 2012
In Winterland Alan Glynn manages to intertwine two criminal cultures of Ireland – the gangland underworld and the boardrooms of corrupt developers and political cronies. It’s a searing social commentary on Irish life, full of keen observational insight and emotional depth. Glynn writes with deceptively engaging prose, appearing quite ordinary but actually well layered and lyrical. The principal characters are all nicely developed, with full contextual back stories. The plot was well structured and despite the story being framed as a thriller that links a disparate set of characters it is very believable. One of the things I found quite fascinating is that Winterland is not a whodunit or even a howdunnit. The reader knows pretty much from the start who did the killings, why and how. They also know the answers to the secondary story. And yet, Glynn manages to maintain and ratchet up the tension throughout. It was an interesting approach and worked surprisingly well. The story is slightly flabby in places and could have done with a little tightening, and the ending felt a tad weak even though it had nice symmetry, but these are minor issues. Overall, a very entertaining read that provides real insight into twenty first century Ireland.
November 10, 2015
Winter Land started off at a cracking pace and the opening scene in the smoking area of a Dublin pub is very impressive. The plot is contemporary covering, as it does, issues such as planning irregularities, political corruption, short cuts in building construction and murder.
The characters are diverse and interesting from the smarmy developer, the ambitious politician, the gangster to the hero and heroine, both of whom are attractive and exciting.
The basic plot is strong and, for the first half of the novel, the narrative is gripping. Where Winter Land goes off the rails slightly is that it becomes increasingly incredible and the reader is left wondering whether or not people would have responded, as they do in the book, if they found themselves in similar situations.
My other gripe is that I like my loose ends tied up. However, I shall read more novels by Alan Glynn.
David Lowther. Author of The Blue Pencil, Two Families at War and Liberating Belsen, all published by Sacristy Press.
The characters are diverse and interesting from the smarmy developer, the ambitious politician, the gangster to the hero and heroine, both of whom are attractive and exciting.
The basic plot is strong and, for the first half of the novel, the narrative is gripping. Where Winter Land goes off the rails slightly is that it becomes increasingly incredible and the reader is left wondering whether or not people would have responded, as they do in the book, if they found themselves in similar situations.
My other gripe is that I like my loose ends tied up. However, I shall read more novels by Alan Glynn.
David Lowther. Author of The Blue Pencil, Two Families at War and Liberating Belsen, all published by Sacristy Press.
July 11, 2011
I could not read this book fast enough. I mean, the reading experience was like watching a thriller in slow motion – which, while mildly frustrating, is not at all a bad quality in a book. The super-short paragraphs really move you through the prose.
My only gripe is that I didn’t feel like I knew anything about protagonist Gina Rafferty. The other characters were vivid and real – even minor ones like Christy, whom Glynn gives all of 10 pages to come to life. I think we don’t get to know enough about who Gina is before her life is turned upside down; we can’t appreciate her transformation through tragedy, because the only thing we know about her beforehand is that she liked some techno music others couldn’t appreciate (an interesting detail, used well, but not enough).
My only gripe is that I didn’t feel like I knew anything about protagonist Gina Rafferty. The other characters were vivid and real – even minor ones like Christy, whom Glynn gives all of 10 pages to come to life. I think we don’t get to know enough about who Gina is before her life is turned upside down; we can’t appreciate her transformation through tragedy, because the only thing we know about her beforehand is that she liked some techno music others couldn’t appreciate (an interesting detail, used well, but not enough).
October 21, 2013
Ireland has had a roller-coaster ride over the past decade or two, and it doesn't look much like the sentimentalized Emerald Isle a lot of Yanks hold dear. Alan Glynn writes about a very contemporary Ireland with financial wizards and gangsters all making a killing in various senses of the phrase. Gina Rafferty's nephew and brother, both named Noel, die violently within hours of each other; she seems to be the only one who finds this coincidence suspicious. Asking questions leads her to a Dublin property developer with a lot riding on a fortune-making, skyline-changing development. He has the next Taoiseach in his pocket and an ex-paramilitary thug on his payroll; complications ensue.
I like Glynn because he writes about real people in the real world.
I like Glynn because he writes about real people in the real world.
October 21, 2015
Liked it. Not as much as I liked Dark Fields/Limitless, but that's mainly because I enjoyed the humor of the latter so much. For some reason I had a hard time getting into this one before about 50-100pp, but then I was solidly in its grip. It became very juicy and strong. I enjoy this author's observational skills - he takes in amd conveys the way a room changes when its population changes, and there is a lovely subtlety to the way his characters think amd express themselves. If you're buying it because it's a thriller, you're getting more than you're paying for, and that is such a nice, welcome surprise. I'm grateful Dark Fields was made into a film because otherwise I may not have heard of this guy, and that would be a real shame. I look forward to plowing through more of his material.
February 1, 2016
Noel Rafferty wordt in een pub in Dublin koelbloedig doodgeschoten. Zijn moeder en tantes zijn kapot van het nieuws. Noel Rafferty was geen brave huisvader maar danig op weg om zelf een crimineel te worden. Daarom wordt de dader al snel in maffia kringen gezocht.
Noel, oom van de jonge Noel Rafferty, komt dezelfde dag te overlijden bij een auto-ongeluk. Gina, zus van en oom van, gelooft niet in toeval en gaat op onderzoek uit.
Er is duidelijk meer aan de hand, politiek en ondernemerschap, fraude, steekpenningen en doofpotaffaires gaan hand in hand in dit boek.
Ik vond het boek een tegenvaller.
Noel, oom van de jonge Noel Rafferty, komt dezelfde dag te overlijden bij een auto-ongeluk. Gina, zus van en oom van, gelooft niet in toeval en gaat op onderzoek uit.
Er is duidelijk meer aan de hand, politiek en ondernemerschap, fraude, steekpenningen en doofpotaffaires gaan hand in hand in dit boek.
Ik vond het boek een tegenvaller.
July 5, 2010
Better-than-average crime novel set in present Dublin (with only a minor nod toward Joyce – things come together, or fall apart, by the Martello tower where Ulysses begins). The writing is good, the characters shape up quickly. The plot, though solid, winds up being less interesting than the sum of its elements. Glynn's technique of developing the story through the eyes of several characters at once sets his book a few notches above the typical crime novel, but ultimately dilutes its power. By the end, I felt that the strands of the story had come apart in my hands.
March 1, 2011
What amazed me most about this book is how fast-paced it feels. It's long, but there's so much tension that builds so well, I flew threw it. Especially impressive considering that the events only span a few days.
Winterland has a wide array of fascinating characters. Especially recommended for folks who like a bit of political intrigue in their crime fiction. The depictions of modern Ireland and its government were fascinating. The subject matter and political bent reminded me a lot of In This Rain, but this one was at once more wide-ranging and more coherent. Ambitious and excellent.
Winterland has a wide array of fascinating characters. Especially recommended for folks who like a bit of political intrigue in their crime fiction. The depictions of modern Ireland and its government were fascinating. The subject matter and political bent reminded me a lot of In This Rain, but this one was at once more wide-ranging and more coherent. Ambitious and excellent.
February 12, 2013
So much promise. Didn't deliver. There's a reason for this: The book is about 150 pages too long. After a while, the story just dragged on, like Glynn was on a word count. There was some fine passages for sure, but parts were rather dull and tedious. Took away from a rather strong concept and plot. Winterland needed an infusion of energy, I struggled to reach a conclusion that was generally made known from the outset. Not sure I'd give this high marks for suspense. I would give it high marks for concept, a rich texture of narrative.
June 29, 2013
A great little 'howcatchem' (in the style of Columbo, rather than a whodunnit), set in Ireland just as the boom is turning to bust. With corrupt politicians, developers etc, reading it by coincidence the week of the Anglo Irish tapes story made the uncertain days of 2008-2009 all the more vivid! I loved the hook of the two Noels, which really sets up the entire story. While the book is probably a bit long and the ending a smidgin disappointing, that doesn't really take away from what the book offers, which is page-turning fun! Great Irish crime thriller fun.
November 4, 2014
A blockbuster of a crime novel that I could not put down.Two members of family with the same name
met their death; one by a gangland murder. And the other ---by a questionable accident.
The youngest sister of the family Gena Rafferty asked to many questions and she was faced with
possible harm. This novel is about corruption---hidden past and who was responsible for multiple deaths.
It takes place in Dublin,and the building that was built took many lives
A fantastic book.And Gena is terrific!
met their death; one by a gangland murder. And the other ---by a questionable accident.
The youngest sister of the family Gena Rafferty asked to many questions and she was faced with
possible harm. This novel is about corruption---hidden past and who was responsible for multiple deaths.
It takes place in Dublin,and the building that was built took many lives
A fantastic book.And Gena is terrific!
May 2, 2015
I thought that the book was so-so. Unfortunately there was not enough suspense for my taste. The plot was either too predictable, or unbelievable. I also thought that the book would have been better if the author tried creating atmosphere of Dublin. I have never been to Ireland and was hoping to get some sense of how it feels being in Dublin, walking its streets, and so on... Judging from the book it seems to be a very generic place. The entire book seemed to me too simplistic and generic, as if a teenager wrote it. But at least it was an easy and not unpleasant if lengthy read.
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